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Flora S Kaplan

Dados Biográficos

ID109705
NOMEFlora S Kaplan
PRENOMESFlora S
SOBRENOMEKaplan
ASSINATURAKAPLAN F S
AFILIAÇÕESNew York University
VERIFICADONão
TOTAL DE OBRAS14
TOTAL DE CITAÇÕES37
TOTAL COMO AUTOR13
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1979
ANO MAIS RECENTE DE PUBLICAÇÃO1996
ÍNDICE H3
  • A Mexican Folk Pottery Tradition

    Susan Toby Evans, Flora S Kaplan•ARTICLE•Ethnohistory•1996

    Flora S. Kaplan draws on several disciplines and techniques to describe, classify, and interpret style in the black-on-red glazed pottery tradition of Puebla, Mexico.The concept of style although widely used in archaeology, ethology, and art history often is too vague to be useful in developing either an empirical methodology for its study or in illuminating the creative and cognitive processes in human beings. Kaplan, however, rigorously defines…

  • Museums and the Making of `Ourselves

    Mary Bouquet, Flora S Kaplan et al.•ARTICLE•Journal of the Royal Anthropologica…•1996•Citada por: 2

  • Fragile Legacy

    Open Access•Flora S Kaplan•ARTICLE•History in Africa•1991•Citada por: 4•Referências: 9

    Photographs create a tantalizing sense of “being there” while history was being made. They offer a means of entry into cultures that are historically non-literate, stimulating informants' memories and linking their oral traditions to specific events and persons in the culture. Their research potential in West Africa and in Nigeria, in particular, is only now being recognized (Edwards 1990; Kaplan 1990: 317-319; Scherer 1990: 131, 135, 139, 141, 1…

  • Benin art revisited

    Flora S Kaplan•ARTICLE•Visual Anthropology•1991•Citada por: 2•Referências: 7

    Sometimes surprising results were obtained in doing ethnographic fieldwork among the Benin people of southern Nigeria by using photographs of art objects seized by a British military expeditionary force against the Benin kingdom, in 1897. These results have import for the documentation of museum collections today. The more than two thousand objects taken from the Oba's palace in 1897, dating from the 16th to 19th centuries, were sold to offset th…

  • Some uses of photographs in recovering cultural history at the royal court of Benin, Nigeria

    Flora S Kaplan•ARTICLE•Visual Anthropology•1990•Citada por: 11•Referências: 7

    Photographs collected for research in 1980 and in the course of field work at the royal court of Benin in 1982 and 1983 to 1985, as well as photographs taken by the researcher, are used to stimulate, supplement, and support ethnographic study. Many of the photographs are themselves ethnohistoric documents, marking the demise of the autonomy of the Benin kingdom at the end of the nineteenth century, and giving evidence of the impact of colonialism…

  • The Measuring, Mapping, and Meaning of Pots

    Open Access•Flora S Kaplan•ARTICLE•American Anthropologist•1985•Citada por: 2•Referências: 38

    The Folk Classification of Ceramics: A Study of Cognitive Prototypes . Willett Kempton . New York: Academic Press, 1981. xvi + 237 pp. $24.50 (cloth

  • The Peasant Potters of Los Pueblos

    Flora S Kaplan, Dick A Papousek•ARTICLE•Man•1984•Citada por: 3

  • Images of Power

    Paula Ben-Amos, Flora S Kaplan•ARTICLE•African Arts•1983

  • Reply to Ben-Amos

    Flora S Kaplan, Flora Kaplan•ARTICLE•African Arts•1983

  • The Pottery of Acatlan

    Open Access•Flora S Kaplan•ARTICLE•American Ethnologist•1983

  • Cognitive Mapping of a Folk Taxonomy of Mexican Pottery

    Open Access•Flora S Kaplan, David M Levine•ARTICLE•American Anthropologist•1981•Citada por: 9•Referências: 45

