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P Vila

Dados Biográficos

ID116534
NOMEP Vila
PRENOMESP
SOBRENOMEVila
ASSINATURAVILA P
AFILIAÇÕESTemple University
ORCID0000-0003-3689-5507
VERIFICADOSim
TOTAL DE OBRAS29
TOTAL DE CITAÇÕES88
TOTAL COMO AUTOR29
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1946
ANO MAIS RECENTE DE PUBLICAÇÃO2025
ÍNDICE H6
  • Assemblages and Identitarian Articulations

    Open Access•P Vila, Edward Avery-Natale•ARTICLE•Subjectivity•2025

    The article advances our understanding of “identifications,” such as race, class, gender, familial, and religious, which are seen as active processes continuously reconstituted through interactions (with objects, technologies, discourses, and bodies) in assemblages. “Identitarian articulations” represent the unique entanglements of these identifications within different assemblages. This concept highlights how identifications interact dynamically…

  • Homo sacer in the American racialized ghetto

    Edward Avery-Natale, P Vila•ARTICLE•Social Identities•2024•Citada por: 1•Referências: 17

    In Homo Sacer, Giorgio Agamben argues that the foundational dichotomy of politics is to be found in the separation of an ‘inside’ from an ‘outside.’ It is our contention that homo sacer is a useful tool for assessing the sacrificial quality of life under unequal social systems. Specifically, we argue that in the United States, impoverished Black residents of, above all, but not only American ‘ghettos’ can potentially be understood as homo sacer. …

  • Althusserian Interpellations

    Open Access•P Vila, Matthew T Ford et al.•ARTICLE•Rethinking Marxism•2022•Citada por: 1•Referências: 7

    This essay proposes an approach to thinking and analyzing identification processes through the application of recent theoretical developments linked to the work of Deleuze and Guattari—specifically the concept of “assemblage”—in conjunction with Althusser’s concept of interpellation. The latter serves as a point of departure as the essay first summarizes Althusser’s argument to highlight the complexity of the original interpellation proposal. The…

  • Black lives matter, police violence, and the Kenosha murders

    Open Access•Edward Avery-Natale, P Vila•ARTICLE•Ethnicities•2022•Referências: 29

    We use the 2020 incident of the police shooting of Jacob Blake followed by Black Lives Matter protests and the subsequent murder of several activists by Kyle Rittenhouse as a case study to update the Althusserian theory of interpellation using Deleuzian concepts and the idea of “identitarian articulations.” Specifically, we aim to think more about the capacity to accept or reject an interpellation, and who has those capacities, and why. Here, the…

  • Ahmaud Arbery

    P Vila, Matt Ford et al.•ARTICLE•Social Identities•2021•Citada por: 3•Referências: 16

    On February 23rd, 2020, Ahmaud Arbery, a Black man out for a jog in Georgia, was murdered by two white men who, acting as vigilantes, assumed Arbery was responsible for recent burglaries. While Blacks being murdered by whites in America is nothing new, new theories of identification – specifically, assemblage theory and identitarian articulations – offer us tools to better understand how such events take place. Specifically, we argue that raciali…

  • Towards an affective understanding of processes of racialization

    Open Access•P Vila, Edward Avery-Natale•ARTICLE•Ethnicities•2020•Citada por: 9•Referências: 22

    In this article, we apply developments from the affective turn—in particular, the concept of assemblages—to understand the relationship between race, affect, and emotions. We use the example of a Black CEO unsuccessfully hailing a taxi to show how race materializes with different intensities in specific settings, and how this operates in assemblage theory. We show that the emotion of “fear” plays a particularly important role in conditioning the …

  • Catholicism, Protestantism, and Mexicanness on the US–Mexico border

    P Vila, Edward Avery-Natale•ARTICLE•Journal of Contemporary Religion•2018•Citada por: 3•Referências: 7

    In Mexico, Catholicism and national identity are deeply intertwined through what we call a process of articulation. Thus, not surprisingly, despite the recent impressive growth of Protestantism in the nation, most people still believe that being Mexican and being Catholic are almost synonymous. Additionally, because the two identifications do not ‘cross each other’ (as the metaphor of intersectionality posits) but, instead, enter a very complex p…

