Fredric Lieberman

• Lou Harrison

  Denise Von Glahn, Laura E Miller et al.•ARTICLE•American Music•1999

  Incluir item

• Lou Harrison and the American Gamelan

  Laura E Miller, LETA E MILLER et al.•ARTICLE•American Music•1999

  Incluir item

  Since the inception of the first Indonesian music performance program in the United States in the 1950s, the number of gamelan in America has mushroomed. A gamelan-the word translates roughly as orchestra-is an ensemble comprising primarily pitched percussion. The main instruments of the ensemble are keyed metallophones with trough or tubular resonators, and knobbed gongs, some of which are suspended and some of which are laid horizontally on rop…

• Tall Mountains and Flowing Waters

  Fredric Lieberman, Stephen Addi et al.•ARTICLE•Ethnomusicology•1988

  Incluir item

• A Chinese Zither Tutor

  Bell Yung, Fredric Lieberman•ARTICLE•Asian Music•1985

  Incluir item

• Chinese Music

  Han Kuo-Huang, Fredric Lieberman•ARTICLE•Ethnomusicology•1982

  Incluir item

• Music of the Whole Earth

  Fredric Lieberman, David B Reck et al.•ARTICLE•Ethnomusicology•1980

  Incluir item

• Chinese Music; An Annotated Bibliography

  Lindy Li Mark, Fredric Lieberman•ARTICLE•Asian Music•1979

  Incluir item

• Doctoral Dissertations on China, 1971-1975

  Fredric Lieberman, Frank Joseph Shulman•ARTICLE•Ethnomusicology•1979

  Incluir item

• Zur Geschichte des buddhistischen Ritualgesangs in Japan

  Fredric Lieberman, Walter Giesen•ARTICLE•Asian Music•1978

  Incluir item

• The Golden Age of Chinese Drama

  Fredric Lieberman, Chung-Wen Shih•ARTICLE•Asian Music•1977

  Incluir item

• Texted Tunes in the Mei-An Ch'in-P'u

  Fredric Lieberman•ARTICLE•Asian Music•1975

  Incluir item

  Players of the Chinese long zither ch'in today do not sing while they play. Nevertheless, even in contemporary ch'in handbooks, some of the shorter tunes are printed with accompanying texts. At one time, singing to the ch'in may have been a common practice, and in certain schools it was cultivated as a specialty (Liang 1972: 113f); however most ch'in players nowadays agree that the main purpose of the text is for the player to recite silently to …

• Chinese Music

  Laurence Picken, Fredric Lieberman•ARTICLE•Ethnomusicology•1974

  Incluir item

• The Music of China

  Fu-Yen Chen, Fredric Lieberman•ARTICLE•Asian Music•1973

  Incluir item

• Chinese Music

  Fredric Lieberman•ARTICLE•Asian Music•1973

  Incluir item

• Cents Frequency Period

  Fredric Lieberman, Hans-Peter Reinecke•ARTICLE•Ethnomusicology•1973

  Incluir item

• The Music of China, Vol. 1

  Rulan Chao Pian, Fredric Lieberman•ARTICLE•Ethnomusicology•1971

  Incluir item

• "Music in "The Tale of Genji

  Fredric Lieberman•ARTICLE•Asian Music•1971

  Incluir item

  The Tale of Genji (Genji Monogatari) is a novel in six books, written during the first decades of the tenth century by Lady Murasaki, a Japanese noblewoman. Dealing with the life and times of a certain fictional Prince Genji, the novel is one of the great works of Japanese literature; its characters are presented with such forcefullness and skill, however, that it easily transcends the barriers of time and culture to cecome a member of that compa…

