Heinrich Schenker
Dados Biográficos
| ID | 1035032 |
|---|---|
| NOME | Heinrich Schenker |
| PRENOMES | Heinrich |
| SOBRENOME | Schenker |
| ASSINATURA | SCHENKER H |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 11 |
| TOTAL DE CITAÇÕES | 3 |
| OBRAS COMO AUTOR | 11 |
| OBRAS COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1979 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2005 |
| ÍNDICE H | 1 |
Über den Niedergang der Kompositionskunst
Towards the end of 1905, while putting the finishing touches to his Harmonielehre, Schenker conceived an essay that would show how the course of music after Beethoven moved essentially in two directions: the first in which the 'aristocratic' genius of the classical masters (Schubert, Chopin, Schumann and - in the realm of cyclic composition - Mendelssohn and Brahms) continued to develop according to autonomous musical principles, and a second whe…
The Decline of the Art of Composition
Ihr Bild (August 1828)
The Art of Translating Schenker
Heinrich Schenker, Polemicist
Counterpoint
Three Essays from 'Neue Revue' (1894-7)
J. S. Bach's Chromatic Fantasy and Fugue
Schenker's Counterpoint
Free Composition (Der freie Satz)
Harmony
Über den Niedergang der Kompositionskunst
Towards the end of 1905, while putting the finishing touches to his Harmonielehre, Schenker conceived an essay that would show how the course of music after Beethoven moved essentially in two directions: the first in which the 'aristocratic' genius of the classical masters (Schubert, Chopin, Schumann and - in the realm of cyclic composition - Mendelssohn and Brahms) continued to develop according to autonomous musical principles, and a second whe…
The Decline of the Art of Composition
Heinrich Schenker, Polemicist
Harmony
Free Composition (Der freie Satz)
Three Essays from 'Neue Revue' (1894-7)
J. S. Bach's Chromatic Fantasy and Fugue
Schenker's Counterpoint
Counterpoint
Heinrich Schenker, Polemicist
The Art of Translating Schenker
Ihr Bild (August 1828)
Über den Niedergang der Kompositionskunst
Towards the end of 1905, while putting the finishing touches to his Harmonielehre, Schenker conceived an essay that would show how the course of music after Beethoven moved essentially in two directions: the first in which the 'aristocratic' genius of the classical masters (Schubert, Chopin, Schumann and - in the realm of cyclic composition - Mendelssohn and Brahms) continued to develop according to autonomous musical principles, and a second whe…
The Decline of the Art of Composition
Art (10 obras) · Literature (7 obras) · Musicology and Musical Analysis (6 obras) · Philosophy (4 obras) · Psychology (4 obras) · Physics (3 obras) · Art history (2 obras) · Bach Studies and Logistics Development (2 obras) · Citation (2 obras) · Computer Science (2 obras)