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Kate E Tunstall

Dados Biográficos

ID1161457
NOMEKate E Tunstall
PRENOMESKate E
SOBRENOMETunstall
ASSINATURATUNSTALL K E
AFILIAÇÕESUniversity of Oxford
ORCID0000-0002-3131-1704
VERIFICADOSim
TOTAL DE OBRAS15
TOTAL DE CITAÇÕES22
TOTAL COMO AUTOR14
TOTAL COMO EDITOR1
PRIMEIRO ANO DE PUBLICAÇÃO1963
ANO MAIS RECENTE DE PUBLICAÇÃO2026
ÍNDICE H1
  • ‘Le siècle s'est éclairé’

    Open Access•Kate E Tunstall•ARTICLE•Journal for Eighteenth-Century…•2026

    The quotation in my title and the three subsequent terms are taken from the most famous scene of Diderot's first play, Le Fils naturel , which has long been judged preachy and dramatically incompetent by critics. Judging by the evidence of the surviving eighteenth‐century performance texts, much of it was simply cut. This essay acknowledges the issue but/and contextualizes the scene, reading it as an attempt on the part of the philosophe to manag…

  • Diderot, Le neveu de Rameau, and the Figure of the Philosophe in Eighteenth-Century Paris

    Open Access•Kate E Tunstall•CHAPTER•History of Modern French Literature•2017

  • Ne nous engageons point dans les querelles

    Open Access•Kate E Tunstall•ARTICLE•Revue de Synthèse•2016•Referências: 2

    Cet article aborde la querelle comme un élément de la stratégie d'un philosophe vis-à-vis de la postérité. On pourrait évidemment penser à des querelleurs invétérés comme Pascal, Voltaire ou Rousseau, mais il sera question ici du cas plus complexe de Diderot et du dernier ouvrage publié de son vivant, I 'Essai sur les règnes de Claude et de Néron et sur les moeurs et les écrits de Sénèque pour servir à l 'introduction de la lecture de ce philosop…

  • Denis Diderot’s ‘Rameau’s Nephew’

    Open Access•Denis Diderot, Conservatoire national supérieur de musique et de danse de…•BOOK•Denis Diderot's Rameau's Nephew•2014

    Denis Diderot's Rameau's Nephew has achieved a literary-philosophical status that no other work by Diderot shares. This interactive, multi-media edition offers not only a brand new translation of Diderot's famous dialogue but provides portraits and biographies of the numerous individuals mentioned in the text, allowing a window onto the complex social and political context that forms the backdrop to the dialogue. Links to musical pieces selected …

  • Chance, Literature and Culture in Early Modern France

    Kate E Tunstall, K Tunstall•ARTICLE•French History•2013

    Chance, particularly insofar as it related to probability, has always been an important topic for writers, as well as for mathematicians, and scholars working on texts from the mid-seventeenth century onwards have often devoted their attention to literary as well as scientific ways of understanding, representing and managing the phenomenon. The collection of essays under review here thus takes its place alongside important studies such as Ian Hac…

  • Eyes wide shut

    Open Access•Kate E Tunstall•CHAPTER•New Essays on Diderot•2011

    Le Rêve de d'Alembert ( D'Alembert's Dream ) is an exhilarating read. It offers us a triptych of lively conversations, involving characters, three male and one female, one asleep and three awake, and topics that range from dualism, materialism and scepticism, to sensibility, selfhood and memory, to the origins of the universe and the workings of nature, from Siamese twins to a priest who underwent a gall bladder operation without feeling any pain…

  • You're Either Anonymous or You're Not

    Kate E Tunstall•ARTICLE•Modern Language Notes•2011

    "You're Either Anonymous or You're Not!":Variations on Anonymity in Modern and Early Modern Culture1 Kate E. Tunstall (bio) My title is taken from an episode of the US sitcom, Curb Your Enthusiasm. The claim is made by the main character, Larry David (played by the real Larry David), and although it sounds reasonable enough, it is, in fact, as the entire episode reveals, perilously simplistic. Larry utters the fateful words at a gala evening at a…

  • The Judgement of Experience

    Kate E Tunstall•ARTICLE•French Studies•2008•Referências: 2

    In addition to the usual question underlying empiricist epistemology, namely how we are to judge our sensory experience, Diderot raises the question as to how we are to judge our reading experience, explicitly asking ‘Madame’, the reader, to come to a view as to whether his presentation of the blind man of Puiseaux as a real person is persuasive or not. This essay, building on an earlier article published in French Studies Bulletin (2006) which p…

  • Quant à Polly Baker

    Kate E Tunstall•ARTICLE•Raisons politiques•2007

    Ce court article rédigé à la suite de la table-ronde organisée autour du thème « Le Mensonge dans la Cité » développe la cas de Polly Baker, une femme qui, en 1747, a plaidé devant un tribunal pour l’égalité de traitement entre les femmes et les hommes, et a gagné son procès. Ce cas, inventé par Benjamin Franklin, a été largement considéré comme vrai au 18e siècle. Pourquoi

