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Maria Wyke

Dados Biográficos

ID1163967
NOMEMaria Wyke
PRENOMESMaria
SOBRENOMEWyke
ASSINATURAWYKE M
AFILIAÇÕESNational Hospital for Neurology and Neurosurgery
ORCID0000-0002-0358-772X
VERIFICADOSim
TOTAL DE OBRAS27
TOTAL DE CITAÇÕES45
TOTAL COMO AUTOR21
TOTAL COMO EDITOR6
PRIMEIRO ANO DE PUBLICAÇÃO1967
ANO MAIS RECENTE DE PUBLICAÇÃO2026
ÍNDICE H2
  • Selling Cabiria in transnational markets

    Open Access•Maria Wyke•ARTICLE•Open Screens•2026

    When pirates put the infant Cabiria on sale in the Carthaginian market early in the second episode of the Italian epic Cabiria (1914), she is swiftly bought by the High Priest of Moloch. But selling the film to non-Italian audiences in and beyond 1914, given its colonial rescue fantasy and its spectacular celebration of a nationalist war of empire in Africa through the vehicle of Roman history, was more of a challenge. Cabiria was purchased for B…

  • The Novel of Neronian Rome and its Multimedial Transformations

    Monika Woźniak, Maria Wyke•BOOK•Novel of Neronian Rome and Its…•2020•Citada por: 1•Referências: 25

    When in 1905 the Polish writer Henryk Sienkiewicz was awarded the Nobel Prize for Literature ‘for outstanding services as an epic writer’, it was his novel Quo vadis. A Narrative of the Time of Nero that motivated the committee to bestow this notable honour. The extraordinary international success of Quo vadis catapulted the author into literary stardom, placing him at the top of international league tables for the sheer quantity of his readers. …

  • The Pleasures and Punishments of Roman Error

    Maria Wyke•BOOK•Roman Error•2018

    Early cinema, this chapter argues, struggled to balance the competing claims of moral purpose and entertainment where the legacy of Roman error was concerned. At the same time, cinema also sought to redefine and outperform other modes of classical reception (such as theatre, opera, painting, and the novel). Through a close examination of the French film Héliogabale, ou l’orgie romaine ( Elagabalus, or the Roman Orgy ), this chapter reveals how th…

  • From 1916 to the Arrival of Sound

    Open Access•Maria Wyke•OTHER•A Companion to Ancient Greece and…•2017

    By the time of the First World War, film production was a global industry, the motion picture an influential medium of communication about political, social and aesthetic values, and visits to the film theater an institutionalized cultural practice. By 1916, the new Hollywood aesthetic was becoming far more attractive to spectators at home and abroad, and the Hollywood star and studio systems the object of the European film industries' envy. Film…

  • The Ancient World in Silent Cinema

    Open Access•Pantelēs ca /21 Jh Michelakēs, Pantelis Michelakis et al.•BOOK•Ancient World in Silent Cinema•2013

    In the first four decades of cinema, hundreds of films were made that drew their inspiration from ancient Greece, Rome, Egypt and the Bible. Few of these films have been studied, and even fewer have received the critical attention they deserve. The films in question, ranging from historical and mythological epics to adaptations of ancient drama, burlesques, cartoons and documentaries, suggest a fascination with the ancient world that competes in …

  • Projecting the Past

    Maria Wyke•BOOK•Projecting the Past•2013

    Brought vividly to life on screen, the myth of ancient Rome resonates through modern popular culture. Projecting the Past examines how the cinematic traditions of Hollywood and Italy have resurrected ancient Rome to address the concerns of the present. The book engages contemporary debates about the nature of the classical tradition, definitions of history, and the place of the past in historical film

  • Caesar in the USA

    Maria Wyke•BOOK•Caesar in the USA•2012

    "The figure of Julius Caesar has loomed large in the United States since its very beginning, admired and evoked as a gateway to knowledge of politics, war, and even national life. In this lively and perceptive book, the first to examine Caesar's place in modern American culture, Maria Wyke investigates how his use has intensified in periods of political crisis, when the occurrence of assassination, war, dictatorship, totalitarianism or empire app…

  • Meretrix regina

    Maria Wyke•CHAPTER•Augustus•2009

  • Julius Caesar in Western Culture

    Open Access•Maria Wyke•BOOK•Julius Caesar in Western Culture•2006

    List of Illustrations. Notes on Comntributors. Part I Introduction. 1. Judging Julius Caesar. Christopher Pelling. Part II Literary Characterization. 2. The Earliest Depiction of Caesar and the Later Tradition. Mark Toher. 3. Caesar, Lucan's Bellum Civile,and their Reception. Christine Walde. 4. Julian Augustus' Julius Caesar. Jacqueline Long. Part III The City of Rome. 5. The Seat and Memory of Power: Caesar's Curia and Forum. Riccardo Valenzani…

