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Ian C Storey

Dados Biográficos

ID1070375
NOMEIan C Storey
PRENOMESIan C
SOBRENOMEStorey
ASSINATURASTOREY I C
AFILIAÇÕESTrent University
ORCID0000-0002-0952-0673
VERIFICADOSim
TOTAL DE OBRAS33
TOTAL DE CITAÇÕES17
TOTAL COMO AUTOR33
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1974
ANO MAIS RECENTE DE PUBLICAÇÃO2022
ÍNDICE H2
  • Plautus

    V Sophie Klein, C W Marshall et al.•BOOK•Plautus•2022

    This new volume in the Bloomsbury Ancient Comedy Companions series is perfect for students coming to one of Plautus’ most whimsical, provocative, and influential plays for the first time, and a useful first point of reference for scholars less familiar with Roman comedy. Menaechmi is a tale of identical twin brothers who are separated as young children and reconnect as adults following a series of misadventures due to mistaken identity. A glutton…

  • Plautus

    George Fredric Franko, C W Marshall et al.•BOOK•Plautus•2022

    Plautus’ Mostellaria is one of ancient Rome’s most breezy and amusing comedies. The plot is ridiculously simple: when a father returns home after three years abroad, a clever slave named Tranio devises deceptions to conceal that the son has squandered a fortune partying with pals and purchasing his prized prostitute’s freedom. Tranio convinces the gullible father that his house is haunted, that his son has purchased the neighbor’s house, and that…

  • Plautus

    T H M Gellar-Goad, C W Marshall et al.•BOOK•Plautus•2021

    This is the first book-length study of Plautus’ shortest surviving comedy, Curculio, a play in which the tricksy brown-nosed title character (“The Weevil”) bamboozles a shady banker and a pious pimp to secure the freedom of the enslaved girl his patron has fallen for while keeping her out of the clutches of a megalomaniacal soldier. It all takes place in the Greek city Epidaurus, the most important site for the worship of the healing god Aesculap…

  • Hermippos, Aspasia, and the Fates

    Ian C Storey•ARTICLE•Mouseion Journal of the Classical…•2020•Referências: 7

    In this paper I first survey briefly the career of Hermippos, unfairly dismissed by G. Norwood for being “unimportant as a comic poet.” He wrote parody ( parōidia) and iambics as well as comedy, producing about ten comedies over the years 435 to 415 with five victories. D. Gilula argued that “none of his comedies can be securely dated,” but I can place at least five of these plays to within a year or two of production. My principal interest lies …

  • Terence

    Sander M Goldberg, Ian C Storey et al.•BOOK•Terence•2019

    Though Andria launched Terence’s career as a dramatist at Rome, it has attracted comparatively little attention from modern critics. The play nevertheless presents students of Roman comedy with all the features that came to characterize Terence’s particular version of traditional comedy, and it raises all the interpretive questions that have dogged the study of Terence for generations. The first two, comparatively brief chapters of this study ske…

  • Plautus

    David Christenson, Ian C Storey et al.•BOOK•Plautus•2019

    This volume provides an introduction to Plautus’s Casina, a sophisticated sex farce that premiered ca. 185 BCE. This companion study of Plautus’s comedy analyses the play for a student audience and assumes no knowledge of Latin but will also be of interest to scholars. It launches a new series of books, each treating a comedy that survives from the ancient world. The introductory chapter provides pertinent background about Plautus’s career transl…

  • Aristophanes

    Ian C Storey, David Christenson et al.•BOOK•Aristophanes•2019

    This is the first volume dedicated to Aristophanes’ comedy Peace that analyses the play for a student audience and assumes no knowledge of Greek. It launches a much-needed new series of books each discussing a comedy that survives from the ancient world. Six chapters highlight the play’s context, themes, staging and legacy including its response to contemporary wartime politics and the possible staging options for flying. It is ideal for students…

  • Response to Mark Bell's “Defending the Acquisition-Use Presumption in Assessing the Likelihood of Nuclear Terrorism”

    Open Access•Christopher Mcintosh, Ian Storey et al.•ARTICLE•International Studies Quarterly•2019•Referências: 4

    This is a response to Mark Bell's “Defending the Acquisition-Use Presumption” by the authors of the original article “Between Acquisition and Use: Assessing the Likelihood of Nuclear Terrorism.”

