Boris Uspensky

• Semiosis

  Edward J Brown, Morris Halle et al.•ARTICLE•Poetics Today•1986

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• A Poetics of Composition

  A Nakhimovsky, Boris Uspensky et al.•ARTICLE•The Slavic and East European…•1984

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• The Semiotics of the Russian Icon

  James H Billington, Boris Uspensky et al.•ARTICLE•The Russian Review•1979•Citada por: 1

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• The Semiotics of the Russian Icon

  Alan C Birnholz, Boris Uspensky•ARTICLE•The Slavic and East European…•1978

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• Myth - Name - Culture

  Open Access•Ju M Lotman, Boris Uspensky et al.•ARTICLE•Semiotica•1978•Citada por: 2

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• On the Semiotic Mechanism of Culture

  Yu M Lotman, Boris Uspensky et al.•ARTICLE•New Literary History•1978•Citada por: 75

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  HERE ARE MANY WAYS of defining culture.1 The difference in the semantic content of the concept culture in different historical epochs and among different scholars of our time will not discourage us if we remember that the meaning of the term is derivable from the type of culture: every historically given culture generates some special model of culture peculiar to itself. Therefore, a comparative study of the semantics of the term culture over the…

• Center-Periphery Opposition and Language Universals

  Open Access•Boris Uspensky, B A Uspensky et al.•ARTICLE•Linguistics•1977

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• A Description of a Semiotic System With Simple Syntax

  Open Access•M I LEKOMCEVA, Boris Uspensky et al.•ARTICLE•Semiotica•1976

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• Personological Classification as a Semiotic Problem

  Open Access•A M Piatigorsky, Alexander Piatigorsky et al.•ARTICLE•Semiotica•1975

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• Left' and 'Right' in Icon Painting

  Open Access•Boris Uspensky, B A Uspensky•ARTICLE•Semiotica•1975•Citada por: 4

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• A Poetics of Composition

  William E Harkins, Boris Uspensky et al.•ARTICLE•The Slavic and East European…•1974

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• Subsystems in Language, Their Interrelations and Their Correlated Universals

  Open Access•Boris Uspensky, B A Uspensky•ARTICLE•Linguistics•1972

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• Structural isomorphism of verbal and visual art

  Open Access•Boris Uspensky, B A Uspensky•ARTICLE•Poetics•1972•Citada por: 2•Referências: 5

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• On the Semiotic Mechanism of Culture

  Yu M Lotman, Boris Uspensky et al.•ARTICLE•New Literary History•1978•Citada por: 75

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  HERE ARE MANY WAYS of defining culture.1 The difference in the semantic content of the concept culture in different historical epochs and among different scholars of our time will not discourage us if we remember that the meaning of the term is derivable from the type of culture: every historically given culture generates some special model of culture peculiar to itself. Therefore, a comparative study of the semantics of the term culture over the…

• Left' and 'Right' in Icon Painting

  Open Access•Boris Uspensky, B A Uspensky•ARTICLE•Semiotica•1975•Citada por: 4

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• Myth - Name - Culture

  Open Access•Ju M Lotman, Boris Uspensky et al.•ARTICLE•Semiotica•1978•Citada por: 2

  Incluir item

• Structural isomorphism of verbal and visual art

  Open Access•Boris Uspensky, B A Uspensky•ARTICLE•Poetics•1972•Citada por: 2•Referências: 5

  Incluir item

• The Semiotics of the Russian Icon

  James H Billington, Boris Uspensky et al.•ARTICLE•The Russian Review•1979•Citada por: 1

  Incluir item

• Subsystems in Language, Their Interrelations and Their Correlated Universals

  Open Access•Boris Uspensky, B A Uspensky•ARTICLE•Linguistics•1972

  Incluir item

• Structural isomorphism of verbal and visual art

  Open Access•Boris Uspensky, B A Uspensky•ARTICLE•Poetics•1972•Citada por: 2•Referências: 5

  Incluir item

• A Poetics of Composition

  William E Harkins, Boris Uspensky et al.•ARTICLE•The Slavic and East European…•1974

  Incluir item

• Personological Classification as a Semiotic Problem

  Open Access•A M Piatigorsky, Alexander Piatigorsky et al.•ARTICLE•Semiotica•1975

  Incluir item

• Left' and 'Right' in Icon Painting

  Open Access•Boris Uspensky, B A Uspensky•ARTICLE•Semiotica•1975•Citada por: 4

  Incluir item

• A Description of a Semiotic System With Simple Syntax

  Open Access•M I LEKOMCEVA, Boris Uspensky et al.•ARTICLE•Semiotica•1976

  Incluir item

• Center-Periphery Opposition and Language Universals

  Open Access•Boris Uspensky, B A Uspensky et al.•ARTICLE•Linguistics•1977

  Incluir item

• The Semiotics of the Russian Icon

  Alan C Birnholz, Boris Uspensky•ARTICLE•The Slavic and East European…•1978

  Incluir item

• Myth - Name - Culture

  Open Access•Ju M Lotman, Boris Uspensky et al.•ARTICLE•Semiotica•1978•Citada por: 2

  Incluir item

• On the Semiotic Mechanism of Culture

  Yu M Lotman, Boris Uspensky et al.•ARTICLE•New Literary History•1978•Citada por: 75

  Incluir item

  HERE ARE MANY WAYS of defining culture.1 The difference in the semantic content of the concept culture in different historical epochs and among different scholars of our time will not discourage us if we remember that the meaning of the term is derivable from the type of culture: every historically given culture generates some special model of culture peculiar to itself. Therefore, a comparative study of the semantics of the term culture over the…

• The Semiotics of the Russian Icon

  James H Billington, Boris Uspensky et al.•ARTICLE•The Russian Review•1979•Citada por: 1

  Incluir item

• A Poetics of Composition

  A Nakhimovsky, Boris Uspensky et al.•ARTICLE•The Slavic and East European…•1984

  Incluir item

• Semiosis

  Edward J Brown, Morris Halle et al.•ARTICLE•Poetics Today•1986

  Incluir item

Linguistics (10 obras) · Philosophy (10 obras) · Art (6 obras) · Semiotics (6 obras) · Computer Science (4 obras) · Icon (3 obras) · Language, Communication, and Linguistic Studies (3 obras) · Literature (3 obras) · Composition (language) (2 obras) · Discourse Analysis and Cultural Communication (2 obras)