  • The Roman mistress

    Maria Wyke•BOOK•The Roman mistress•2002

    "From Latin love poetry's dominating and enslaving beloveds, to modern popular culture's infamous Cleopatras and Messalinas, representations of the Roman mistress (or the mistress of Romans) have brought into question both ancient and modern genders and political systems. The Roman Mistress explores representations of transgressive women in Latin love poetry and British television drama, in Roman historiography and nineteenth-century Italian anth…

  • Parchments of Gender

    Craig A Williams, Maria Wyke•ARTICLE•The American Historical Review•2000•Citada por: 7

    Parchments of Gender builds up an important source of inter-disciplinary information for the study of gender and the body in ancient history. The central and unifying theme is the body's relation to gender. With essays covering the ancient communities of Greece, Rome, and Judaea, the volume argues that the body is culturally constructed and not a sign of what is natural. Ancient bodies are parchments of gender: textual skins on which gender is in…

  • Parchments of Gender

    Natalie Boymel Kampen, Maria Wyke•ARTICLE•The Classical World•2000

  • Projecting the Past

    Mikel J Koven, Maria Wyke•ARTICLE•Phoenix•1999

    Brought vividly to life on screen, the myth of ancient Rome resonates through modern popular culture. Projecting the Past examines how the cinematic traditions of Hollywood and Italy have resurrected ancient Rome to address the concerns of the present. The book engages contemporary debates about the nature of the classical tradition, definitions of history, and the place of the past in historical film

  • Parchments of gender

    Maria Wyke•BOOK•Parchments of gender•1998

  • Balsdon Fellowship

    Open Access•Maria Wyke•ARTICLE•Papers of the British School at…•1998

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Women in Ancient Societies

    Laurel Bowman, Leonie J Archer et al.•ARTICLE•The Classical World•1998

  • Women in Ancient Societies

    Open Access•Leonie J Archer, Susan Fischler et al.•BOOK•Women in Ancient Societies•1994

    This collection of essays represents research currently being undertaken on women's lives and their representations in various ancient societies. It provides a forum for the exchange and development o

  • Women in Ancient Societies

    Leonie J Archer, Susan Fischler et al.•BOOK•Women in Ancient Societies•1994

  • Woman in the Mirror

    Maria Wyke•CHAPTER•Women in Ancient Societies•1994

    The modern study of the female body in the ancient world is largely a study of reflections. In the metaphors of modern criticism, we do not gaze directly upon women of flesh and blood, instead we see women only indirectly in the mirror of discourses composed almost exclusively by men.1 Thus two recent collections of essays on women in antiquity have stressed our confrontation with male constructions of the female by employing the terms 'reflectio…

  • Taking the Woman's Part

    Open Access•Maria Wyke•ARTICLE•Ramus•1994•Citada por: 1•Referências: 2

    When a woman writes herself into the genre of Roman love elegy she appears to break the recognised conventions for its production, according to which woman is the passive object of erotic desire not its active subject, the written not the writer. In discussing the elegiac poetry composed by Sulpicia, one means by which critics have expressed her extraordinary achievement has been to engender Roman love elegy. For Nick Lowe, Sulpicia's unique inte…

  • In Pursuit of Love, the Poetic Self and a Process of Reading

    Open Access•Maria Wyke•ARTICLE•The Journal of Roman Studies•1989

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Written Women

    Open Access•Maria Wyke•ARTICLE•The Journal of Roman Studies•1987•Citada por: 2•Referências: 3

    The narrative organization of Propertius' first poetry-book seems to encourage a practice of reading the characters and events of his love elegy as real. The predominantly autobiographical mode allows the reader to equate the lover of the text with the author Propertius. Direct addresses to a beloved ‘Cynthia’ who is allocated physical and psychological characteristics suggest that the narrative's female subject has a life outside the text as Pro…

  • The elegiac woman at Rome

    Open Access•Maria Wyke•ARTICLE•Proceedings of the Cambridge…•1987•Citada por: 34•Referências: 19

    How do women enter the discourse of Augustan love poetry and become elegiac? Studies of the representation of women in antiquity generally suggest that women enter its literatures doubly determined. Broadly speaking, literary representations of the female are determined both at the level of culture and at the level of genre: that is to say by the range of cultural codes and institutions which order the female in a particular society and by the co…