  • Between Acquisition and Use

    Christopher Mcintosh, Ian Storey et al.•ARTICLE•International Studies Quarterly•2018•Citada por: 2•Referências: 53

    Much of the contemporary literature on nuclear terrorism focuses on the question of whether a terrorist organization could acquire a nuclear weapon. This assumes that once a terrorist group acquires a weapon, they will, at some point, attempt to detonate it in an attack. This article calls that assumption into question by using a strategic perspective to examine the likely behavior of a nuclear-armed terrorist organization. We identify and assess…

  • The Reckless Unsaid

    Ian Storey, Ian C Storey•ARTICLE•Critical Inquiry•2015•Citada por: 2•Referências: 11

  • The First Poets of Old Comedy

    Ian Storey, Ian C Storey•BOOK•The Oxford Handbook Of Greek And…•2013•Citada por: 1

    This chapter examines what we know of Old Comedy between two key dates, the traditional date of 486 for its formal introduction at the City Dionysia in Athens and the debut of Aristophanes in 427, the only poet of Old Comedy for whom we have complete plays. We know little about the first writers of Old Comedy or the sort of drama they wrote. Only Magnes is more than a name. But we are better informed about the next generation, principally Cratinu…

  • Southeast Asia and the Rise of China

    Ian Storey, Ian C Storey•BOOK•Southeast Asia and the Rise of…•2013•Citada por: 7

    Since the early 1990s and the end of the Cold War, the implications of China's rising power have come to dominate the security agenda of the Asia-Pacific region. This book is the first to comprehensively chart the development of Southeast Asia’s relations with the People’s Republic of China (PRC) from 1949 to 2010, detailing each of the eleven countries’ ties to the PRC and showing how strategic concerns associated with China's regional posture h…

  • Angling in Archippos the Webster Lecture 2008–09

    Open Access•Ian C Storey•ARTICLE•Bulletin of the Institute of…•2012

  • Cratinus and the Art of Comedy by E. Bakola

    Ian C Storey•ARTICLE•Phoenix•2011

    BOOK REVIEWS/COMPTES RENDUS 159 d’écriture observées dans les scholies du Venetus A (et résumées aux p. 134–135), à savoir, premièrement, l’emploi de la petite onciale pour les lemmes, lequel semble à Nagy « an extraordinary feature of the Venetus A » (p. 139), dans la mesure où il fait correspondre au texte antique un alphabet antique. Les deux autres traces, associées à la première, sont l’absence occasionnelle d’accentuation ; et l’emploi occa…

  • Origins and Fifth-Century Comedy

    Ian C Storey•CHAPTER•Brill's Companion to the Study of…•2010

    Comedy is very probably the product of animal choruses, padded dancers, prancing satyrs, and komasts abusing spectators and one another at festivals. By the early fifth century, it had attained a style and a language of its own and was afforded official status at the dramatic festivals held as part of the City Dionysia. The fifth century witnesses the lessening of the chorus' role in tragedy, and in comedy the chorus becomes relegated to sing ent…

  • Chapter Five. Bad Language In Aristophanes

    Ian C Storey•CHAPTER•Kakos•2008

    Tragedy and comedy have been described as the ?twin offspring of the Athenian theatre, and they were non-identical twins?. In his Nicomachean Ethics (1128a22?25), written incidentally before the advent of Menander and ?New? Comedy, Aristotle distinguishes ?older? comedies ( palaioi ) from ?modern? ones ( kainoi ) by the nature of their humor. Aristophanes generally uses milder terms to describe making fun of his comic targets. More common is Aris…

  • Comedy, Euripides, and the War(s)

    Open Access•Ian C Storey•ARTICLE•Bulletin of the Institute of…•2006

    Journal Article COMEDY, EURIPIDES, AND THE WAR(S) Get access IAN C. STOREY IAN C. STOREY Trent University Search for other works by this author on: Oxford Academic Google Scholar Bulletin of the Institute of Classical Studies, Volume 49, Issue Supplement_87, January 2006, Pages 171–186, https://doi.org/10.1111/j.2041-5370.2006.tb02338.x Published: 27 July 2011

  • Satyr Drama

    Z Philip Ambrose, Thomas H Carpenter et al.•BOOK•Satyr Drama•2005

  • Old Comedy

    Keith Sidwell, Ian C Storey•ARTICLE•Classics Ireland•2005

  • A Guide to Ancient Greek Drama

    Open Access•Ian C Storey, Arlene Allan•BOOK•Guide to Ancient Greek Drama•2005

    Preface. List of Figures. List of Maps. Abbreviations and Signs. 1. Aspects of Ancient Greek Drama. Drama. The Dramatic Festivals. Dionysos and Drama. The Theatrical Space. Conventions of the Performance. Drama and the Polis. 2. Greek Tragedy. Tragedy. Aeschylus. Sophokles. Euripides. The Other Tragedians. 3. The Satyr-Play. 4. Greek Comedy. Origins. Old Comedy and Aristophanes. The Generations of Old Comedy. Aristophanes. Middle Comedy. Menander…

