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Jane Hwang Degenhardt

Dados Biográficos

ID1066388
NOMEJane Hwang Degenhardt
PRENOMESJane Hwang
SOBRENOMEDegenhardt
ASSINATURADEGENHARDT J H
AFILIAÇÕESUniversity of Massachusetts Amherst
VERIFICADONão
TOTAL DE OBRAS4
TOTAL DE CITAÇÕES0
OBRAS COMO AUTOR4
OBRAS COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2010
ANO MAIS RECENTE DE PUBLICAÇÃO2021
ÍNDICE H0
  • Between Worlds in Shakespeare’s Comedy of Errors

    Jane Hwang Degenhardt, Henry S Turner•ARTICLE•Exemplaria•2021•Referências: 23

    This article turns to Shakespeare’s Comedy of Errors (1594) in order to revise critical accounts of globalization and to propose a contrasting notion of “world” as a function of affective experience, collective narration, and virtual witnessing. Shakespeare’s play captures how a newly global imaginary was beginning to disrupt many of the foundations of personal identity and the familiar reference points of the worlds that sustained it. The Comedy…

  • Cracking the Mysteries of “China”

    Jane Hwang Degenhardt•ARTICLE•Studies in philology•2013

    This essay explores early modern views of China as they were expressed through European representations of Chinese porcelain. Analyzing a range of artistic, printed, and dramatic texts, I show how sixteenth-and seventeenth-century western mythologies surrounding the production of chinaware offer a striking contrast to the more denigrating discourse of chinoiserie that developed in the eighteenth century. Focusing particularly on descriptions of c…

  • Islamic Conversion and Christian Resistance on the Early Modern Stage

    Jane Hwang Degenhardt•BOOK•Islamic Conversion and Christian…•2010

    This book explores the threat of Christian conversion to Islam in twelve early modern English plays. In works by Shakespeare Marlowe Massinger and others conversion from Christianity to Islam is represented as both tragic and erotic as a fate worse than death and as a sexual seduction

  • Islamic Conversion and Christian Resistance on the Early Modern Stage

    Open Access•Jane Hwang Degenhardt•BOOK•Islamic Conversion and Christian…•2010

    In works by Shakespeare, Marlowe, and Massinger, conversion from Christianity to Islam is portrayed as both a fate worse than death and a sexual seduction. Degenhardt examines the stage's treatment of this intercourse of faiths to reveal connections between sexuality, race, and confessional identity in early modern English drama and culture

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  • Islamic Conversion and Christian Resistance on the Early Modern Stage

    Jane Hwang Degenhardt•BOOK•Islamic Conversion and Christian…•2010

    This book explores the threat of Christian conversion to Islam in twelve early modern English plays. In works by Shakespeare Marlowe Massinger and others conversion from Christianity to Islam is represented as both tragic and erotic as a fate worse than death and as a sexual seduction

  • Islamic Conversion and Christian Resistance on the Early Modern Stage

    Open Access•Jane Hwang Degenhardt•BOOK•Islamic Conversion and Christian…•2010

    In works by Shakespeare, Marlowe, and Massinger, conversion from Christianity to Islam is portrayed as both a fate worse than death and a sexual seduction. Degenhardt examines the stage's treatment of this intercourse of faiths to reveal connections between sexuality, race, and confessional identity in early modern English drama and culture

  • Cracking the Mysteries of “China”

    Jane Hwang Degenhardt•ARTICLE•Studies in philology•2013

    This essay explores early modern views of China as they were expressed through European representations of Chinese porcelain. Analyzing a range of artistic, printed, and dramatic texts, I show how sixteenth-and seventeenth-century western mythologies surrounding the production of chinaware offer a striking contrast to the more denigrating discourse of chinoiserie that developed in the eighteenth century. Focusing particularly on descriptions of c…

  • Between Worlds in Shakespeare’s Comedy of Errors

    Jane Hwang Degenhardt, Henry S Turner•ARTICLE•Exemplaria•2021•Referências: 23

    This article turns to Shakespeare’s Comedy of Errors (1594) in order to revise critical accounts of globalization and to propose a contrasting notion of “world” as a function of affective experience, collective narration, and virtual witnessing. Shakespeare’s play captures how a newly global imaginary was beginning to disrupt many of the foundations of personal identity and the familiar reference points of the worlds that sustained it. The Comedy…

Art (3 obras) · Literature (3 obras) · Philosophy (3 obras) · 1500-1600 (2 obras) · Comedy (2 obras) · Conversion in literature (2 obras) · English drama (2 obras) · English drama, early modern and elizabethan (2 obras) · English drama, history and criticism, early modern and elizabethan (2 obras) · Epistemology (2 obras)

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