Gustavo Subero
Dados Biográficos
| ID | 1155360 |
|---|---|
| NOME | Gustavo Subero |
| PRENOMES | Gustavo |
| SOBRENOME | Subero |
| ASSINATURA | SUBERO G |
| AFILIAÇÕES | Coventry University |
| ORCID | 0000-0001-6075-5948 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 6 |
| TOTAL DE CITAÇÕES | 7 |
| TOTAL COMO AUTOR | 6 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2008 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2016 |
| ÍNDICE H | 2 |
Representations of HIV/Aids in Contemporary Hispano-American and Caribbean Culture
Exploring the mechanisms and strategies used in different cultures across Hispano-America and the Caribbean to narrativise, represent and understand HIV/AIDS as a social and human phenomenon, this book examines a wide range of cultural, artistic and media texts, as well as issues of human phenomenology, to understand the ways in which HIV positive individuals make sense of their own lives, and of the ways in which the rest of society sees them. D…
Queer Masculinities in Latin American Cinema
Gustavo Subero offers an assessment of the influence, importance and impact of a body of films from the mid 1970s to date that, he argues, constitute a Latin American Queer Cinema. Gustavo Subero addresses major issues surrounding homosexuality in different Latin American societies, starting with the notions of gender and sexuality that are paramount in the construction of queer subjects in these regions. He explores questions of male effeminacy …
Muxeninity and the Institutionalization of a Third Gender Identity in Alejandra Islas’s Muxes
This article focuses on Alejandra Islas’s documentary Muxes: auténticas, intrépidas, buscadoras de peligro (Mexico, 2005) and the way it demonstrates that transgenderism has become an institutionalized gender practice within Zapotec culture. It argues for an understanding of female relations and how they are experienced in the Isthmus in order to include muxes (a term that works as an umbrella for gay and transgender individuals) as part of the s…
Gay Mexican Pornography at the Intersection of Ethnic and National Identity in Jorge Diestra's La Putiza
The Silent Scream of the Locas in Mariposas en el andamio
This article explores the way cross-dressing has been used as a tool of dissent by queer subjects in the film Mariposas en el andamio. This documentary not only advocates the integration of homosexuals in the realm of Cuban society, but also evidences the establishment of a culture of transvestism on the island. The ultimate intention of Mariposas is to posit the male-to-female transvestite as a figure that contests hegemonic heteronormativity as…
Fear of the Trannies
The transvestite, as a figure that contests both heteronormativity and machismo, has remained in the cinema of Latin America, unlike its literature, a rather unexplored theme. Although some films have attempted to deal with such a figure, they have devoted very little diegetic time either to the process of physical and psychological transformation from man to woman or to showing transvestism as the externalization of the character's self-perceive…
Gay Mexican Pornography at the Intersection of Ethnic and National Identity in Jorge Diestra's La Putiza
Fear of the Trannies
The transvestite, as a figure that contests both heteronormativity and machismo, has remained in the cinema of Latin America, unlike its literature, a rather unexplored theme. Although some films have attempted to deal with such a figure, they have devoted very little diegetic time either to the process of physical and psychological transformation from man to woman or to showing transvestism as the externalization of the character's self-perceive…
Fear of the Trannies
The transvestite, as a figure that contests both heteronormativity and machismo, has remained in the cinema of Latin America, unlike its literature, a rather unexplored theme. Although some films have attempted to deal with such a figure, they have devoted very little diegetic time either to the process of physical and psychological transformation from man to woman or to showing transvestism as the externalization of the character's self-perceive…
The Silent Scream of the Locas in Mariposas en el andamio
This article explores the way cross-dressing has been used as a tool of dissent by queer subjects in the film Mariposas en el andamio. This documentary not only advocates the integration of homosexuals in the realm of Cuban society, but also evidences the establishment of a culture of transvestism on the island. The ultimate intention of Mariposas is to posit the male-to-female transvestite as a figure that contests hegemonic heteronormativity as…
Gay Mexican Pornography at the Intersection of Ethnic and National Identity in Jorge Diestra's La Putiza
Muxeninity and the Institutionalization of a Third Gender Identity in Alejandra Islas’s Muxes
This article focuses on Alejandra Islas’s documentary Muxes: auténticas, intrépidas, buscadoras de peligro (Mexico, 2005) and the way it demonstrates that transgenderism has become an institutionalized gender practice within Zapotec culture. It argues for an understanding of female relations and how they are experienced in the Isthmus in order to include muxes (a term that works as an umbrella for gay and transgender individuals) as part of the s…
Queer Masculinities in Latin American Cinema
Gustavo Subero offers an assessment of the influence, importance and impact of a body of films from the mid 1970s to date that, he argues, constitute a Latin American Queer Cinema. Gustavo Subero addresses major issues surrounding homosexuality in different Latin American societies, starting with the notions of gender and sexuality that are paramount in the construction of queer subjects in these regions. He explores questions of male effeminacy …
Representations of HIV/Aids in Contemporary Hispano-American and Caribbean Culture
Exploring the mechanisms and strategies used in different cultures across Hispano-America and the Caribbean to narrativise, represent and understand HIV/AIDS as a social and human phenomenon, this book examines a wide range of cultural, artistic and media texts, as well as issues of human phenomenology, to understand the ways in which HIV positive individuals make sense of their own lives, and of the ways in which the rest of society sees them. D…
Gender Studies (5 obras) · Sociology (5 obras) · Cuban History and Society (4 obras) · Art (3 obras) · Gender, Feminism, and Media (3 obras) · Latin Americans (3 obras) · Sexuality, Behavior, and Technology (3 obras) · Gender Studies (2 obras) · Heteronormativity (2 obras) · History (2 obras)