  • Verbal Descriptions of Spatial Relations in Line Drawings by Young Children

    Open Access•DOREEN ASSO, Maria Wyke•ARTICLE•British Journal of Psychology•1973

    A study of the ability of children to describe verbally spatial relations depicted in line drawings was carried out. The subjects were 60 children between the ages of 4 1/2 and 7 1/2 years. The test material consisted of 27 cards. Each card had one or two lines and a circle drawn on it. The lines and the circle were drawn in different spatial relations to one another. The results show that the ability of children to describe such spatial relation…

  • The Roman Mistress

    Maria Wyke

    Introduction I. LOVE POETRY 1. Mistress and Metaphor in Augustan Elegy 2. Written Women: Propertius' scripta puella (2. 10-13) 3. The Elegiac Woman at Rome: Propertius Book 4 4. Reading Female Flesh: Ovid Amores 3. 1 5. Taking the Woman's Part: Gender and Scholarship on Love Elegy II. RECEPTION 6. Meretrix regina: Augustan Cleopatras 7. Oriental Vamp Cleopatra 1910s 8. Glamour Girl: Cleopatra 1930s-1960s 9. Meretrix Augusta: Messalina 1870s-1920s…

Próximo
  • The elegiac woman at Rome

    Open Access•Maria Wyke•ARTICLE•Proceedings of the Cambridge…•1987•Citada por: 34•Referências: 19

    How do women enter the discourse of Augustan love poetry and become elegiac? Studies of the representation of women in antiquity generally suggest that women enter its literatures doubly determined. Broadly speaking, literary representations of the female are determined both at the level of culture and at the level of genre: that is to say by the range of cultural codes and institutions which order the female in a particular society and by the co…

  • Parchments of Gender

    Craig A Williams, Maria Wyke•ARTICLE•The American Historical Review•2000•Citada por: 7

    Parchments of Gender builds up an important source of inter-disciplinary information for the study of gender and the body in ancient history. The central and unifying theme is the body's relation to gender. With essays covering the ancient communities of Greece, Rome, and Judaea, the volume argues that the body is culturally constructed and not a sign of what is natural. Ancient bodies are parchments of gender: textual skins on which gender is in…

  • Written Women

    Open Access•Maria Wyke•ARTICLE•The Journal of Roman Studies•1987•Citada por: 2•Referências: 3

    The narrative organization of Propertius' first poetry-book seems to encourage a practice of reading the characters and events of his love elegy as real. The predominantly autobiographical mode allows the reader to equate the lover of the text with the author Propertius. Direct addresses to a beloved ‘Cynthia’ who is allocated physical and psychological characteristics suggest that the narrative's female subject has a life outside the text as Pro…

  • The Novel of Neronian Rome and its Multimedial Transformations

    Monika Woźniak, Maria Wyke•BOOK•Novel of Neronian Rome and Its…•2020•Citada por: 1•Referências: 25

    When in 1905 the Polish writer Henryk Sienkiewicz was awarded the Nobel Prize for Literature ‘for outstanding services as an epic writer’, it was his novel Quo vadis. A Narrative of the Time of Nero that motivated the committee to bestow this notable honour. The extraordinary international success of Quo vadis catapulted the author into literary stardom, placing him at the top of international league tables for the sheer quantity of his readers. …

  • Taking the Woman's Part

    Open Access•Maria Wyke•ARTICLE•Ramus•1994•Citada por: 1•Referências: 2

    When a woman writes herself into the genre of Roman love elegy she appears to break the recognised conventions for its production, according to which woman is the passive object of erotic desire not its active subject, the written not the writer. In discussing the elegiac poetry composed by Sulpicia, one means by which critics have expressed her extraordinary achievement has been to engender Roman love elegy. For Nick Lowe, Sulpicia's unique inte…

  • Experimental Study of the Effect of Letter Reversals on Reading

    Open Access•DOREEN ASSO, Maria Wyke•ARTICLE•British Journal of Psychology•1967

    A study of the effect of letter reversals (mirror reversals) on the direction of reading words exposed tachistoscopically was carried out. The subjects were twenty experienced readers, and the test material consisted of words which could be read meaningfully in the right—left as well as in the left‐right direction. The words were presented with and without letter reversals. The results show that, under these conditions, subjects read from right t…

  • Visual Discrimination and Verbal Comprehension of Spatial Relations by Young Children