  • Diderot, Chardin et la matière sensible

    Open Access•Kate E Tunstall•ARTICLE•Dix-huitième siècle•2007

    que dans les limites des conditions générales d'utilisation du site ou, le cas échéant, des conditions générales de la licence souscrite par votre établissement

  • Displacement, asylum, migration

    Kate E Tunstall•BOOK•Displacement, asylum, migration•2006

  • Des Circonstances Assez Peu Philosophiques’

    Kate E Tunstall•ARTICLE•French Studies Bulletin•2006•Citada por: 1

    The Lettre sur les aveugles à l'usage de ceux qui voient (1749) is a text which raises a number of questions, not the least of which relates to the cast of characters within it. Many readers have explored the extent to which it may be read as a kind of epistolary ‘roman à clé’, debating the possible identity of ‘Madame’, the letter's addressee,1 and uncovering information about Nicholas Saunderson, the blind Cambridge mathematician.2 Little atten…

  • Crânement Beau Tout de Même’

    Kate E Tunstall•ARTICLE•French Studies•2004

    This essay revisits the relationship between Zola’s descriptive techniques and painting by taking a detailed look at Le Ventre de Paris , and at one particular genre of painting, still life. The argument involves dissolving the easy identification between the painter Claude Lantier and the narrator in order to reveal the presence of visions of Les Halles other than Claude’s quasi-Impressionist one, to which much critical attention has been devote…

  • Diderot's ’promenade Vernet‘, or the Salon as Landscape Garden

    Kate E Tunstall, KATE E TUNSIALL•ARTICLE•French Studies•2001

    DIDEROT'S ’PROMENADE VERNET‘, OR THE SALON AS LANDSCAPE GARDEN Get access KATE E. TUNSTALL KATE E. TUNSTALL WORCESTER COLLEGEOXFORD Search for other works by this author on: Oxford Academic Google Scholar French Studies, Volume LV, Issue 3, July 2001, Pages 339–349, https://doi.org/10.1093/fs/LV.3.339 Published: 01 July 2001

  • Attitudinal and cognitive aspects of intensive study of a second language

    Wallace E Lambert, R C Gardner et al.•ARTICLE•Journal of Abnormal & Social…•1963•Citada por: 21

  • Attitudinal and cognitive aspects of intensive study of a second language

    Wallace E Lambert, R C Gardner et al.•ARTICLE•Journal of Abnormal & Social…•1963•Citada por: 21

  • Des Circonstances Assez Peu Philosophiques’

    Kate E Tunstall•ARTICLE•French Studies Bulletin•2006•Citada por: 1

    The Lettre sur les aveugles à l'usage de ceux qui voient (1749) is a text which raises a number of questions, not the least of which relates to the cast of characters within it. Many readers have explored the extent to which it may be read as a kind of epistolary ‘roman à clé’, debating the possible identity of ‘Madame’, the letter's addressee,1 and uncovering information about Nicholas Saunderson, the blind Cambridge mathematician.2 Little atten…

  • Attitudinal and cognitive aspects of intensive study of a second language

    Wallace E Lambert, R C Gardner et al.•ARTICLE•Journal of Abnormal & Social…•1963•Citada por: 21

  • Diderot's ’promenade Vernet‘, or the Salon as Landscape Garden

    Kate E Tunstall, KATE E TUNSIALL•ARTICLE•French Studies•2001

    DIDEROT'S ’PROMENADE VERNET‘, OR THE SALON AS LANDSCAPE GARDEN Get access KATE E. TUNSTALL KATE E. TUNSTALL WORCESTER COLLEGEOXFORD Search for other works by this author on: Oxford Academic Google Scholar French Studies, Volume LV, Issue 3, July 2001, Pages 339–349, https://doi.org/10.1093/fs/LV.3.339 Published: 01 July 2001

  • Crânement Beau Tout de Même’

    Kate E Tunstall•ARTICLE•French Studies•2004

    This essay revisits the relationship between Zola’s descriptive techniques and painting by taking a detailed look at Le Ventre de Paris , and at one particular genre of painting, still life. The argument involves dissolving the easy identification between the painter Claude Lantier and the narrator in order to reveal the presence of visions of Les Halles other than Claude’s quasi-Impressionist one, to which much critical attention has been devote…

  • Displacement, asylum, migration

    Kate E Tunstall•BOOK•Displacement, asylum, migration•2006

  • Des Circonstances Assez Peu Philosophiques’

    Kate E Tunstall•ARTICLE•French Studies Bulletin•2006•Citada por: 1

    The Lettre sur les aveugles à l'usage de ceux qui voient (1749) is a text which raises a number of questions, not the least of which relates to the cast of characters within it. Many readers have explored the extent to which it may be read as a kind of epistolary ‘roman à clé’, debating the possible identity of ‘Madame’, the letter's addressee,1 and uncovering information about Nicholas Saunderson, the blind Cambridge mathematician.2 Little atten…