  • Cumbia and Latin-American Migration in Buenos Aires, Argentina

    Open Access•P Vila, Malvina Silba•CHAPTER•Youth Identities and Argentine…•2012

    It is Saturday night and Malvina goes to Cachaquísimo, a dance hall located in a working-class Buenos Aires suburb, which is frequented mostly by immigrants and second-generation young Paraguayans. She arrives at 1:00 AM and the music playing is "Los Chicos del Anden" a very well-known Argentine cumbia villera song by Yerba Brava. Malvina is waiting for her boyfriend to arrive. In the interim she is asked to dance by a young boy, Carlos, and the …

  • The Importance of Photo-interviewing as a Research Method in the Study of Identity Construction Processes

    P Vila•ARTICLE•Visual Anthropology•2012•Citada por: 8•Referências: 7

    The purpose of this article is to promote the use of a methodology not widely used in contemporary social sciences: what is usually called “photo elicitation” but which I prefer to call “photo-interviewing,” in order to remove the idea behind the word “elicitation,” i.e., that one will “elicit” something from people by showing pictures to them and asking for comments. My basic claim is that this method is very well suited to understanding process…

  • Práticas Musicais e Identificações Sociais

    Open Access•P Vila•ARTICLE•Significação Revista de Cultura…•2012•Citada por: 3•Referências: 2

    The article presents a theoretical proposal for the relationship between musical practices and social identifications. Looking to differentiate himself from homological theories on this relationship, Vila proposes that musical practices articulate an identification anchored on the body, through the different alliances we establish between our diverse, fragmented, situational and imaginary narrative identities, and the diverse, fragmented, situati…

  • The Argentine Folklore Movement

    P Vila•ARTICLE•Hispanic American Historical Review•2012

    Oscar Chamosa has written a fascinating book about a phenomenon barely touched upon by Argentine historiography: the development of the folklore movement in the country during the first part of the twentieth century. Chamosa offers us a complex and many times paradoxical picture, solidly grounded in documentary evidence (archives, personal interviews, and the like), of estranged fellows working together (for quite different reasons) to promote Ar…

  • Border Identifications

    P Vila•BOOK•Border Identifications•2005•Citada por: 24

    An ethnography that explores the role of religion, gender, and class in the formation of social identity on both sides of the US-Mexico border. A continuation of the study Vila began in Crossing Borders, Reinforcing Borders"--Provided by publisher

  • Cuarteto Music and Dancing from Argentina

    P Vila•ARTICLE•Latin American Music Review•2004

    Jane L. Florine. Cuarteto Music and Dancing from Argentina: In Search of the Tunga-Tunga in Córdoba. Gainesville, FL: University Press of Florida, 2001. Two appendices, bibliography, discography, videography, 368 pp. ISBN: 0-8130-2086-5

  • Ethnography on the Border. Vol. 13

    Robert R Alvarez, Robert Alvarez et al.•ARTICLE•Western Historical Quarterly•2004

    Journal Article Ethnography on the Border Get access Ethnography on the Border. Edited by Vila Pablo. Cultural Studies of the Americas, Vol. 13. (Minneapolis: University of Minnesota Press, 2003. xxxv + 345 pp. Notes, bibliography. $63.95, cloth; $22.95, paper.) Robert R. Alvarez Robert R. Alvarez University of California, San Diego Search for other works by this author on: Oxford Academic Google Scholar Western Historical Quarterly, Volume 35, I…

  • Processes of identification on the U.S.-Mexico border

    Open Access•P Vila•ARTICLE•The Social Science Journal•2003•Citada por: 12•Referências: 12

    This article reviews relevant literature on border identity issues written on both sides of the border in the past 15 years. First, approaches taken by theorists like Gloria Anzaldúa, Renato Rosaldo, and others who advanced important ideas such as hybridity and “border crossing,” are criticized. Second, the work of empirically oriented U.S. and Mexican scholars, such as Oscar Martinez, Carlos Vélez-Ibáñez, Jorge Bustamante, is examined critically…