    Open Access•DOREEN ASSO, Maria Wyke•ARTICLE•British Journal of Psychology•1970

    A comparison of the ability of young children to discriminate visually between different spatial relations in line drawings with their comprehension of the verbal instructions regarding the same relations was carried out. The subjects were 60 children between the ages of 4 and 7 . The test material consisted of 27 cards. Each card had one or two lines and a circle drawn on it. The lines and the circle were drawn in different spatial relations to …

  • Verbal Descriptions of Spatial Relations in Line Drawings by Young Children

    Open Access•DOREEN ASSO, Maria Wyke•ARTICLE•British Journal of Psychology•1973

    A study of the ability of children to describe verbally spatial relations depicted in line drawings was carried out. The subjects were 60 children between the ages of 4 1/2 and 7 1/2 years. The test material consisted of 27 cards. Each card had one or two lines and a circle drawn on it. The lines and the circle were drawn in different spatial relations to one another. The results show that the ability of children to describe such spatial relation…

  • Written Women

    Open Access•Maria Wyke•ARTICLE•The Journal of Roman Studies•1987•Citada por: 2•Referências: 3

    The narrative organization of Propertius' first poetry-book seems to encourage a practice of reading the characters and events of his love elegy as real. The predominantly autobiographical mode allows the reader to equate the lover of the text with the author Propertius. Direct addresses to a beloved ‘Cynthia’ who is allocated physical and psychological characteristics suggest that the narrative's female subject has a life outside the text as Pro…

  • The elegiac woman at Rome

    Open Access•Maria Wyke•ARTICLE•Proceedings of the Cambridge…•1987•Citada por: 34•Referências: 19

    How do women enter the discourse of Augustan love poetry and become elegiac? Studies of the representation of women in antiquity generally suggest that women enter its literatures doubly determined. Broadly speaking, literary representations of the female are determined both at the level of culture and at the level of genre: that is to say by the range of cultural codes and institutions which order the female in a particular society and by the co…

  • In Pursuit of Love, the Poetic Self and a Process of Reading

    Open Access•Maria Wyke•ARTICLE•The Journal of Roman Studies•1989

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Women in Ancient Societies

    Open Access•Leonie J Archer, Susan Fischler et al.•BOOK•Women in Ancient Societies•1994

    This collection of essays represents research currently being undertaken on women's lives and their representations in various ancient societies. It provides a forum for the exchange and development o

  • Women in Ancient Societies

    Leonie J Archer, Susan Fischler et al.•BOOK•Women in Ancient Societies•1994

  • Woman in the Mirror

    Maria Wyke•CHAPTER•Women in Ancient Societies•1994

    The modern study of the female body in the ancient world is largely a study of reflections. In the metaphors of modern criticism, we do not gaze directly upon women of flesh and blood, instead we see women only indirectly in the mirror of discourses composed almost exclusively by men.1 Thus two recent collections of essays on women in antiquity have stressed our confrontation with male constructions of the female by employing the terms 'reflectio…

  • Taking the Woman's Part

    Open Access•Maria Wyke•ARTICLE•Ramus•1994•Citada por: 1•Referências: 2

    When a woman writes herself into the genre of Roman love elegy she appears to break the recognised conventions for its production, according to which woman is the passive object of erotic desire not its active subject, the written not the writer. In discussing the elegiac poetry composed by Sulpicia, one means by which critics have expressed her extraordinary achievement has been to engender Roman love elegy. For Nick Lowe, Sulpicia's unique inte…

  • Parchments of gender

    Maria Wyke•BOOK•Parchments of gender•1998

  • Balsdon Fellowship

    Open Access•Maria Wyke•ARTICLE•Papers of the British School at…•1998

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Women in Ancient Societies

    Laurel Bowman, Leonie J Archer et al.•ARTICLE•The Classical World•1998

  • Projecting the Past

    Mikel J Koven, Maria Wyke•ARTICLE•Phoenix•1999

    Brought vividly to life on screen, the myth of ancient Rome resonates through modern popular culture. Projecting the Past examines how the cinematic traditions of Hollywood and Italy have resurrected ancient Rome to address the concerns of the present. The book engages contemporary debates about the nature of the classical tradition, definitions of history, and the place of the past in historical film

  • Parchments of Gender

    Craig A Williams, Maria Wyke•ARTICLE•The American Historical Review•2000•Citada por: 7

    Parchments of Gender builds up an important source of inter-disciplinary information for the study of gender and the body in ancient history. The central and unifying theme is the body's relation to gender. With essays covering the ancient communities of Greece, Rome, and Judaea, the volume argues that the body is culturally constructed and not a sign of what is natural. Ancient bodies are parchments of gender: textual skins on which gender is in…

