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Linda Jones Roccos

Dados Biográficos

ID1073007
NOMELinda Jones Roccos
PRENOMESLinda Jones
SOBRENOMERoccos
ASSINATURAROCCOS L J
VERIFICADONão
TOTAL DE OBRAS9
TOTAL DE CITAÇÕES20
TOTAL COMO AUTOR9
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1989
ANO MAIS RECENTE DE PUBLICAÇÃO2000
ÍNDICE H2
  • Back - Mantle and Peplos

    Linda Jones Roccos•ARTICLE•Hesperia The Journal of the…•2000•Citada por: 13

  • Greek Sculpture

    Linda Jones Roccos, J Boardman•ARTICLE•The Classical World•1998

  • The Diffusion of Classical Art in Antiquity

    Linda Jones Roccos, J Boardman•ARTICLE•The Classical World•1998

  • Divine Escorts

    Linda Jones Roccos, Judith M Barringer•ARTICLE•The Classical World•1998

  • Hellenistic Architectural Sculpture

    Linda Jones Roccos•ARTICLE•American Journal of Archaeology•1998

  • Greek Sculpture in the Art Museum, Princeton University

    Linda Jones Roccos, Brunilde Sismondo Ridgway•ARTICLE•The Classical World•1997

  • The Kanephoros and Her Festival Mantle in Greek Art

    Linda Jones Roccos•ARTICLE•American Journal of Archaeology•1995•Citada por: 6•Referências: 2

    In ancient Greece, the kanephoros usually led the procession to sacrifice at festivals, carrying the kanoun, or ritual basket, on her head. The position of kanephoros was ceremonial and honorary since no one cult was involved, but the kanephoros was important to Greek society—she represented the ideal maiden. Every girl might be a parthenos before her marriage, but only a select few were chosen to be kanephoroi. The kanephoros was always richly g…

  • Athena from a House on the Areopagus

    Linda Jones Roccos•ARTICLE•Hesperia The Journal of the…•1991•Citada por: 1

  • Apollo Palatinus

    Linda Jones Roccos•ARTICLE•American Journal of Archaeology•1989

    An image of Apollo, known from a relief base in Sorrento and six freestanding sculptures, represents Apollo as kitharoidos, wearing peplos and shoulder-pinned back mantle and holding a kithara. The original has often been attributed to the Greek sculptor Skopas of Paros. A closer examination of this Apollo's iconography and stylistic peculiarities makes it clear that the original statue was an early Augustan classicizing work. The image of Apollo…

  • Back - Mantle and Peplos

    Linda Jones Roccos•ARTICLE•Hesperia The Journal of the…•2000•Citada por: 13

  • The Kanephoros and Her Festival Mantle in Greek Art

    Linda Jones Roccos•ARTICLE•American Journal of Archaeology•1995•Citada por: 6•Referências: 2

    In ancient Greece, the kanephoros usually led the procession to sacrifice at festivals, carrying the kanoun, or ritual basket, on her head. The position of kanephoros was ceremonial and honorary since no one cult was involved, but the kanephoros was important to Greek society—she represented the ideal maiden. Every girl might be a parthenos before her marriage, but only a select few were chosen to be kanephoroi. The kanephoros was always richly g…

  • Athena from a House on the Areopagus

    Linda Jones Roccos•ARTICLE•Hesperia The Journal of the…•1991•Citada por: 1

  • Apollo Palatinus

    Linda Jones Roccos•ARTICLE•American Journal of Archaeology•1989

    An image of Apollo, known from a relief base in Sorrento and six freestanding sculptures, represents Apollo as kitharoidos, wearing peplos and shoulder-pinned back mantle and holding a kithara. The original has often been attributed to the Greek sculptor Skopas of Paros. A closer examination of this Apollo's iconography and stylistic peculiarities makes it clear that the original statue was an early Augustan classicizing work. The image of Apollo…

  • Athena from a House on the Areopagus

    Linda Jones Roccos•ARTICLE•Hesperia The Journal of the…•1991•Citada por: 1

  • The Kanephoros and Her Festival Mantle in Greek Art

    Linda Jones Roccos•ARTICLE•American Journal of Archaeology•1995•Citada por: 6•Referências: 2

    In ancient Greece, the kanephoros usually led the procession to sacrifice at festivals, carrying the kanoun, or ritual basket, on her head. The position of kanephoros was ceremonial and honorary since no one cult was involved, but the kanephoros was important to Greek society—she represented the ideal maiden. Every girl might be a parthenos before her marriage, but only a select few were chosen to be kanephoroi. The kanephoros was always richly g…

  • Greek Sculpture in the Art Museum, Princeton University

    Linda Jones Roccos, Brunilde Sismondo Ridgway•ARTICLE•The Classical World•1997

  • Greek Sculpture

    Linda Jones Roccos, J Boardman•ARTICLE•The Classical World•1998

  • The Diffusion of Classical Art in Antiquity

    Linda Jones Roccos, J Boardman•ARTICLE•The Classical World•1998

  • Divine Escorts

    Linda Jones Roccos, Judith M Barringer•ARTICLE•The Classical World•1998

  • Hellenistic Architectural Sculpture

    Linda Jones Roccos•ARTICLE•American Journal of Archaeology•1998

  • Back - Mantle and Peplos

    Linda Jones Roccos•ARTICLE•Hesperia The Journal of the…•2000•Citada por: 13

Art (9 obras) · Classical Antiquity Studies (7 obras) · History (7 obras) · Ancient history (5 obras) · Ancient Mediterranean Archaeology and History (5 obras) · Art history (4 obras) · History (4 obras) · Sculpture (4 obras) · Classics (3 obras) · Historical and Architectural Studies (3 obras)

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