  • Crossing Borders, Reinforcing Borders

    P Vila•BOOK•Crossing Borders, Reinforcing…•2000

    Along the U.S.-Mexico frontier, where border crossings are a daily occurrence for many people, reinforcing borders is also a common activity. Not only does the U.S. Border Patrol strive to "hold the line" against illegal immigrants, but many residents on both sides of the border seek to define and bound themselves apart from groups they perceive as "others." This pathfinding ethnography charts the social categories, metaphors, and narratives that…

  • Music and Cultural Theory

    P Vila, John Shepherd et al.•ARTICLE•Latin American Music Review•2000

  • Identity and Empowerment on the Border

    P Vila•ARTICLE•NACLA Report on the Americas•1999

    The only way to construct an anti-racist alliance is to allow the differences inside the community to appear and to vent them publicly

  • Constructing social identities in transnational contexts

    Open Access•P Vila•ARTICLE•International Social Science…•1999•Citada por: 1

  • Baseball on the Border

    P Vila, Alan Klein et al.•ARTICLE•Social Forces•1999

  • The U.S.-Mexico Border

    Magda Alarcon, Mathias Albert et al.•BOOK•The U.S.-Mexico Border•1998

  • At the Crossroads

    P Vila, Frank D Bean et al.•ARTICLE•Contemporary Sociology A Journal…•1998

  • Tango! The Dance, the Song, the Story

    P Vila, Simon Collier et al.•ARTICLE•Latin American Music Review•1997

  • Narrative Identities

    Open Access•P Vila•ARTICLE•Sociological Quarterly•1996•Citada por: 10•Referências: 10

    On the U.S.-Mexican border, the label “Mexican” refers simultaneously to both nationality and ethnicity. Playing with the multiple meanings of the word, border actors construct narratives about themselves and Others to deal with a local hegemonic discourse that states that “poverty is Mexican.” Thus, while border identities are constructed within a culturally specific system of classification, people also develop a sense of themselves as subjects…

  • "Argentina's "Rock Nacional

    P Vila•ARTICLE•Latin American Music Review•1989•Citada por: 2

Próximo
  • Border Identifications

    P Vila•BOOK•Border Identifications•2005•Citada por: 24

    An ethnography that explores the role of religion, gender, and class in the formation of social identity on both sides of the US-Mexico border. A continuation of the study Vila began in Crossing Borders, Reinforcing Borders"--Provided by publisher

  • Processes of identification on the U.S.-Mexico border

    Open Access•P Vila•ARTICLE•The Social Science Journal•2003•Citada por: 12•Referências: 12

    This article reviews relevant literature on border identity issues written on both sides of the border in the past 15 years. First, approaches taken by theorists like Gloria Anzaldúa, Renato Rosaldo, and others who advanced important ideas such as hybridity and “border crossing,” are criticized. Second, the work of empirically oriented U.S. and Mexican scholars, such as Oscar Martinez, Carlos Vélez-Ibáñez, Jorge Bustamante, is examined critically…

  • Rock nacional and dictatorship in Argentina

    Open Access•P Vila•ARTICLE•Popular Music•1987•Citada por: 11

    Between 1976 and 1983 Argentina witnessed the full development of a phenomenon which has come to be known as rock nacional ('national rock'). At first sight it might appear no more than a matter of musical consumption, fashioning its participants simply as 'artists' on one side and 'public' on the other. But it has proved an original form within which the young create and inhabit a space of their own, relatively protected from the assaults of the…

  • Narrative Identities

    Open Access•P Vila•ARTICLE•Sociological Quarterly•1996•Citada por: 10•Referências: 10

    On the U.S.-Mexican border, the label “Mexican” refers simultaneously to both nationality and ethnicity. Playing with the multiple meanings of the word, border actors construct narratives about themselves and Others to deal with a local hegemonic discourse that states that “poverty is Mexican.” Thus, while border identities are constructed within a culturally specific system of classification, people also develop a sense of themselves as subjects…

  • Towards an affective understanding of processes of racialization

    Open Access•P Vila, Edward Avery-Natale•ARTICLE•Ethnicities•2020•Citada por: 9•Referências: 22

    In this article, we apply developments from the affective turn—in particular, the concept of assemblages—to understand the relationship between race, affect, and emotions. We use the example of a Black CEO unsuccessfully hailing a taxi to show how race materializes with different intensities in specific settings, and how this operates in assemblage theory. We show that the emotion of “fear” plays a particularly important role in conditioning the …

