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Heinrich Schenker

Dados Biográficos

ID1035032
NOMEHeinrich Schenker
PRENOMESHeinrich
SOBRENOMESchenker
ASSINATURASCHENKER H
VERIFICADONão
TOTAL DE OBRAS11
TOTAL DE CITAÇÕES3
OBRAS COMO AUTOR11
OBRAS COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1979
ANO MAIS RECENTE DE PUBLICAÇÃO2005
ÍNDICE H1
  • Über den Niedergang der Kompositionskunst

    Open Access•Heinrich Schenker, William Drabkin•ARTICLE•Music Analysis•2005•Citada por: 1

    Towards the end of 1905, while putting the finishing touches to his Harmonielehre, Schenker conceived an essay that would show how the course of music after Beethoven moved essentially in two directions: the first in which the 'aristocratic' genius of the classical masters (Schubert, Chopin, Schumann and - in the realm of cyclic composition - Mendelssohn and Brahms) continued to develop according to autonomous musical principles, and a second whe…

  • The Decline of the Art of Composition

    Open Access•Heinrich Schenker, William Drabkin•ARTICLE•Music Analysis•2005•Citada por: 1

  • Ihr Bild (August 1828)

    Open Access•Heinrich Schenker•ARTICLE•Music Analysis•2000

  • The Art of Translating Schenker

    Robert Snarrenberg, Heinrich Schenker et al.•ARTICLE•Music Analysis•1996

  • Heinrich Schenker, Polemicist

    Norman Cook, Nicholas Cook et al.•ARTICLE•Music Analysis•1995•Citada por: 1

  • Counterpoint

    William Drabkin, Heinrich Schenker et al.•ARTICLE•Music Analysis•1989

  • Three Essays from 'Neue Revue' (1894-7)

    Heinrich Schenker, Jonathan Dunsby et al.•ARTICLE•Music Analysis•1988

  • J. S. Bach's Chromatic Fantasy and Fugue

    John Rink, Heinrich Schenker et al.•ARTICLE•Music Analysis•1988

  • Schenker's Counterpoint

    Carl Schachter, Heinrich Schenker•ARTICLE•The Musical Times•1988

  • Free Composition (Der freie Satz)

    Michael Musgrave, Heinrich Schenker et al.•ARTICLE•Music Analysis•1982

  • Harmony

    William Drabkin, Heinrich Schenker et al.•ARTICLE•The Musical Times•1979

  • Über den Niedergang der Kompositionskunst

    Open Access•Heinrich Schenker, William Drabkin•ARTICLE•Music Analysis•2005•Citada por: 1

    Towards the end of 1905, while putting the finishing touches to his Harmonielehre, Schenker conceived an essay that would show how the course of music after Beethoven moved essentially in two directions: the first in which the 'aristocratic' genius of the classical masters (Schubert, Chopin, Schumann and - in the realm of cyclic composition - Mendelssohn and Brahms) continued to develop according to autonomous musical principles, and a second whe…

  • The Decline of the Art of Composition

    Open Access•Heinrich Schenker, William Drabkin•ARTICLE•Music Analysis•2005•Citada por: 1

  • Heinrich Schenker, Polemicist

    Norman Cook, Nicholas Cook et al.•ARTICLE•Music Analysis•1995•Citada por: 1

  • Harmony

    William Drabkin, Heinrich Schenker et al.•ARTICLE•The Musical Times•1979

  • Free Composition (Der freie Satz)

    Michael Musgrave, Heinrich Schenker et al.•ARTICLE•Music Analysis•1982

  • Three Essays from 'Neue Revue' (1894-7)

    Heinrich Schenker, Jonathan Dunsby et al.•ARTICLE•Music Analysis•1988

  • J. S. Bach's Chromatic Fantasy and Fugue

    John Rink, Heinrich Schenker et al.•ARTICLE•Music Analysis•1988

  • Schenker's Counterpoint

    Carl Schachter, Heinrich Schenker•ARTICLE•The Musical Times•1988

  • Counterpoint

    William Drabkin, Heinrich Schenker et al.•ARTICLE•Music Analysis•1989

  • Heinrich Schenker, Polemicist

    Norman Cook, Nicholas Cook et al.•ARTICLE•Music Analysis•1995•Citada por: 1

  • The Art of Translating Schenker

    Robert Snarrenberg, Heinrich Schenker et al.•ARTICLE•Music Analysis•1996

  • Ihr Bild (August 1828)

    Open Access•Heinrich Schenker•ARTICLE•Music Analysis•2000

  • Über den Niedergang der Kompositionskunst

    Open Access•Heinrich Schenker, William Drabkin•ARTICLE•Music Analysis•2005•Citada por: 1

    Towards the end of 1905, while putting the finishing touches to his Harmonielehre, Schenker conceived an essay that would show how the course of music after Beethoven moved essentially in two directions: the first in which the 'aristocratic' genius of the classical masters (Schubert, Chopin, Schumann and - in the realm of cyclic composition - Mendelssohn and Brahms) continued to develop according to autonomous musical principles, and a second whe…

  • The Decline of the Art of Composition

    Open Access•Heinrich Schenker, William Drabkin•ARTICLE•Music Analysis•2005•Citada por: 1

Art (10 obras) · Literature (7 obras) · Musicology and Musical Analysis (6 obras) · Philosophy (4 obras) · Psychology (4 obras) · Physics (3 obras) · Art history (2 obras) · Bach Studies and Logistics Development (2 obras) · Citation (2 obras) · Computer Science (2 obras)

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