    A folk taxonomy of cooking pottery from Puebla, Mexico, is derived from potters, according to a method described here. Making no assumptions about the taxonomy, the potters' raw data are subjected to a multivariate analysis. The resulting cognitive mapping reveals an inherent structure that can be interpreted in two dimensions, and attributed to two factors: open/closed pottery types, and multiple/nonmultiple ears. These factors are found to be a…

  • Archaeology

    Open Access•Flora S Kaplan•ARTICLE•American Anthropologist•1980•Citada por: 1

  • The Artistic Animal

    Open Access•Flora S Kaplan•ARTICLE•Studies in the Anthropology of…•1979•Citada por: 3•Referências: 11

  • Some uses of photographs in recovering cultural history at the royal court of Benin, Nigeria

    Flora S Kaplan•ARTICLE•Visual Anthropology•1990•Citada por: 11•Referências: 7

    Photographs collected for research in 1980 and in the course of field work at the royal court of Benin in 1982 and 1983 to 1985, as well as photographs taken by the researcher, are used to stimulate, supplement, and support ethnographic study. Many of the photographs are themselves ethnohistoric documents, marking the demise of the autonomy of the Benin kingdom at the end of the nineteenth century, and giving evidence of the impact of colonialism…

  • Cognitive Mapping of a Folk Taxonomy of Mexican Pottery

    Open Access•Flora S Kaplan, David M Levine•ARTICLE•American Anthropologist•1981•Citada por: 9•Referências: 45

    A folk taxonomy of cooking pottery from Puebla, Mexico, is derived from potters, according to a method described here. Making no assumptions about the taxonomy, the potters' raw data are subjected to a multivariate analysis. The resulting cognitive mapping reveals an inherent structure that can be interpreted in two dimensions, and attributed to two factors: open/closed pottery types, and multiple/nonmultiple ears. These factors are found to be a…

  • Fragile Legacy

    Open Access•Flora S Kaplan•ARTICLE•History in Africa•1991•Citada por: 4•Referências: 9

    Photographs create a tantalizing sense of “being there” while history was being made. They offer a means of entry into cultures that are historically non-literate, stimulating informants' memories and linking their oral traditions to specific events and persons in the culture. Their research potential in West Africa and in Nigeria, in particular, is only now being recognized (Edwards 1990; Kaplan 1990: 317-319; Scherer 1990: 131, 135, 139, 141, 1…

  • The Peasant Potters of Los Pueblos

    Flora S Kaplan, Dick A Papousek•ARTICLE•Man•1984•Citada por: 3

  • The Artistic Animal

    Open Access•Flora S Kaplan•ARTICLE•Studies in the Anthropology of…•1979•Citada por: 3•Referências: 11

  • Museums and the Making of `Ourselves

    Mary Bouquet, Flora S Kaplan et al.•ARTICLE•Journal of the Royal Anthropologica…•1996•Citada por: 2

  • Benin art revisited

    Flora S Kaplan•ARTICLE•Visual Anthropology•1991•Citada por: 2•Referências: 7

    Sometimes surprising results were obtained in doing ethnographic fieldwork among the Benin people of southern Nigeria by using photographs of art objects seized by a British military expeditionary force against the Benin kingdom, in 1897. These results have import for the documentation of museum collections today. The more than two thousand objects taken from the Oba's palace in 1897, dating from the 16th to 19th centuries, were sold to offset th…

  • The Measuring, Mapping, and Meaning of Pots

    Open Access•Flora S Kaplan•ARTICLE•American Anthropologist•1985•Citada por: 2•Referências: 38

    The Folk Classification of Ceramics: A Study of Cognitive Prototypes . Willett Kempton . New York: Academic Press, 1981. xvi + 237 pp. $24.50 (cloth

  • Archaeology

    Open Access•Flora S Kaplan•ARTICLE•American Anthropologist•1980•Citada por: 1

  • The Artistic Animal

    Open Access•Flora S Kaplan•ARTICLE•Studies in the Anthropology of…•1979•Citada por: 3•Referências: 11