  • The Importance of Photo-interviewing as a Research Method in the Study of Identity Construction Processes

    P Vila•ARTICLE•Visual Anthropology•2012•Citada por: 8•Referências: 7

    The purpose of this article is to promote the use of a methodology not widely used in contemporary social sciences: what is usually called “photo elicitation” but which I prefer to call “photo-interviewing,” in order to remove the idea behind the word “elicitation,” i.e., that one will “elicit” something from people by showing pictures to them and asking for comments. My basic claim is that this method is very well suited to understanding process…

  • Ahmaud Arbery

    P Vila, Matt Ford et al.•ARTICLE•Social Identities•2021•Citada por: 3•Referências: 16

    On February 23rd, 2020, Ahmaud Arbery, a Black man out for a jog in Georgia, was murdered by two white men who, acting as vigilantes, assumed Arbery was responsible for recent burglaries. While Blacks being murdered by whites in America is nothing new, new theories of identification – specifically, assemblage theory and identitarian articulations – offer us tools to better understand how such events take place. Specifically, we argue that raciali…

  • Catholicism, Protestantism, and Mexicanness on the US–Mexico border

    P Vila, Edward Avery-Natale•ARTICLE•Journal of Contemporary Religion•2018•Citada por: 3•Referências: 7

    In Mexico, Catholicism and national identity are deeply intertwined through what we call a process of articulation. Thus, not surprisingly, despite the recent impressive growth of Protestantism in the nation, most people still believe that being Mexican and being Catholic are almost synonymous. Additionally, because the two identifications do not ‘cross each other’ (as the metaphor of intersectionality posits) but, instead, enter a very complex p…

  • Práticas Musicais e Identificações Sociais

    Open Access•P Vila•ARTICLE•Significação Revista de Cultura…•2012•Citada por: 3•Referências: 2

    The article presents a theoretical proposal for the relationship between musical practices and social identifications. Looking to differentiate himself from homological theories on this relationship, Vila proposes that musical practices articulate an identification anchored on the body, through the different alliances we establish between our diverse, fragmented, situational and imaginary narrative identities, and the diverse, fragmented, situati…

  • "Argentina's "Rock Nacional

    P Vila•ARTICLE•Latin American Music Review•1989•Citada por: 2

  • Homo sacer in the American racialized ghetto

    Edward Avery-Natale, P Vila•ARTICLE•Social Identities•2024•Citada por: 1•Referências: 17

    In Homo Sacer, Giorgio Agamben argues that the foundational dichotomy of politics is to be found in the separation of an ‘inside’ from an ‘outside.’ It is our contention that homo sacer is a useful tool for assessing the sacrificial quality of life under unequal social systems. Specifically, we argue that in the United States, impoverished Black residents of, above all, but not only American ‘ghettos’ can potentially be understood as homo sacer. …

  • Althusserian Interpellations

    Open Access•P Vila, Matthew T Ford et al.•ARTICLE•Rethinking Marxism•2022•Citada por: 1•Referências: 7

    This essay proposes an approach to thinking and analyzing identification processes through the application of recent theoretical developments linked to the work of Deleuze and Guattari—specifically the concept of “assemblage”—in conjunction with Althusser’s concept of interpellation. The latter serves as a point of departure as the essay first summarizes Althusser’s argument to highlight the complexity of the original interpellation proposal. The…

  • Constructing social identities in transnational contexts

    Open Access•P Vila•ARTICLE•International Social Science…•1999•Citada por: 1

  • Nueva Geografia de Colombia. Aspectos Politico, Fisico, Humano y Economico

    Raymond E Crist, P Vila•ARTICLE•Economic Geography•1946

  • Nueva Geografia de Colombia

    Open Access•P Vila•ARTICLE•Geographical Review•1947

  • Tango, folklore y rock

    P Vila•ARTICLE•Cahiers du monde hispanique et…•1987

    Resumem. — La música popular puede funcionar como expresión de las necesidades socio-políticas de determinados actores sociales. El ejemplo argentino, en el transcurso de cuatro momentos particulares de la historia del país, presenta cuatro olas sucesivas de músicas suscitadas y aceptadas por sectores importantes de la población. En esos cuatro momentos el público desempeña un papel determinante, inmune a los manejos de las grandes empresas fonog…