• Sonq Dynasty Musical Sources and Their Interpretation

  Open Access•Fredric Lieberman, Rulan Chao Pian•ARTICLE•Notes•1969

  Incluir item

• Tibetan Folk and Minstrel Music

  Fredric Lieberman, Peter Crossley-Holland•ARTICLE•Ethnomusicology•1969

  Incluir item

• Robert Hans Van Gulik

  Fredric Lieberman•ARTICLE•Asian Music•1968

  Incluir item

• Music of Cheng--Chinese 16-Stringed Zither

  Fredric Lieberman, Tsai-Ping Liang•ARTICLE•Ethnomusicology•1968

  Incluir item

• Robert Hans Van Gulik

  Fredric Lieberman•ARTICLE•Asian Music•1968

  Incluir item

• Music of Cheng--Chinese 16-Stringed Zither

  Fredric Lieberman, Tsai-Ping Liang•ARTICLE•Ethnomusicology•1968

  Incluir item

• Sonq Dynasty Musical Sources and Their Interpretation

  Open Access•Fredric Lieberman, Rulan Chao Pian•ARTICLE•Notes•1969

  Incluir item

• Tibetan Folk and Minstrel Music

  Fredric Lieberman, Peter Crossley-Holland•ARTICLE•Ethnomusicology•1969

  Incluir item

• The Music of China, Vol. 1

  Rulan Chao Pian, Fredric Lieberman•ARTICLE•Ethnomusicology•1971

  Incluir item

• "Music in "The Tale of Genji

  Fredric Lieberman•ARTICLE•Asian Music•1971

  Incluir item

  The Tale of Genji (Genji Monogatari) is a novel in six books, written during the first decades of the tenth century by Lady Murasaki, a Japanese noblewoman. Dealing with the life and times of a certain fictional Prince Genji, the novel is one of the great works of Japanese literature; its characters are presented with such forcefullness and skill, however, that it easily transcends the barriers of time and culture to cecome a member of that compa…

• The Music of China

  Fu-Yen Chen, Fredric Lieberman•ARTICLE•Asian Music•1973

  Incluir item

• Chinese Music

  Fredric Lieberman•ARTICLE•Asian Music•1973

  Incluir item

• Cents Frequency Period

  Fredric Lieberman, Hans-Peter Reinecke•ARTICLE•Ethnomusicology•1973

  Incluir item

• Chinese Music

  Laurence Picken, Fredric Lieberman•ARTICLE•Ethnomusicology•1974

  Incluir item

• Texted Tunes in the Mei-An Ch'in-P'u

  Fredric Lieberman•ARTICLE•Asian Music•1975

  Incluir item

  Players of the Chinese long zither ch'in today do not sing while they play. Nevertheless, even in contemporary ch'in handbooks, some of the shorter tunes are printed with accompanying texts. At one time, singing to the ch'in may have been a common practice, and in certain schools it was cultivated as a specialty (Liang 1972: 113f); however most ch'in players nowadays agree that the main purpose of the text is for the player to recite silently to …

• The Golden Age of Chinese Drama

  Fredric Lieberman, Chung-Wen Shih•ARTICLE•Asian Music•1977

  Incluir item

• Zur Geschichte des buddhistischen Ritualgesangs in Japan

  Fredric Lieberman, Walter Giesen•ARTICLE•Asian Music•1978

  Incluir item

• Chinese Music; An Annotated Bibliography

  Lindy Li Mark, Fredric Lieberman•ARTICLE•Asian Music•1979

  Incluir item

• Doctoral Dissertations on China, 1971-1975

  Fredric Lieberman, Frank Joseph Shulman•ARTICLE•Ethnomusicology•1979

  Incluir item

• Music of the Whole Earth

  Fredric Lieberman, David B Reck et al.•ARTICLE•Ethnomusicology•1980

  Incluir item

• Chinese Music

  Han Kuo-Huang, Fredric Lieberman•ARTICLE•Ethnomusicology•1982

  Incluir item

• A Chinese Zither Tutor

  Bell Yung, Fredric Lieberman•ARTICLE•Asian Music•1985

  Incluir item

• Tall Mountains and Flowing Waters

  Fredric Lieberman, Stephen Addi et al.•ARTICLE•Ethnomusicology•1988

  Incluir item

• Lou Harrison

  Denise Von Glahn, Laura E Miller et al.•ARTICLE•American Music•1999

  Incluir item

• Lou Harrison and the American Gamelan

  Laura E Miller, LETA E MILLER et al.•ARTICLE•American Music•1999

  Incluir item

  Since the inception of the first Indonesian music performance program in the United States in the 1950s, the number of gamelan in America has mushroomed. A gamelan-the word translates roughly as orchestra-is an ensemble comprising primarily pitched percussion. The main instruments of the ensemble are keyed metallophones with trough or tubular resonators, and knobbed gongs, some of which are suspended and some of which are laid horizontally on rop…

Art (15 obras) · History (11 obras) · Diverse Musicological Studies (9 obras) · Musicology and Musical Analysis (9 obras) · Asian Culture and Media Studies (6 obras) · Bibliography (6 obras) · Chinese history and philosophy (6 obras) · Literature (6 obras) · Computer Science (5 obras) · Library science (5 obras)