James M Harding
Dados Biográficos
| ID | 1069112 |
|---|---|
| NOME | James M Harding |
| PRENOMES | James M |
| SOBRENOME | Harding |
| ASSINATURA | HARDING J M |
| AFILIAÇÕES | University of Exeter |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 8 |
| TOTAL DE CITAÇÕES | 5 |
| OBRAS COMO AUTOR | 8 |
| OBRAS COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1993 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2021 |
| ÍNDICE H | 2 |
Undercover Next Door
Picking the Speck and Missing the Beam in the Eye of Surveillance
Response to David Lyon's "God’s Eye: A Reason for Hope
Outperforming activism
When the Surveillance Camera Players disbanded in 2006 after a decade of political activist theatre on the streets of New York City, they had already achieved international recognition for a unique style of performance that focused on the numerous ways in which surveillance cameras undercut long-established notions of privacy and consent. Beyond that important focus, however, this essay paper suggests that the Surveillance Camera Players pursued …
Transatlantic Avant-Gardes
Transatlantic Avant-Gardes augments and extends the recent body of scholarly activity concerning place, space and region that, spearheaded by Edward Soja and David Harvey, has come to maturity in r
The Simplest Surrealist Act
She shot pop art superstar Andy Warhol—but, really, who was Valerie Solanas? And what was “SCUM”? Answering those questions tells a lot about the radically changing landscape of the American avantgarde of the late 1960a
Adorno, Ellison, and the Critique of Jazz
All totaled, Theodor Adorno wrote seven essays on jazz: three in the thirties, two in the forties, and two in the early fifties. His portrait of jazz was never flattering and was highly idiosyncratic. In the thirties, Adorno's criticisms of jazz functioned as the negative critical movement in what can be described as his dialectical embrace of Walter Benjamin's classic essay The Work of Art in the Age of Mechanical Reproduction (Arato and Gebhard…
Given Movement
The Preclusions of Progress
Adorno, Ellison, and the Critique of Jazz
All totaled, Theodor Adorno wrote seven essays on jazz: three in the thirties, two in the forties, and two in the early fifties. His portrait of jazz was never flattering and was highly idiosyncratic. In the thirties, Adorno's criticisms of jazz functioned as the negative critical movement in what can be described as his dialectical embrace of Walter Benjamin's classic essay The Work of Art in the Age of Mechanical Reproduction (Arato and Gebhard…
Picking the Speck and Missing the Beam in the Eye of Surveillance
Response to David Lyon's "God’s Eye: A Reason for Hope
Given Movement
The Preclusions of Progress
Adorno, Ellison, and the Critique of Jazz
All totaled, Theodor Adorno wrote seven essays on jazz: three in the thirties, two in the forties, and two in the early fifties. His portrait of jazz was never flattering and was highly idiosyncratic. In the thirties, Adorno's criticisms of jazz functioned as the negative critical movement in what can be described as his dialectical embrace of Walter Benjamin's classic essay The Work of Art in the Age of Mechanical Reproduction (Arato and Gebhard…
The Simplest Surrealist Act
She shot pop art superstar Andy Warhol—but, really, who was Valerie Solanas? And what was “SCUM”? Answering those questions tells a lot about the radically changing landscape of the American avantgarde of the late 1960a
Outperforming activism
When the Surveillance Camera Players disbanded in 2006 after a decade of political activist theatre on the streets of New York City, they had already achieved international recognition for a unique style of performance that focused on the numerous ways in which surveillance cameras undercut long-established notions of privacy and consent. Beyond that important focus, however, this essay paper suggests that the Surveillance Camera Players pursued …
Transatlantic Avant-Gardes
Transatlantic Avant-Gardes augments and extends the recent body of scholarly activity concerning place, space and region that, spearheaded by Edward Soja and David Harvey, has come to maturity in r
Picking the Speck and Missing the Beam in the Eye of Surveillance
Response to David Lyon's "God’s Eye: A Reason for Hope
Undercover Next Door
Art (6 obras) · Philosophy (4 obras) · Aesthetics (3 obras) · Art history (3 obras) · Art, Politics, and Modernism (3 obras) · Political science (3 obras) · Computer Science (2 obras) · Epistemology (2 obras) · Law (2 obras) · Law (2 obras)