Mark Anthony Neal
Dados Biográficos
| ID | 104253 |
|---|---|
| NOME | Mark Anthony Neal |
| PRENOMES | Mark Anthony |
| SOBRENOME | Neal |
| ASSINATURA | NEAL M A |
| AFILIAÇÕES | Duke University |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 25 |
| TOTAL DE CITAÇÕES | 42 |
| TOTAL COMO AUTOR | 24 |
| TOTAL COMO EDITOR | 1 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1997 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2022 |
| ÍNDICE H | 4 |
Franklin, Aretha
Zu-Zu's Song
The essay explores how the invisibility and trauma of Black women are negotiated in Black sonic culture, utilizing Ricardo Cortez Cruz's experimental novel Five Days of Bleeding (1995), in which the primary female character, Zu-Zu, speaks (and sings) primarily using obscure song lyrics and titles, largely drawn from an archive of Black women's performance
Looking for Leroy
Mark Anthony Neal’s Looking for Leroy is an engaging and provocative analysis of the complex ways in which black masculinity has been read and misread through contemporary American popular culture. Neal argues that black men and boys are bound, in profound ways, to and by their legibility. The most “legible” black male bodies are often rendered as criminal, bodies in need of policing and containment. Ironically, Neal argues, this sort of legibili…
Introduction
Black Code Studies is queer, femme, fugitive, and radical. As praxis and methodology, it waxes insurgent. It refutes conceptions of the digital that remove black diasporic people from engagement wi
N*ggas in Paris
This essay explores the meaning potentials of the exportation of American commercial rap music (exemplified via rap stars Kanye West and Jay Z) through the metaphorical lens of the discourse of exile. This perspective opens a view to Black aspirations as a vagabond, deviant, unsettled, search for the good life. Using, for example, the uptake of West and Jay Z's song, ‘Niggas in Paris,’ in a socialist party candidate's platform ad to attract aspir…
Simone, Nina
Songs in the Key of Black Life
Guest Editors' Note
I Am Not Just From Here
This response paper considers the gender realities of the subjects in Isoke's Women, Hip Hop, and Cultural Resistance in Dubai in relation to U.S. based hip hop artists who have recently begun to situate their work and image in larger international contexts. Neal argues that the while recent and publicized acts have begun to mark US hip hop artists as “citizens of the world,” in fact hip hop artist have always been cosmopolitian. Keywords: cosmop…
Nigga
"These - Are - The "Breaks
Race-ing Katrina
White Chocolate Soul
there has been no greater tension within the tradition of black pop music than that associated with the performance of 'black' styles by white musicians and performers. in the past, it has been all too easy to identify many of these white artists under the rubric of 'blue-eyed soul' - a term that is as much a social construction of raced identities as it is a marketing ploy. using paul c. taylor's essay 'funky white boys and honorary soul sisters…
That's the Joint!
That's the Joint: The Hip-Hop Studies Reader brings together the best-known and most influential writings on rap and hip-hop from its beginnings to today. Spanning nearly 25 years of scholarship, criticism, and journalism, this unprecedented anthology showcases the evolution and continuing influence of one of the most creative and contested elements of global popular culture since its advent in the late 1970s. That's the Joint presents the most i…
Up From hustling
Tupac's Book Shelf
Black Gay Man
In the opening section of his book Black Gay Man, Robert Reid-Pharr expresses some ambivalence about the book's title: "The reason for my difficulty is not only the rather obvious fact that one's identity cannot be possibly summed up by the phrase or any of its derivatives. . . but also that every time I hear the designation, I feel almost as if I am somehow denying a basic reality of my intellectual temperament" (1). Even the book's structure—th…
Crisis In Real Time (Digitized, Remastered, and MP3ed)
Crisis In Real Time (Digitized Remastered and MP3ed)
Soul Babies
Gaye, Marvin
Pistol Packin' Mama
What the Music Said
Mark Anthony Neal. What Music Said: Black Popular Music and Black Popular Culture. New York: Routledge, 1999. 214 pp. $19.99. Mark Anthony Neal's What Music Said: Black Popular Music and Black Popular Culture interprets volatile political and cultural issues that arise from clash between black music's two separate but overlapping lives. The first is black music's single lived in connection to formal and informal institutions of Black Public Spher…
Conclusion
Whereas there has been a great deal of interest in national cultural difference in recent years, there has been a failure to grasp how it results in corporate and management failure. The main reason for this is that the concept of culture has been reified, resulting in confused thinking and muddled analysis. Researchers have thus been more concerned with defining and quantifying national cultures than with examining how cultural difference result…
Sold out on soul
(1997). Sold out on soul: The corporate annexation of black popular music. Popular Music and Society: Vol. 21, Cartographies of Sound, Noise, and Music at Century' End, pp. 117-135
Looking for Leroy
Mark Anthony Neal’s Looking for Leroy is an engaging and provocative analysis of the complex ways in which black masculinity has been read and misread through contemporary American popular culture. Neal argues that black men and boys are bound, in profound ways, to and by their legibility. The most “legible” black male bodies are often rendered as criminal, bodies in need of policing and containment. Ironically, Neal argues, this sort of legibili…
Nigga
Sold out on soul
(1997). Sold out on soul: The corporate annexation of black popular music. Popular Music and Society: Vol. 21, Cartographies of Sound, Noise, and Music at Century' End, pp. 117-135
Introduction
Black Code Studies is queer, femme, fugitive, and radical. As praxis and methodology, it waxes insurgent. It refutes conceptions of the digital that remove black diasporic people from engagement wi
Up From hustling
N*ggas in Paris