  • Sport and Festival in the Ancient Greek World

    David Phillips, Ben Brown et al.•BOOK•Sport and Festival in the Ancient…•2003

    First launched at the time of the Athens Olympics, Sport and Festival in the Ancient Greek World has become a classic study in its field. The 15 illustrated chapters of this collection not only explore many aspects of the ancient Olympics and the rich programme of competitive festivals in democratic Athens but also the broader religious, social and political contexts in which sport and festival flourished in ancient Greece. The book shows how the…

  • Cutting Comedies

    Open Access•Ian C Storey•CHAPTER•Greek and Roman Drama•2002

    In this paper I want to consider one controversial aspect of the ancient conditions of dramatic production: how many comedies were produced at the Athenian dramatic festivals in the late fifth century. I wonder how often we teachers of courses in ancient drama have repeated as gospel the conclusion of, for example, Pickard-Cambridge (p.83) that during the Peloponnesian War the number of competitors was reduced from five to three: The normal numbe…

  • Euripides Ion

    Ian Storey, Ian C Storey et al.•ARTICLE•Phoenix•2001

  • Classical Greek Theatre

    Ian C Storey, Clifford Ashby•ARTICLE•Phoenix•2000•Citada por: 2

    Archaeological and written sources relating to classical Greek theatre are diverse, scattered, and disconnected. Clifford Ashby's own (and memorable) fieldwork led him to more than one hundred theatre sites in Greece, southern Italy, Sicily, and Albania and as far into modern Turkey as Hellenic civilization had penetrated. From this extensive research, he draws a number of novel revisionist conclusions on the nature of classical theatre architect…

  • Poets, Politicians and Perverts

    Ian Storey, Ian C Storey•ARTICLE•Classics Ireland•1998•Citada por: 2

Próximo
  • Southeast Asia and the Rise of China

    Ian Storey, Ian C Storey•BOOK•Southeast Asia and the Rise of…•2013•Citada por: 7

    Since the early 1990s and the end of the Cold War, the implications of China's rising power have come to dominate the security agenda of the Asia-Pacific region. This book is the first to comprehensively chart the development of Southeast Asia’s relations with the People’s Republic of China (PRC) from 1949 to 2010, detailing each of the eleven countries’ ties to the PRC and showing how strategic concerns associated with China's regional posture h…

  • Between Acquisition and Use

    Christopher Mcintosh, Ian Storey et al.•ARTICLE•International Studies Quarterly•2018•Citada por: 2•Referências: 53

    Much of the contemporary literature on nuclear terrorism focuses on the question of whether a terrorist organization could acquire a nuclear weapon. This assumes that once a terrorist group acquires a weapon, they will, at some point, attempt to detonate it in an attack. This article calls that assumption into question by using a strategic perspective to examine the likely behavior of a nuclear-armed terrorist organization. We identify and assess…

  • The Reckless Unsaid

    Ian Storey, Ian C Storey•ARTICLE•Critical Inquiry•2015•Citada por: 2•Referências: 11

  • Classical Greek Theatre

    Ian C Storey, Clifford Ashby•ARTICLE•Phoenix•2000•Citada por: 2

    Archaeological and written sources relating to classical Greek theatre are diverse, scattered, and disconnected. Clifford Ashby's own (and memorable) fieldwork led him to more than one hundred theatre sites in Greece, southern Italy, Sicily, and Albania and as far into modern Turkey as Hellenic civilization had penetrated. From this extensive research, he draws a number of novel revisionist conclusions on the nature of classical theatre architect…

  • Poets, Politicians and Perverts

    Ian Storey, Ian C Storey•ARTICLE•Classics Ireland•1998•Citada por: 2

  • The First Poets of Old Comedy

    Ian Storey, Ian C Storey•BOOK•The Oxford Handbook Of Greek And…•2013•Citada por: 1

