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Jay Rajiva

Dados Biográficos

ID109706
NOMEJay Rajiva
PRENOMESJay
SOBRENOMERajiva
ASSINATURARAJIVA J
AFILIAÇÕESGeorgia State University
VERIFICADONão
TOTAL DE OBRAS7
TOTAL DE CITAÇÕES2
TOTAL COMO AUTOR7
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2013
ANO MAIS RECENTE DE PUBLICAÇÃO2026
ÍNDICE H1
  • Open Boat Blues

    Open Access•Jay Rajiva•ARTICLE•Journal of French and Francophone…•2026

    How does the musical genre of the blues complicate diaspora narratives that inadvertently privilege Eurocentric aesthetic models of diasporic experience? How might we find formal evidence of the blues in Martinican poet-philosopher Edouard Glissant’s work on migration? And in what ways does Glissant lend a Caribbean inflection to this blues-based diasporic thinking? In what follows, I attempt to “creolize” diaspora theory by reading Glissant’s Po…

  • Hopegoing

    Jay Rajiva•ARTICLE•Journal of Postcolonial Writing•2026•Referências: 15

    This article argues that Yaa Gyasi’s novel Homegoing (2016) offers an animist model of deferred hope that considers the spiritual, conscious, and “speaking” elements of non-human matter. Drawing on Harry Garuba’s notion of animism’s excessive aesthetic presence, which possesses a “spirit of constant awareness [that] functions on a logic of inclusion rather than exclusion”, it analyses the “portability” of both literal and metaphoric fire in Homeg…

  • Caring for Everything Inside

    Open Access•Jay Rajiva•ARTICLE•Humanities•2022

    In this essay, I argue that Haitian-American writer Edwidge Danticat, in short stories from her most recent collection, Everything Inside (2019), challenges toxic forms of representation by attending to the imaginative potential of Haitian migrant experience within moments of collective trauma. This challenge, I suggest, is based on bigidi, a Creole expression denoting permanent imbalance that is once philosophy, dance practice, musical aesthetic…

  • The Answer is Paracritical

    Open Access•Jay Rajiva•ARTICLE•Humanities•2019

    I argue that both Rita Felski’s postcritical model (as articulated in The Limits of Critique) and its academic reception are made possible only by ignoring or erasing African-American and Afro-Caribbean modes of engagement with art that predate and complicate the critical-postcritical binary. To counteract the vanguardism of this trend in literary studies, I pair Caribbean philosopher-poet Edouard Glissant’s meditation on the origins of Creole sp…

  • Trauma's internal transformation

    Jay Rajiva•ARTICLE•Journal of the African Literature…•2017•Citada por: 1•Referências: 3

    This article parts ways both with conventional application of trauma theory to J.M. Coetzee's The Master of Petersburg and with critical evaluations that focus primarily on metafiction and allegory. Instead, I argue that Dostoevsky's attempts to mourn Pavel involve a sustained meditation on the traumatized mind examining the conditions of its own trauma, figured in a character suffering from unexpected fits of epilepsy (as the real-life Dostoevsk…

  • The instant of waking from the nightmare

    Jay Rajiva•ARTICLE•Journal of Postcolonial Writing•2016•Citada por: 1•Referências: 9

    This article positions agency as a necessarily lacunal aspect of Tayeb Salih’s Season of Migration to the North. By allowing the theatricality of doubling and metaphor to overdetermine Mustafa’s narrative, the novel implicitly challenges both the substitution of symbol for material experience and the rational logic of causation. The disruptive potential of this challenge suggests an emergent form of postcolonial experience – an unpredictable inte…

  • The Unbearable Burden of Levinasian Ethics

    Jay Rajiva•ARTICLE•Angelaki•2013•Referências: 2

    Levinas's treatment of persecution as the inaugural basis of ethical responsibility tacitly relies on the ethical subject's availability for seduction through an invitation to profane the beloved that is the obverse of the face. Using Jean Laplanche's conception of the enigmatic signifier, I interpret the face–beloved dyad as a pathological response to the primary, overwhelming, and persecutory demand of the breast on the infant. Furthermore, I s…

  • Trauma's internal transformation

    Jay Rajiva•ARTICLE•Journal of the African Literature…•2017•Citada por: 1•Referências: 3

    This article parts ways both with conventional application of trauma theory to J.M. Coetzee's The Master of Petersburg and with critical evaluations that focus primarily on metafiction and allegory. Instead, I argue that Dostoevsky's attempts to mourn Pavel involve a sustained meditation on the traumatized mind examining the conditions of its own trauma, figured in a character suffering from unexpected fits of epilepsy (as the real-life Dostoevsk…