  • Parchments of Gender

    Natalie Boymel Kampen, Maria Wyke•ARTICLE•The Classical World•2000

  • The Roman mistress

    Maria Wyke•BOOK•The Roman mistress•2002

    "From Latin love poetry's dominating and enslaving beloveds, to modern popular culture's infamous Cleopatras and Messalinas, representations of the Roman mistress (or the mistress of Romans) have brought into question both ancient and modern genders and political systems. The Roman Mistress explores representations of transgressive women in Latin love poetry and British television drama, in Roman historiography and nineteenth-century Italian anth…

  • Julius Caesar in Western Culture

    Open Access•Maria Wyke•BOOK•Julius Caesar in Western Culture•2006

    List of Illustrations. Notes on Comntributors. Part I Introduction. 1. Judging Julius Caesar. Christopher Pelling. Part II Literary Characterization. 2. The Earliest Depiction of Caesar and the Later Tradition. Mark Toher. 3. Caesar, Lucan's Bellum Civile,and their Reception. Christine Walde. 4. Julian Augustus' Julius Caesar. Jacqueline Long. Part III The City of Rome. 5. The Seat and Memory of Power: Caesar's Curia and Forum. Riccardo Valenzani…

  • Meretrix regina

    Maria Wyke•CHAPTER•Augustus•2009

  • Caesar in the USA

    Maria Wyke•BOOK•Caesar in the USA•2012

    "The figure of Julius Caesar has loomed large in the United States since its very beginning, admired and evoked as a gateway to knowledge of politics, war, and even national life. In this lively and perceptive book, the first to examine Caesar's place in modern American culture, Maria Wyke investigates how his use has intensified in periods of political crisis, when the occurrence of assassination, war, dictatorship, totalitarianism or empire app…

  • The Ancient World in Silent Cinema

    Open Access•Pantelēs ca /21 Jh Michelakēs, Pantelis Michelakis et al.•BOOK•Ancient World in Silent Cinema•2013

    In the first four decades of cinema, hundreds of films were made that drew their inspiration from ancient Greece, Rome, Egypt and the Bible. Few of these films have been studied, and even fewer have received the critical attention they deserve. The films in question, ranging from historical and mythological epics to adaptations of ancient drama, burlesques, cartoons and documentaries, suggest a fascination with the ancient world that competes in …

  • Projecting the Past

    Maria Wyke•BOOK•Projecting the Past•2013

    Brought vividly to life on screen, the myth of ancient Rome resonates through modern popular culture. Projecting the Past examines how the cinematic traditions of Hollywood and Italy have resurrected ancient Rome to address the concerns of the present. The book engages contemporary debates about the nature of the classical tradition, definitions of history, and the place of the past in historical film

  • From 1916 to the Arrival of Sound

    Open Access•Maria Wyke•OTHER•A Companion to Ancient Greece and…•2017

    By the time of the First World War, film production was a global industry, the motion picture an influential medium of communication about political, social and aesthetic values, and visits to the film theater an institutionalized cultural practice. By 1916, the new Hollywood aesthetic was becoming far more attractive to spectators at home and abroad, and the Hollywood star and studio systems the object of the European film industries' envy. Film…

  • The Pleasures and Punishments of Roman Error

    Maria Wyke•BOOK•Roman Error•2018

    Early cinema, this chapter argues, struggled to balance the competing claims of moral purpose and entertainment where the legacy of Roman error was concerned. At the same time, cinema also sought to redefine and outperform other modes of classical reception (such as theatre, opera, painting, and the novel). Through a close examination of the French film Héliogabale, ou l’orgie romaine ( Elagabalus, or the Roman Orgy ), this chapter reveals how th…

  • The Novel of Neronian Rome and its Multimedial Transformations

    Monika Woźniak, Maria Wyke•BOOK•Novel of Neronian Rome and Its…•2020•Citada por: 1•Referências: 25

    When in 1905 the Polish writer Henryk Sienkiewicz was awarded the Nobel Prize for Literature ‘for outstanding services as an epic writer’, it was his novel Quo vadis. A Narrative of the Time of Nero that motivated the committee to bestow this notable honour. The extraordinary international success of Quo vadis catapulted the author into literary stardom, placing him at the top of international league tables for the sheer quantity of his readers. …

Art (18 obras) · Classical Antiquity Studies (15 obras) · History (14 obras) · Literature (11 obras) · Philosophy (8 obras) · Linguistics (7 obras) · Art history (6 obras) · History (6 obras) · Poetry (6 obras) · Ancient history (5 obras)

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