R Herissone
Dados Biográficos
| ID | 1046413 |
|---|---|
| NOME | R Herissone |
| PRENOMES | R |
| SOBRENOME | Herissone |
| ASSINATURA | HERISSONE R |
| AFILIAÇÕES | University of Manchester |
| ORCID | 0000-0002-3903-1766 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 7 |
| TOTAL DE CITAÇÕES | 1 |
| TOTAL COMO AUTOR | 7 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1998 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2024 |
| ÍNDICE H | 1 |
Ancient and Modern in Eighteenth-Century British Music Criticism
During the early modern period, the Quarrel of the Ancients and Moderns encapsulated profound changes in the way people conceived of the past in relation to their own present. While the Ancients continued to advocate emulating esteemed ancient authorities, the Moderns sought to break away from previous models through original invention. In reality, this binary opposition disguises a much more gradual process of change, which often resulted in con…
The monumental edition in the digital age
This article presents fresh perspectives on challenges monumental editions face in the twenty-first century along with current efforts to address them. It provides a range of viewpoints, approaches, and case studies about the current state of the most emblematic European Monumenta collections and how their editorial boards are imagining and creating a sustainable future for these editorial enterprises that had, and still have, a fundamental role …
“Exactly engrav’d by Tho
Thomas Cross Jr. was the first music printer to capitalize on the growth of public musical performances in late seventeenth-century England by producing cheap, single-sheet editions of the newest and most popular songs, especially those from the latest theater productions, for audience members and others in fashionable society to buy. As England’s first specialist music engraver, he was able to produce his simple prints of individual songs unusua…
Fowle Originalls" and "Fayre Writeing
Purcell's surviving autographs have long been a source of fascination, and the extensive evidence they preserve of his working methods has been examined in several academic studies. However, methodology has focused on analyzing notational changes within the sources, and neither the appropriateness of the standard labels "working draft" and "fair copy" nor the directness of the relationship between the creation of a composition and its encoding in…
In Theory Only
The Revision Process in William Turner's Anthem O Praise the Lord
Evidence of reworkings by Restoration composers of their own pieces is not difficult to find, but inevitably such material has survived in a haphazard fashion. Only rarely does one come across examples like Matthew Locke's scorebook of consort music, London, British Library (GB-Lbl), Add. MS 17801, where alterations have been made systematically. Even where such examples do exist, the common contemporary practices of cutting out rejected leaves o…
Richard Goodson the Elder's Ode 'Janus, Did Ever to Thy Sight
Journal Article RICHARD GOODSON THE ELDER‘S ODE ‘JANUS, DID EVER TO THY SIGHT’: EVIDENCE OF COMPOSITIONAL PROCEDURES IN THE EARLY EIGHTEENTH CENTURY Get access REBECCA HERISSONE REBECCA HERISSONE Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 79, Issue 2, May 1998, Pages 167–189, https://doi.org/10.1093/ml/79.2.167 Published: 01 May 1998
The monumental edition in the digital age
This article presents fresh perspectives on challenges monumental editions face in the twenty-first century along with current efforts to address them. It provides a range of viewpoints, approaches, and case studies about the current state of the most emblematic European Monumenta collections and how their editorial boards are imagining and creating a sustainable future for these editorial enterprises that had, and still have, a fundamental role …
The Revision Process in William Turner's Anthem O Praise the Lord
Evidence of reworkings by Restoration composers of their own pieces is not difficult to find, but inevitably such material has survived in a haphazard fashion. Only rarely does one come across examples like Matthew Locke's scorebook of consort music, London, British Library (GB-Lbl), Add. MS 17801, where alterations have been made systematically. Even where such examples do exist, the common contemporary practices of cutting out rejected leaves o…
Richard Goodson the Elder's Ode 'Janus, Did Ever to Thy Sight
Journal Article RICHARD GOODSON THE ELDER‘S ODE ‘JANUS, DID EVER TO THY SIGHT’: EVIDENCE OF COMPOSITIONAL PROCEDURES IN THE EARLY EIGHTEENTH CENTURY Get access REBECCA HERISSONE REBECCA HERISSONE Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 79, Issue 2, May 1998, Pages 167–189, https://doi.org/10.1093/ml/79.2.167 Published: 01 May 1998
In Theory Only
Fowle Originalls" and "Fayre Writeing
Purcell's surviving autographs have long been a source of fascination, and the extensive evidence they preserve of his working methods has been examined in several academic studies. However, methodology has focused on analyzing notational changes within the sources, and neither the appropriateness of the standard labels "working draft" and "fair copy" nor the directness of the relationship between the creation of a composition and its encoding in…
“Exactly engrav’d by Tho
Thomas Cross Jr. was the first music printer to capitalize on the growth of public musical performances in late seventeenth-century England by producing cheap, single-sheet editions of the newest and most popular songs, especially those from the latest theater productions, for audience members and others in fashionable society to buy. As England’s first specialist music engraver, he was able to produce his simple prints of individual songs unusua…
Ancient and Modern in Eighteenth-Century British Music Criticism
During the early modern period, the Quarrel of the Ancients and Moderns encapsulated profound changes in the way people conceived of the past in relation to their own present. While the Ancients continued to advocate emulating esteemed ancient authorities, the Moderns sought to break away from previous models through original invention. In reality, this binary opposition disguises a much more gradual process of change, which often resulted in con…
The monumental edition in the digital age
This article presents fresh perspectives on challenges monumental editions face in the twenty-first century along with current efforts to address them. It provides a range of viewpoints, approaches, and case studies about the current state of the most emblematic European Monumenta collections and how their editorial boards are imagining and creating a sustainable future for these editorial enterprises that had, and still have, a fundamental role …
Art (5 obras) · History (5 obras) · Diverse Musicological Studies (4 obras) · Literature (4 obras) · Musicology and Musical Analysis (4 obras) · Art history (3 obras) · Historical Influence and Diplomacy (3 obras) · Aesthetics (2 obras) · Classics (2 obras) · Computer Science (2 obras)