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Charles H Nichols

Dados Biográficos

ID1126189
NOMECharles H Nichols
PRENOMESCharles H
SOBRENOMENichols
ASSINATURANICHOLS C H
VERIFICADONão
TOTAL DE OBRAS11
TOTAL DE CITAÇÕES3
TOTAL COMO AUTOR11
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1949
ANO MAIS RECENTE DE PUBLICAÇÃO1994
ÍNDICE H1
  • Brahms at the Piano

    Jonathan Berger, Charles H Nichols et al.•ARTICLE•Leonardo Music Journal•1994

    In 1889, Johannes Brahms recorded a segment of the first of his Ungarische Tanze (Hungarian Dances) in an arrangement for solo piano. The authors describe the analysis and reconstruction of this recording and examine the implications of this work as a contribution to the understanding of performance practices in the late nineteenth century

  • Arna Bontemps-Langston Hughes Letters, 1925-1967

    Darwin T Turner, Charles H Nichols•ARTICLE•American Literature•1983

  • Two Writers Sharing

    John Edgar Tidwell, Charles H Nichols•ARTICLE•Callaloo•1981

  • The Wayward and the Seeking

    Jay R Berry, Frank E Moorer et al.•ARTICLE•Modern Language Notes•1980

  • Many Thousand gone

    Kenneth M Stampp, Charles H Nichols•ARTICLE•The American Historical Review•1964•Citada por: 3

  • Communality of manic-depressive and "mild" cyclothymic characteristics

    Joseph Becker, Charles H Nichols•ARTICLE•Journal of Abnormal & Social…•1964

  • Slavery through the Eyes of Ex-Slaves

    Prince E Wilson, Charles H Nichols•ARTICLE•Phylon (1960•1963

  • Many Thousand Gone

    Charles H Nichols•BOOK•Many Thousand Gone•1963

  • Who Read the Slave Narratives?

    Charles H Nichols•ARTICLE•The Phylon Quarterly•1959

  • The Case of William Grimes, the Runaway Slave

    Charles H Nichols•ARTICLE•The William and Mary Quarterly•1951

    E VERY schoolboy knows, even if in sketchy outlines, the political history of the conflict over slavery. Accounts of the trade abound, and a beginning has been made in the study of plantation society. But scholars and historians have until recently virtually neglected the life and behavior of one important segment of that society-the himself. All too often the discussion of slavery has been carried on in terms of stereotypes about the Negro that …

  • Slave Narratives and the Plantation Legend

    Charles H Nichols•ARTICLE•Phylon (1940-1956•1949

  • Many Thousand gone

    Kenneth M Stampp, Charles H Nichols•ARTICLE•The American Historical Review•1964•Citada por: 3

  • Slave Narratives and the Plantation Legend

    Charles H Nichols•ARTICLE•Phylon (1940-1956•1949

  • The Case of William Grimes, the Runaway Slave

    Charles H Nichols•ARTICLE•The William and Mary Quarterly•1951

    E VERY schoolboy knows, even if in sketchy outlines, the political history of the conflict over slavery. Accounts of the trade abound, and a beginning has been made in the study of plantation society. But scholars and historians have until recently virtually neglected the life and behavior of one important segment of that society-the himself. All too often the discussion of slavery has been carried on in terms of stereotypes about the Negro that …

  • Who Read the Slave Narratives?

    Charles H Nichols•ARTICLE•The Phylon Quarterly•1959

  • Slavery through the Eyes of Ex-Slaves

    Prince E Wilson, Charles H Nichols•ARTICLE•Phylon (1960•1963

  • Many Thousand Gone

    Charles H Nichols•BOOK•Many Thousand Gone•1963

  • Many Thousand gone

    Kenneth M Stampp, Charles H Nichols•ARTICLE•The American Historical Review•1964•Citada por: 3

  • Communality of manic-depressive and "mild" cyclothymic characteristics

    Joseph Becker, Charles H Nichols•ARTICLE•Journal of Abnormal & Social…•1964

  • The Wayward and the Seeking

    Jay R Berry, Frank E Moorer et al.•ARTICLE•Modern Language Notes•1980

  • Two Writers Sharing

    John Edgar Tidwell, Charles H Nichols•ARTICLE•Callaloo•1981

  • Arna Bontemps-Langston Hughes Letters, 1925-1967

    Darwin T Turner, Charles H Nichols•ARTICLE•American Literature•1983

  • Brahms at the Piano

    Jonathan Berger, Charles H Nichols et al.•ARTICLE•Leonardo Music Journal•1994

    In 1889, Johannes Brahms recorded a segment of the first of his Ungarische Tanze (Hungarian Dances) in an arrangement for solo piano. The authors describe the analysis and reconstruction of this recording and examine the implications of this work as a contribution to the understanding of performance practices in the late nineteenth century

History (8 obras) · Art (5 obras) · Colonialism, slavery, and trade (5 obras) · Race, History, and American Society (4 obras) · Art history (3 obras) · History (3 obras) · Literature (3 obras) · Computer Science (2 obras) · Narrative (2 obras) · Aesthetics (1 obras)

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