    This chapter examines what we know of Old Comedy between two key dates, the traditional date of 486 for its formal introduction at the City Dionysia in Athens and the debut of Aristophanes in 427, the only poet of Old Comedy for whom we have complete plays. We know little about the first writers of Old Comedy or the sort of drama they wrote. Only Magnes is more than a name. But we are better informed about the next generation, principally Cratinu…

  • Dating and Re-Dating Eupolis

    Ian C Storey•ARTICLE•Phoenix•1990•Citada por: 1

  • Aristophanes. Ecclesiazusae. Edited with Introduction and Commentary

    Ian C Storey, R M H Shepherd et al.•ARTICLE•The Classical World•1974

  • Eupolis 352K

    Ian C Storey•ARTICLE•Phoenix•1985

  • Aristofane Autore di Teatro

    Ian C Storey, Carlo Ferdinand Russo et al.•ARTICLE•Phoenix•1987

  • Thrasymachos at Athens

    Ian C Storey•ARTICLE•Phoenix•1988

  • Aristophanes, Clouds 1158–62

    Open Access•Ian C Storey•ARTICLE•The Classical Quarterly•1989•Referências: 2

    In his article on the early career of Aristophanes, in particular on the relevance of the thiasotai on IG ii 2 .2343 and the importance of Herakles in the plays of Aristophanes, David Welsh has supported the thesis of Dow, that several of the thiasotai are mentioned by Aristophanes in his plays (e.g. Simon, Amphitheus, Antitheos). He suggests that another of these thiasotai , Lysanias, may be alluded to at Clouds 1162. Here the unusual word λυσαν…

  • Dating and Re-Dating Eupolis

    Ian C Storey•ARTICLE•Phoenix•1990•Citada por: 1

  • Euripides' Medea

    Stephen R Cavan, Ian C Storey et al.•ARTICLE•Phoenix•1992

  • Narrative Drama

    Ian C Storey, Bradley Levett et al.•ARTICLE•Phoenix•1994

  • Poets, Politicians and Perverts

    Ian Storey, Ian C Storey•ARTICLE•Classics Ireland•1998•Citada por: 2

  • Classical Greek Theatre

    Ian C Storey, Clifford Ashby•ARTICLE•Phoenix•2000•Citada por: 2

    Archaeological and written sources relating to classical Greek theatre are diverse, scattered, and disconnected. Clifford Ashby's own (and memorable) fieldwork led him to more than one hundred theatre sites in Greece, southern Italy, Sicily, and Albania and as far into modern Turkey as Hellenic civilization had penetrated. From this extensive research, he draws a number of novel revisionist conclusions on the nature of classical theatre architect…

  • Euripides Ion

    Ian Storey, Ian C Storey et al.•ARTICLE•Phoenix•2001

  • Cutting Comedies

    Open Access•Ian C Storey•CHAPTER•Greek and Roman Drama•2002

    In this paper I want to consider one controversial aspect of the ancient conditions of dramatic production: how many comedies were produced at the Athenian dramatic festivals in the late fifth century. I wonder how often we teachers of courses in ancient drama have repeated as gospel the conclusion of, for example, Pickard-Cambridge (p.83) that during the Peloponnesian War the number of competitors was reduced from five to three: The normal numbe…

  • Sport and Festival in the Ancient Greek World

    David Phillips, Ben Brown et al.•BOOK•Sport and Festival in the Ancient…•2003

    First launched at the time of the Athens Olympics, Sport and Festival in the Ancient Greek World has become a classic study in its field. The 15 illustrated chapters of this collection not only explore many aspects of the ancient Olympics and the rich programme of competitive festivals in democratic Athens but also the broader religious, social and political contexts in which sport and festival flourished in ancient Greece. The book shows how the…

  • Satyr Drama

    Z Philip Ambrose, Thomas H Carpenter et al.•BOOK•Satyr Drama•2005

  • Old Comedy

    Keith Sidwell, Ian C Storey•ARTICLE•Classics Ireland•2005

  • A Guide to Ancient Greek Drama

    Open Access•Ian C Storey, Arlene Allan•BOOK•Guide to Ancient Greek Drama•2005

    Preface. List of Figures. List of Maps. Abbreviations and Signs. 1. Aspects of Ancient Greek Drama. Drama. The Dramatic Festivals. Dionysos and Drama. The Theatrical Space. Conventions of the Performance. Drama and the Polis. 2. Greek Tragedy. Tragedy. Aeschylus. Sophokles. Euripides. The Other Tragedians. 3. The Satyr-Play. 4. Greek Comedy. Origins. Old Comedy and Aristophanes. The Generations of Old Comedy. Aristophanes. Middle Comedy. Menander…