  • Rock nacional and dictatorship in Argentina

    Open Access•P Vila•ARTICLE•Popular Music•1987•Citada por: 11

    Between 1976 and 1983 Argentina witnessed the full development of a phenomenon which has come to be known as rock nacional ('national rock'). At first sight it might appear no more than a matter of musical consumption, fashioning its participants simply as 'artists' on one side and 'public' on the other. But it has proved an original form within which the young create and inhabit a space of their own, relatively protected from the assaults of the…

  • "Argentina's "Rock Nacional

    P Vila•ARTICLE•Latin American Music Review•1989•Citada por: 2

  • Narrative Identities

    Open Access•P Vila•ARTICLE•Sociological Quarterly•1996•Citada por: 10•Referências: 10

    On the U.S.-Mexican border, the label “Mexican” refers simultaneously to both nationality and ethnicity. Playing with the multiple meanings of the word, border actors construct narratives about themselves and Others to deal with a local hegemonic discourse that states that “poverty is Mexican.” Thus, while border identities are constructed within a culturally specific system of classification, people also develop a sense of themselves as subjects…

  • Tango! The Dance, the Song, the Story

    P Vila, Simon Collier et al.•ARTICLE•Latin American Music Review•1997

  • The U.S.-Mexico Border

    Magda Alarcon, Mathias Albert et al.•BOOK•The U.S.-Mexico Border•1998

  • At the Crossroads

    P Vila, Frank D Bean et al.•ARTICLE•Contemporary Sociology A Journal…•1998

  • Identity and Empowerment on the Border

    P Vila•ARTICLE•NACLA Report on the Americas•1999

    The only way to construct an anti-racist alliance is to allow the differences inside the community to appear and to vent them publicly

  • Constructing social identities in transnational contexts

    Open Access•P Vila•ARTICLE•International Social Science…•1999•Citada por: 1

  • Baseball on the Border

    P Vila, Alan Klein et al.•ARTICLE•Social Forces•1999

  • Crossing Borders, Reinforcing Borders

    P Vila•BOOK•Crossing Borders, Reinforcing…•2000

    Along the U.S.-Mexico frontier, where border crossings are a daily occurrence for many people, reinforcing borders is also a common activity. Not only does the U.S. Border Patrol strive to "hold the line" against illegal immigrants, but many residents on both sides of the border seek to define and bound themselves apart from groups they perceive as "others." This pathfinding ethnography charts the social categories, metaphors, and narratives that…

  • Music and Cultural Theory

    P Vila, John Shepherd et al.•ARTICLE•Latin American Music Review•2000

  • Processes of identification on the U.S.-Mexico border

    Open Access•P Vila•ARTICLE•The Social Science Journal•2003•Citada por: 12•Referências: 12

    This article reviews relevant literature on border identity issues written on both sides of the border in the past 15 years. First, approaches taken by theorists like Gloria Anzaldúa, Renato Rosaldo, and others who advanced important ideas such as hybridity and “border crossing,” are criticized. Second, the work of empirically oriented U.S. and Mexican scholars, such as Oscar Martinez, Carlos Vélez-Ibáñez, Jorge Bustamante, is examined critically…

  • Cuarteto Music and Dancing from Argentina

    P Vila•ARTICLE•Latin American Music Review•2004

    Jane L. Florine. Cuarteto Music and Dancing from Argentina: In Search of the Tunga-Tunga in Córdoba. Gainesville, FL: University Press of Florida, 2001. Two appendices, bibliography, discography, videography, 368 pp. ISBN: 0-8130-2086-5

  • Ethnography on the Border. Vol. 13

    Robert R Alvarez, Robert Alvarez et al.•ARTICLE•Western Historical Quarterly•2004