  • Archaeology

    Open Access•Flora S Kaplan•ARTICLE•American Anthropologist•1980•Citada por: 1

  • Cognitive Mapping of a Folk Taxonomy of Mexican Pottery

    Open Access•Flora S Kaplan, David M Levine•ARTICLE•American Anthropologist•1981•Citada por: 9•Referências: 45

    A folk taxonomy of cooking pottery from Puebla, Mexico, is derived from potters, according to a method described here. Making no assumptions about the taxonomy, the potters' raw data are subjected to a multivariate analysis. The resulting cognitive mapping reveals an inherent structure that can be interpreted in two dimensions, and attributed to two factors: open/closed pottery types, and multiple/nonmultiple ears. These factors are found to be a…

  • Images of Power

    Paula Ben-Amos, Flora S Kaplan•ARTICLE•African Arts•1983

  • Reply to Ben-Amos

    Flora S Kaplan, Flora Kaplan•ARTICLE•African Arts•1983

  • The Pottery of Acatlan

    Open Access•Flora S Kaplan•ARTICLE•American Ethnologist•1983

  • The Peasant Potters of Los Pueblos

    Flora S Kaplan, Dick A Papousek•ARTICLE•Man•1984•Citada por: 3

  • The Measuring, Mapping, and Meaning of Pots

    Open Access•Flora S Kaplan•ARTICLE•American Anthropologist•1985•Citada por: 2•Referências: 38

    The Folk Classification of Ceramics: A Study of Cognitive Prototypes . Willett Kempton . New York: Academic Press, 1981. xvi + 237 pp. $24.50 (cloth

  • Some uses of photographs in recovering cultural history at the royal court of Benin, Nigeria

    Flora S Kaplan•ARTICLE•Visual Anthropology•1990•Citada por: 11•Referências: 7

    Photographs collected for research in 1980 and in the course of field work at the royal court of Benin in 1982 and 1983 to 1985, as well as photographs taken by the researcher, are used to stimulate, supplement, and support ethnographic study. Many of the photographs are themselves ethnohistoric documents, marking the demise of the autonomy of the Benin kingdom at the end of the nineteenth century, and giving evidence of the impact of colonialism…

  • Fragile Legacy

    Open Access•Flora S Kaplan•ARTICLE•History in Africa•1991•Citada por: 4•Referências: 9

    Photographs create a tantalizing sense of “being there” while history was being made. They offer a means of entry into cultures that are historically non-literate, stimulating informants' memories and linking their oral traditions to specific events and persons in the culture. Their research potential in West Africa and in Nigeria, in particular, is only now being recognized (Edwards 1990; Kaplan 1990: 317-319; Scherer 1990: 131, 135, 139, 141, 1…

  • Benin art revisited

    Flora S Kaplan•ARTICLE•Visual Anthropology•1991•Citada por: 2•Referências: 7

    Sometimes surprising results were obtained in doing ethnographic fieldwork among the Benin people of southern Nigeria by using photographs of art objects seized by a British military expeditionary force against the Benin kingdom, in 1897. These results have import for the documentation of museum collections today. The more than two thousand objects taken from the Oba's palace in 1897, dating from the 16th to 19th centuries, were sold to offset th…

  • A Mexican Folk Pottery Tradition

    Susan Toby Evans, Flora S Kaplan•ARTICLE•Ethnohistory•1996

    Flora S. Kaplan draws on several disciplines and techniques to describe, classify, and interpret style in the black-on-red glazed pottery tradition of Puebla, Mexico.The concept of style although widely used in archaeology, ethology, and art history often is too vague to be useful in developing either an empirical methodology for its study or in illuminating the creative and cognitive processes in human beings. Kaplan, however, rigorously defines…

  • Museums and the Making of `Ourselves

    Mary Bouquet, Flora S Kaplan et al.•ARTICLE•Journal of the Royal Anthropologica…•1996•Citada por: 2

History (9 obras) · Archaeology (8 obras) · Art (8 obras) · History (8 obras) · Sociology (6 obras) · African history and culture studies (4 obras) · Anthropology (4 obras) · Ethnography (4 obras) · Visual arts (4 obras) · Aesthetics (3 obras)

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