  • Quant à Polly Baker

    Kate E Tunstall•ARTICLE•Raisons politiques•2007

    Ce court article rédigé à la suite de la table-ronde organisée autour du thème « Le Mensonge dans la Cité » développe la cas de Polly Baker, une femme qui, en 1747, a plaidé devant un tribunal pour l’égalité de traitement entre les femmes et les hommes, et a gagné son procès. Ce cas, inventé par Benjamin Franklin, a été largement considéré comme vrai au 18e siècle. Pourquoi

  • Diderot, Chardin et la matière sensible

    Open Access•Kate E Tunstall•ARTICLE•Dix-huitième siècle•2007

    que dans les limites des conditions générales d'utilisation du site ou, le cas échéant, des conditions générales de la licence souscrite par votre établissement

  • The Judgement of Experience

    Kate E Tunstall•ARTICLE•French Studies•2008•Referências: 2

    In addition to the usual question underlying empiricist epistemology, namely how we are to judge our sensory experience, Diderot raises the question as to how we are to judge our reading experience, explicitly asking ‘Madame’, the reader, to come to a view as to whether his presentation of the blind man of Puiseaux as a real person is persuasive or not. This essay, building on an earlier article published in French Studies Bulletin (2006) which p…

  • Eyes wide shut

    Open Access•Kate E Tunstall•CHAPTER•New Essays on Diderot•2011

    Le Rêve de d'Alembert ( D'Alembert's Dream ) is an exhilarating read. It offers us a triptych of lively conversations, involving characters, three male and one female, one asleep and three awake, and topics that range from dualism, materialism and scepticism, to sensibility, selfhood and memory, to the origins of the universe and the workings of nature, from Siamese twins to a priest who underwent a gall bladder operation without feeling any pain…

  • You're Either Anonymous or You're Not

    Kate E Tunstall•ARTICLE•Modern Language Notes•2011

    "You're Either Anonymous or You're Not!":Variations on Anonymity in Modern and Early Modern Culture1 Kate E. Tunstall (bio) My title is taken from an episode of the US sitcom, Curb Your Enthusiasm. The claim is made by the main character, Larry David (played by the real Larry David), and although it sounds reasonable enough, it is, in fact, as the entire episode reveals, perilously simplistic. Larry utters the fateful words at a gala evening at a…

  • Chance, Literature and Culture in Early Modern France

    Kate E Tunstall, K Tunstall•ARTICLE•French History•2013

    Chance, particularly insofar as it related to probability, has always been an important topic for writers, as well as for mathematicians, and scholars working on texts from the mid-seventeenth century onwards have often devoted their attention to literary as well as scientific ways of understanding, representing and managing the phenomenon. The collection of essays under review here thus takes its place alongside important studies such as Ian Hac…

  • Denis Diderot’s ‘Rameau’s Nephew’

    Open Access•Denis Diderot, Conservatoire national supérieur de musique et de danse de…•BOOK•Denis Diderot's Rameau's Nephew•2014

    Denis Diderot's Rameau's Nephew has achieved a literary-philosophical status that no other work by Diderot shares. This interactive, multi-media edition offers not only a brand new translation of Diderot's famous dialogue but provides portraits and biographies of the numerous individuals mentioned in the text, allowing a window onto the complex social and political context that forms the backdrop to the dialogue. Links to musical pieces selected …

  • Ne nous engageons point dans les querelles

    Open Access•Kate E Tunstall•ARTICLE•Revue de Synthèse•2016•Referências: 2

    Cet article aborde la querelle comme un élément de la stratégie d'un philosophe vis-à-vis de la postérité. On pourrait évidemment penser à des querelleurs invétérés comme Pascal, Voltaire ou Rousseau, mais il sera question ici du cas plus complexe de Diderot et du dernier ouvrage publié de son vivant, I 'Essai sur les règnes de Claude et de Néron et sur les moeurs et les écrits de Sénèque pour servir à l 'introduction de la lecture de ce philosop…

  • Diderot, Le neveu de Rameau, and the Figure of the Philosophe in Eighteenth-Century Paris

    Open Access•Kate E Tunstall•CHAPTER•History of Modern French Literature•2017

  • ‘Le siècle s'est éclairé’

    Open Access•Kate E Tunstall•ARTICLE•Journal for Eighteenth-Century…•2026

    The quotation in my title and the three subsequent terms are taken from the most famous scene of Diderot's first play, Le Fils naturel , which has long been judged preachy and dramatically incompetent by critics. Judging by the evidence of the surviving eighteenth‐century performance texts, much of it was simply cut. This essay acknowledges the issue but/and contextualizes the scene, reading it as an attempt on the part of the philosophe to manag…

Philosophy (12 obras) · Historical and Literary Studies (10 obras) · Art (9 obras) · Historical and Literary Analyses (8 obras) · Art history (6 obras) · French Literature and Criticism (6 obras) · Humanities (6 obras) · Linguistics (5 obras) · Philosophy (5 obras) · Psychology (4 obras)

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