Johnnie Gratton
Dados Biográficos
| ID | 1160179 |
|---|---|
| NOME | Johnnie Gratton |
| PRENOMES | Johnnie |
| SOBRENOME | Gratton |
| ASSINATURA | GRATTON J |
| AFILIAÇÕES | Trinity College Dublin |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 8 |
| TOTAL DE CITAÇÕES | 1 |
| TOTAL COMO AUTOR | 8 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1986 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2023 |
| ÍNDICE H | 1 |
Qu'est-ce que l'art du projet ? Histoire, théorie, pratique
Resume :Ce texte est une traduction française de l'introduction du livre The Art of the Project. Projects and Experiments in Modern French Culture (New York /Oxford, Berghahn Books, 2005) dirigé par Michael Sheringham et Johnnie Gratton
Camera Lucida
This essay reveals a range of problems besetting Richard Howard's translation of Roland Barthes's La Chambre claire. It seeks first to gauge losses of equivalence and failures of understanding in Camera Lucida, and second to show how these can negatively impact scholarly work addressing Barthes's text through Howard's
Postmemory, Prememory, Paramemory
Contemporary French literature is often characterized as existing in a kind of self-centred bubble that leaves it playing a minor role on the world’s cultural stage, as though it had somehow been left behind by the intellectual agenda of postmodernity. Against such a charge, it seems clear to me that this literature can claim to have retained a number of strong connections with other world literatures, and with contemporary intellectual endeavour…
Sophie Calle's True Stories
The Subject of Enunciation in Roland Barthes's La Chambre Claire
Journal Article THE SUBJECT OF ENUNCIATION IN ROLAND BARTHES'S LA CHAMBRE CLAIRE Get access JOHNNIE GRATTON JOHNNIE GRATTON UNIVERSITY COLLEGE DUBLIN Search for other works by this author on: Oxford Academic Google Scholar French Studies, Volume L, Issue 2, April 1996, Pages 170–181, https://doi.org/10.1093/fs/L.2.170 Published: 01 April 1996
Du Seigneur à la chasse au Seigneur chassé, lecture d'un fragment barthésien
From « Hunting Lord » to « Hunted Lord » : a reading of a Barthesian fragment. A paragraph, fragment of Roland Barthes by Roland Barthes, collection of fragments, describes how his rendition of a Persian painting, « Hunting Lord » - title echoed by another, « Hunted Woman » - came out as fragments. The anecdote synthétises different Barthesian concepts
Writing and Difference
Fictions in Autobiography
Postmemory, Prememory, Paramemory
Contemporary French literature is often characterized as existing in a kind of self-centred bubble that leaves it playing a minor role on the world’s cultural stage, as though it had somehow been left behind by the intellectual agenda of postmodernity. Against such a charge, it seems clear to me that this literature can claim to have retained a number of strong connections with other world literatures, and with contemporary intellectual endeavour…
Fictions in Autobiography
Writing and Difference
Du Seigneur à la chasse au Seigneur chassé, lecture d'un fragment barthésien
From « Hunting Lord » to « Hunted Lord » : a reading of a Barthesian fragment. A paragraph, fragment of Roland Barthes by Roland Barthes, collection of fragments, describes how his rendition of a Persian painting, « Hunting Lord » - title echoed by another, « Hunted Woman » - came out as fragments. The anecdote synthétises different Barthesian concepts
The Subject of Enunciation in Roland Barthes's La Chambre Claire
Journal Article THE SUBJECT OF ENUNCIATION IN ROLAND BARTHES'S LA CHAMBRE CLAIRE Get access JOHNNIE GRATTON JOHNNIE GRATTON UNIVERSITY COLLEGE DUBLIN Search for other works by this author on: Oxford Academic Google Scholar French Studies, Volume L, Issue 2, April 1996, Pages 170–181, https://doi.org/10.1093/fs/L.2.170 Published: 01 April 1996
Sophie Calle's True Stories
Postmemory, Prememory, Paramemory
Contemporary French literature is often characterized as existing in a kind of self-centred bubble that leaves it playing a minor role on the world’s cultural stage, as though it had somehow been left behind by the intellectual agenda of postmodernity. Against such a charge, it seems clear to me that this literature can claim to have retained a number of strong connections with other world literatures, and with contemporary intellectual endeavour…
Camera Lucida
This essay reveals a range of problems besetting Richard Howard's translation of Roland Barthes's La Chambre claire. It seeks first to gauge losses of equivalence and failures of understanding in Camera Lucida, and second to show how these can negatively impact scholarly work addressing Barthes's text through Howard's
Qu'est-ce que l'art du projet ? Histoire, théorie, pratique
Resume :Ce texte est une traduction française de l'introduction du livre The Art of the Project. Projects and Experiments in Modern French Culture (New York /Oxford, Berghahn Books, 2005) dirigé par Michael Sheringham et Johnnie Gratton
Art (6 obras) · Philosophy (4 obras) · Art history (3 obras) · Linguistics (3 obras) · Literature (3 obras) · Aesthetics (2 obras) · Computer Science (2 obras) · Epistemology (2 obras) · French Literature and Critical Theory (2 obras) · French Literature and Criticism (2 obras)