This essay explores the meaning potentials of the exportation of American commercial rap music (exemplified via rap stars Kanye West and Jay Z) through the metaphorical lens of the discourse of exile. This perspective opens a view to Black aspirations as a vagabond, deviant, unsettled, search for the good life. Using, for example, the uptake of West and Jay Z's song, ‘Niggas in Paris,’ in a socialist party candidate's platform ad to attract aspir…
I Am Not Just From Here
This response paper considers the gender realities of the subjects in Isoke's Women, Hip Hop, and Cultural Resistance in Dubai in relation to U.S. based hip hop artists who have recently begun to situate their work and image in larger international contexts. Neal argues that the while recent and publicized acts have begun to mark US hip hop artists as “citizens of the world,” in fact hip hop artist have always been cosmopolitian. Keywords: cosmop…
White Chocolate Soul
there has been no greater tension within the tradition of black pop music than that associated with the performance of 'black' styles by white musicians and performers. in the past, it has been all too easy to identify many of these white artists under the rubric of 'blue-eyed soul' - a term that is as much a social construction of raced identities as it is a marketing ploy. using paul c. taylor's essay 'funky white boys and honorary soul sisters…
Sold out on soul
(1997). Sold out on soul: The corporate annexation of black popular music. Popular Music and Society: Vol. 21, Cartographies of Sound, Noise, and Music at Century' End, pp. 117-135
Conclusion
Whereas there has been a great deal of interest in national cultural difference in recent years, there has been a failure to grasp how it results in corporate and management failure. The main reason for this is that the concept of culture has been reified, resulting in confused thinking and muddled analysis. Researchers have thus been more concerned with defining and quantifying national cultures than with examining how cultural difference result…
Pistol Packin' Mama
What the Music Said
Mark Anthony Neal. What Music Said: Black Popular Music and Black Popular Culture. New York: Routledge, 1999. 214 pp. $19.99. Mark Anthony Neal's What Music Said: Black Popular Music and Black Popular Culture interprets volatile political and cultural issues that arise from clash between black music's two separate but overlapping lives. The first is black music's single lived in connection to formal and informal institutions of Black Public Spher…
Gaye, Marvin
Crisis In Real Time (Digitized, Remastered, and MP3ed)
Crisis In Real Time (Digitized Remastered and MP3ed)
Soul Babies
Tupac's Book Shelf
Black Gay Man
In the opening section of his book Black Gay Man, Robert Reid-Pharr expresses some ambivalence about the book's title: "The reason for my difficulty is not only the rather obvious fact that one's identity cannot be possibly summed up by the phrase or any of its derivatives. . . but also that every time I hear the designation, I feel almost as if I am somehow denying a basic reality of my intellectual temperament" (1). Even the book's structure—th…
That's the Joint!
That's the Joint: The Hip-Hop Studies Reader brings together the best-known and most influential writings on rap and hip-hop from its beginnings to today. Spanning nearly 25 years of scholarship, criticism, and journalism, this unprecedented anthology showcases the evolution and continuing influence of one of the most creative and contested elements of global popular culture since its advent in the late 1970s. That's the Joint presents the most i…
Up From hustling
White Chocolate Soul
there has been no greater tension within the tradition of black pop music than that associated with the performance of 'black' styles by white musicians and performers. in the past, it has been all too easy to identify many of these white artists under the rubric of 'blue-eyed soul' - a term that is as much a social construction of raced identities as it is a marketing ploy. using paul c. taylor's essay 'funky white boys and honorary soul sisters…
Race-ing Katrina
"These - Are - The "Breaks
I Am Not Just From Here
This response paper considers the gender realities of the subjects in Isoke's Women, Hip Hop, and Cultural Resistance in Dubai in relation to U.S. based hip hop artists who have recently begun to situate their work and image in larger international contexts. Neal argues that the while recent and publicized acts have begun to mark US hip hop artists as “citizens of the world,” in fact hip hop artist have always been cosmopolitian. Keywords: cosmop…
Nigga
Simone, Nina
Songs in the Key of Black Life
Guest Editors' Note
N*ggas in Paris
This essay explores the meaning potentials of the exportation of American commercial rap music (exemplified via rap stars Kanye West and Jay Z) through the metaphorical lens of the discourse of exile. This perspective opens a view to Black aspirations as a vagabond, deviant, unsettled, search for the good life. Using, for example, the uptake of West and Jay Z's song, ‘Niggas in Paris,’ in a socialist party candidate's platform ad to attract aspir…
Introduction
Black Code Studies is queer, femme, fugitive, and radical. As praxis and methodology, it waxes insurgent. It refutes conceptions of the digital that remove black diasporic people from engagement wi
Looking for Leroy
Mark Anthony Neal’s Looking for Leroy is an engaging and provocative analysis of the complex ways in which black masculinity has been read and misread through contemporary American popular culture. Neal argues that black men and boys are bound, in profound ways, to and by their legibility. The most “legible” black male bodies are often rendered as criminal, bodies in need of policing and containment. Ironically, Neal argues, this sort of legibili…
Zu-Zu's Song
The essay explores how the invisibility and trauma of Black women are negotiated in Black sonic culture, utilizing Ricardo Cortez Cruz's experimental novel Five Days of Bleeding (1995), in which the primary female character, Zu-Zu, speaks (and sings) primarily using obscure song lyrics and titles, largely drawn from an archive of Black women's performance
Franklin, Aretha
Art (13 obras) · Computer Science (12 obras) · Music History and Culture (12 obras) · Sociology (10 obras) · Aesthetics (9 obras) · Art history (9 obras) · Race, History, and American Society (9 obras) · History (8 obras) · Literature (8 obras) · Philosophy (8 obras)