John Kerrigan
Dados Biográficos
| ID | 1129568 |
|---|---|
| NOME | John Kerrigan |
| PRENOMES | John |
| SOBRENOME | Kerrigan |
| ASSINATURA | KERRIGAN J |
| AFILIAÇÕES | University of Cambridge |
| ORCID | 0000-0002-4867-0578 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 17 |
| TOTAL DE CITAÇÕES | 0 |
| TOTAL COMO AUTOR | 12 |
| TOTAL COMO EDITOR | 5 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1653 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2021 |
| ÍNDICE H | 0 |
Lampedusa
Tragedies about the suffering of migrants are not a new phenomenon. So this article quickly turns to texts from classical antiquity by Aeschylus and Euripides. It focuses, however, on poetry written over the last decade. Following the routes taken by asylum seekers from Africa and Asia through such transit points as Lampedusa and across Europe to Calais, it looks at depictions of the suffering associated with travel, disaster, and problematic arr…
Shakespeare's Originality
How original was Shakespeare and how was Shakespeare original? This book sets about answering these questions by putting them in historical context and investigating how the dramatist worked with his sources: plays, poems, chronicles, and prose romances. Shakespeare’s Originality unlocks its topic by showing through a series of case studies that range across the output—from the mature comedies to the great tragedies, from Richard III to The Tempe…
The Tempest to 1756
During the seventeenth and eighteenth centuries, Shakespeare’s plays were often read and performed in ‘altered’ versions. This chapter explores the characteristics and rationale of the Davenant and Dryden adaptation of The Tempest and others up to 1756. The aim is to explore the uses to which The Tempest was put in the construction of ‘Shakespeare’s originality’ during a period of change in theatrical culture, scholarship, editing, and aesthetics…
Archipelagic English
Divided Kingdoms and the Local Epic
Hidden Ireland
‘Remember Me!’
The chapter focuses on a number of great plays from the Renaissance period: Hamlet, The Spanish Tragedy, and the late version of Orestes, aptly called Horestes. The chapter states that memories are very powerful tools in provoking anger and revenge. For even if a person's loved one is not physically seen, the pain and grief of death and betrayal can be almost palpable to encourage a person to commit crimes and violence. For a father who is tormen…
Aeschylus and Dracula
Revenge Tragedy
Revenge Tragedy Revisited
(1997). REVENGE TRAGEDY REVISITED: POLITICS, PROVIDENCE AND DRAMA, 1649–1683. The Seventeenth Century: Vol. 12, No. 2, pp. 207-229
Milton and the Nightingale
Milton and the Nightingale Get access JOHN KERRIGAN JOHN KERRIGAN St John's CollegeCambridge Search for other works by this author on: Oxford Academic Google Scholar Essays in Criticism, Volume XLII, Issue 2, April 1992, Pages 107–122, https://doi.org/10.1093/eic/XLII.2.107 Published: 01 April 1992
The Nimph Seluagia her Song
The Complaint of a Woman Ravished, and also Mortally Wounded
Motives of woe
Motives of woe
Medieval lyrics Of Quene Annelida and False Arcite(1372-1380), Geoffrey Chaucer Shores Wife(1563), Thomas Churchyard Renaissance lyrics The Ruines of Time(1591), Edmund Spenser The Complaint of Rosamund(1592), Samuel Daniel from Englands Heroicall Epistles(1597), Michael Drayton A Louers Complaint(1609), William Shakespeare psalms and lamentations after Shakespeare Five Love-Letters from a Nun to a Cavalier(1978), Roger L'Estrange - translator re…
Five Love-Letters from a Nun to a Cavalier
Ariadne deserted by Theseus, as she sits upon a rock in the island Naxos, thus complains
"Ariadne deserted by Theseus, as she sits upon a rock in the island Naxos, thus complains" published on by null.
Sem obras proeminentes nesta página.
Ariadne deserted by Theseus, as she sits upon a rock in the island Naxos, thus complains
"Ariadne deserted by Theseus, as she sits upon a rock in the island Naxos, thus complains" published on by null.
Five Love-Letters from a Nun to a Cavalier
The Nimph Seluagia her Song
The Complaint of a Woman Ravished, and also Mortally Wounded
Motives of woe
Motives of woe
Medieval lyrics Of Quene Annelida and False Arcite(1372-1380), Geoffrey Chaucer Shores Wife(1563), Thomas Churchyard Renaissance lyrics The Ruines of Time(1591), Edmund Spenser The Complaint of Rosamund(1592), Samuel Daniel from Englands Heroicall Epistles(1597), Michael Drayton A Louers Complaint(1609), William Shakespeare psalms and lamentations after Shakespeare Five Love-Letters from a Nun to a Cavalier(1978), Roger L'Estrange - translator re…
Milton and the Nightingale
Milton and the Nightingale Get access JOHN KERRIGAN JOHN KERRIGAN St John's CollegeCambridge Search for other works by this author on: Oxford Academic Google Scholar Essays in Criticism, Volume XLII, Issue 2, April 1992, Pages 107–122, https://doi.org/10.1093/eic/XLII.2.107 Published: 01 April 1992
‘Remember Me!’
The chapter focuses on a number of great plays from the Renaissance period: Hamlet, The Spanish Tragedy, and the late version of Orestes, aptly called Horestes. The chapter states that memories are very powerful tools in provoking anger and revenge. For even if a person's loved one is not physically seen, the pain and grief of death and betrayal can be almost palpable to encourage a person to commit crimes and violence. For a father who is tormen…
Aeschylus and Dracula
Revenge Tragedy
Revenge Tragedy Revisited
(1997). REVENGE TRAGEDY REVISITED: POLITICS, PROVIDENCE AND DRAMA, 1649–1683. The Seventeenth Century: Vol. 12, No. 2, pp. 207-229
Hidden Ireland
Divided Kingdoms and the Local Epic
Archipelagic English
Shakespeare's Originality
How original was Shakespeare and how was Shakespeare original? This book sets about answering these questions by putting them in historical context and investigating how the dramatist worked with his sources: plays, poems, chronicles, and prose romances. Shakespeare’s Originality unlocks its topic by showing through a series of case studies that range across the output—from the mature comedies to the great tragedies, from Richard III to The Tempe…
The Tempest to 1756
During the seventeenth and eighteenth centuries, Shakespeare’s plays were often read and performed in ‘altered’ versions. This chapter explores the characteristics and rationale of the Davenant and Dryden adaptation of The Tempest and others up to 1756. The aim is to explore the uses to which The Tempest was put in the construction of ‘Shakespeare’s originality’ during a period of change in theatrical culture, scholarship, editing, and aesthetics…
Lampedusa
Tragedies about the suffering of migrants are not a new phenomenon. So this article quickly turns to texts from classical antiquity by Aeschylus and Euripides. It focuses, however, on poetry written over the last decade. Following the routes taken by asylum seekers from Africa and Asia through such transit points as Lampedusa and across Europe to Calais, it looks at depictions of the suffering associated with travel, disaster, and problematic arr…
Art (14 obras) · Literature (10 obras) · History (9 obras) · Law (6 obras) · Political science (6 obras) · History (4 obras) · Psychology (4 obras) · Classical Antiquity Studies (3 obras) · Drama (3 obras) · Law (3 obras)