  • Comedy, Euripides, and the War(s)

    Open Access•Ian C Storey•ARTICLE•Bulletin of the Institute of…•2006

    Journal Article COMEDY, EURIPIDES, AND THE WAR(S) Get access IAN C. STOREY IAN C. STOREY Trent University Search for other works by this author on: Oxford Academic Google Scholar Bulletin of the Institute of Classical Studies, Volume 49, Issue Supplement_87, January 2006, Pages 171–186, https://doi.org/10.1111/j.2041-5370.2006.tb02338.x Published: 27 July 2011

  • Chapter Five. Bad Language In Aristophanes

    Ian C Storey•CHAPTER•Kakos•2008

    Tragedy and comedy have been described as the ?twin offspring of the Athenian theatre, and they were non-identical twins?. In his Nicomachean Ethics (1128a22?25), written incidentally before the advent of Menander and ?New? Comedy, Aristotle distinguishes ?older? comedies ( palaioi ) from ?modern? ones ( kainoi ) by the nature of their humor. Aristophanes generally uses milder terms to describe making fun of his comic targets. More common is Aris…

  • Origins and Fifth-Century Comedy

    Ian C Storey•CHAPTER•Brill's Companion to the Study of…•2010

    Comedy is very probably the product of animal choruses, padded dancers, prancing satyrs, and komasts abusing spectators and one another at festivals. By the early fifth century, it had attained a style and a language of its own and was afforded official status at the dramatic festivals held as part of the City Dionysia. The fifth century witnesses the lessening of the chorus' role in tragedy, and in comedy the chorus becomes relegated to sing ent…

  • Cratinus and the Art of Comedy by E. Bakola

    Ian C Storey•ARTICLE•Phoenix•2011

    BOOK REVIEWS/COMPTES RENDUS 159 d’écriture observées dans les scholies du Venetus A (et résumées aux p. 134–135), à savoir, premièrement, l’emploi de la petite onciale pour les lemmes, lequel semble à Nagy « an extraordinary feature of the Venetus A » (p. 139), dans la mesure où il fait correspondre au texte antique un alphabet antique. Les deux autres traces, associées à la première, sont l’absence occasionnelle d’accentuation ; et l’emploi occa…

  • Angling in Archippos the Webster Lecture 2008–09

    Open Access•Ian C Storey•ARTICLE•Bulletin of the Institute of…•2012

  • The First Poets of Old Comedy

    Ian Storey, Ian C Storey•BOOK•The Oxford Handbook Of Greek And…•2013•Citada por: 1

    This chapter examines what we know of Old Comedy between two key dates, the traditional date of 486 for its formal introduction at the City Dionysia in Athens and the debut of Aristophanes in 427, the only poet of Old Comedy for whom we have complete plays. We know little about the first writers of Old Comedy or the sort of drama they wrote. Only Magnes is more than a name. But we are better informed about the next generation, principally Cratinu…

  • Southeast Asia and the Rise of China

    Ian Storey, Ian C Storey•BOOK•Southeast Asia and the Rise of…•2013•Citada por: 7

    Since the early 1990s and the end of the Cold War, the implications of China's rising power have come to dominate the security agenda of the Asia-Pacific region. This book is the first to comprehensively chart the development of Southeast Asia’s relations with the People’s Republic of China (PRC) from 1949 to 2010, detailing each of the eleven countries’ ties to the PRC and showing how strategic concerns associated with China's regional posture h…

  • The Reckless Unsaid

    Ian Storey, Ian C Storey•ARTICLE•Critical Inquiry•2015•Citada por: 2•Referências: 11

  • Between Acquisition and Use

    Christopher Mcintosh, Ian Storey et al.•ARTICLE•International Studies Quarterly•2018•Citada por: 2•Referências: 53

    Much of the contemporary literature on nuclear terrorism focuses on the question of whether a terrorist organization could acquire a nuclear weapon. This assumes that once a terrorist group acquires a weapon, they will, at some point, attempt to detonate it in an attack. This article calls that assumption into question by using a strategic perspective to examine the likely behavior of a nuclear-armed terrorist organization. We identify and assess…

Art (26 obras) · Literature (21 obras) · Classical Antiquity Studies (19 obras) · History (14 obras) · Comedy (13 obras) · Philosophy (13 obras) · Political science (8 obras) · History (7 obras) · Law (7 obras) · Computer Science (6 obras)

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