  • The instant of waking from the nightmare

    Jay Rajiva•ARTICLE•Journal of Postcolonial Writing•2016•Citada por: 1•Referências: 9

    This article positions agency as a necessarily lacunal aspect of Tayeb Salih’s Season of Migration to the North. By allowing the theatricality of doubling and metaphor to overdetermine Mustafa’s narrative, the novel implicitly challenges both the substitution of symbol for material experience and the rational logic of causation. The disruptive potential of this challenge suggests an emergent form of postcolonial experience – an unpredictable inte…

  • The Unbearable Burden of Levinasian Ethics

    Jay Rajiva•ARTICLE•Angelaki•2013•Referências: 2

    Levinas's treatment of persecution as the inaugural basis of ethical responsibility tacitly relies on the ethical subject's availability for seduction through an invitation to profane the beloved that is the obverse of the face. Using Jean Laplanche's conception of the enigmatic signifier, I interpret the face–beloved dyad as a pathological response to the primary, overwhelming, and persecutory demand of the breast on the infant. Furthermore, I s…

  • The instant of waking from the nightmare

    Jay Rajiva•ARTICLE•Journal of Postcolonial Writing•2016•Citada por: 1•Referências: 9

    This article positions agency as a necessarily lacunal aspect of Tayeb Salih’s Season of Migration to the North. By allowing the theatricality of doubling and metaphor to overdetermine Mustafa’s narrative, the novel implicitly challenges both the substitution of symbol for material experience and the rational logic of causation. The disruptive potential of this challenge suggests an emergent form of postcolonial experience – an unpredictable inte…

  • Trauma's internal transformation

    Jay Rajiva•ARTICLE•Journal of the African Literature…•2017•Citada por: 1•Referências: 3

    This article parts ways both with conventional application of trauma theory to J.M. Coetzee's The Master of Petersburg and with critical evaluations that focus primarily on metafiction and allegory. Instead, I argue that Dostoevsky's attempts to mourn Pavel involve a sustained meditation on the traumatized mind examining the conditions of its own trauma, figured in a character suffering from unexpected fits of epilepsy (as the real-life Dostoevsk…

  • The Answer is Paracritical

    Open Access•Jay Rajiva•ARTICLE•Humanities•2019

    I argue that both Rita Felski’s postcritical model (as articulated in The Limits of Critique) and its academic reception are made possible only by ignoring or erasing African-American and Afro-Caribbean modes of engagement with art that predate and complicate the critical-postcritical binary. To counteract the vanguardism of this trend in literary studies, I pair Caribbean philosopher-poet Edouard Glissant’s meditation on the origins of Creole sp…

  • Caring for Everything Inside

    Open Access•Jay Rajiva•ARTICLE•Humanities•2022

    In this essay, I argue that Haitian-American writer Edwidge Danticat, in short stories from her most recent collection, Everything Inside (2019), challenges toxic forms of representation by attending to the imaginative potential of Haitian migrant experience within moments of collective trauma. This challenge, I suggest, is based on bigidi, a Creole expression denoting permanent imbalance that is once philosophy, dance practice, musical aesthetic…

  • Open Boat Blues

    Open Access•Jay Rajiva•ARTICLE•Journal of French and Francophone…•2026

    How does the musical genre of the blues complicate diaspora narratives that inadvertently privilege Eurocentric aesthetic models of diasporic experience? How might we find formal evidence of the blues in Martinican poet-philosopher Edouard Glissant’s work on migration? And in what ways does Glissant lend a Caribbean inflection to this blues-based diasporic thinking? In what follows, I attempt to “creolize” diaspora theory by reading Glissant’s Po…

  • Hopegoing

    Jay Rajiva•ARTICLE•Journal of Postcolonial Writing•2026•Referências: 15

    This article argues that Yaa Gyasi’s novel Homegoing (2016) offers an animist model of deferred hope that considers the spiritual, conscious, and “speaking” elements of non-human matter. Drawing on Harry Garuba’s notion of animism’s excessive aesthetic presence, which possesses a “spirit of constant awareness [that] functions on a logic of inclusion rather than exclusion”, it analyses the “portability” of both literal and metaphoric fire in Homeg…

Aesthetics (5 obras) · Sociology (5 obras) · Art (4 obras) · Literature (4 obras) · Philosophy (4 obras) · Postcolonial and Cultural Literary Studies (4 obras) · Caribbean and African Literature and Culture (3 obras) · Caribbean history, culture, and politics (3 obras) · Epistemology (3 obras) · Metaphor (3 obras)

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