    Journal Article Ethnography on the Border Get access Ethnography on the Border. Edited by Vila Pablo. Cultural Studies of the Americas, Vol. 13. (Minneapolis: University of Minnesota Press, 2003. xxxv + 345 pp. Notes, bibliography. $63.95, cloth; $22.95, paper.) Robert R. Alvarez Robert R. Alvarez University of California, San Diego Search for other works by this author on: Oxford Academic Google Scholar Western Historical Quarterly, Volume 35, I…

  • Border Identifications

    P Vila•BOOK•Border Identifications•2005•Citada por: 24

    An ethnography that explores the role of religion, gender, and class in the formation of social identity on both sides of the US-Mexico border. A continuation of the study Vila began in Crossing Borders, Reinforcing Borders"--Provided by publisher

  • Cumbia and Latin-American Migration in Buenos Aires, Argentina

    Open Access•P Vila, Malvina Silba•CHAPTER•Youth Identities and Argentine…•2012

    It is Saturday night and Malvina goes to Cachaquísimo, a dance hall located in a working-class Buenos Aires suburb, which is frequented mostly by immigrants and second-generation young Paraguayans. She arrives at 1:00 AM and the music playing is "Los Chicos del Anden" a very well-known Argentine cumbia villera song by Yerba Brava. Malvina is waiting for her boyfriend to arrive. In the interim she is asked to dance by a young boy, Carlos, and the …

  • The Importance of Photo-interviewing as a Research Method in the Study of Identity Construction Processes

    P Vila•ARTICLE•Visual Anthropology•2012•Citada por: 8•Referências: 7

    The purpose of this article is to promote the use of a methodology not widely used in contemporary social sciences: what is usually called “photo elicitation” but which I prefer to call “photo-interviewing,” in order to remove the idea behind the word “elicitation,” i.e., that one will “elicit” something from people by showing pictures to them and asking for comments. My basic claim is that this method is very well suited to understanding process…

  • Práticas Musicais e Identificações Sociais

    Open Access•P Vila•ARTICLE•Significação Revista de Cultura…•2012•Citada por: 3•Referências: 2

    The article presents a theoretical proposal for the relationship between musical practices and social identifications. Looking to differentiate himself from homological theories on this relationship, Vila proposes that musical practices articulate an identification anchored on the body, through the different alliances we establish between our diverse, fragmented, situational and imaginary narrative identities, and the diverse, fragmented, situati…

  • The Argentine Folklore Movement

    P Vila•ARTICLE•Hispanic American Historical Review•2012

    Oscar Chamosa has written a fascinating book about a phenomenon barely touched upon by Argentine historiography: the development of the folklore movement in the country during the first part of the twentieth century. Chamosa offers us a complex and many times paradoxical picture, solidly grounded in documentary evidence (archives, personal interviews, and the like), of estranged fellows working together (for quite different reasons) to promote Ar…

  • Catholicism, Protestantism, and Mexicanness on the US–Mexico border

    P Vila, Edward Avery-Natale•ARTICLE•Journal of Contemporary Religion•2018•Citada por: 3•Referências: 7

    In Mexico, Catholicism and national identity are deeply intertwined through what we call a process of articulation. Thus, not surprisingly, despite the recent impressive growth of Protestantism in the nation, most people still believe that being Mexican and being Catholic are almost synonymous. Additionally, because the two identifications do not ‘cross each other’ (as the metaphor of intersectionality posits) but, instead, enter a very complex p…

  • Towards an affective understanding of processes of racialization

    Open Access•P Vila, Edward Avery-Natale•ARTICLE•Ethnicities•2020•Citada por: 9•Referências: 22

    In this article, we apply developments from the affective turn—in particular, the concept of assemblages—to understand the relationship between race, affect, and emotions. We use the example of a Black CEO unsuccessfully hailing a taxi to show how race materializes with different intensities in specific settings, and how this operates in assemblage theory. We show that the emotion of “fear” plays a particularly important role in conditioning the …

  • Ahmaud Arbery

    P Vila, Matt Ford et al.•ARTICLE•Social Identities•2021•Citada por: 3•Referências: 16

    On February 23rd, 2020, Ahmaud Arbery, a Black man out for a jog in Georgia, was murdered by two white men who, acting as vigilantes, assumed Arbery was responsible for recent burglaries. While Blacks being murdered by whites in America is nothing new, new theories of identification – specifically, assemblage theory and identitarian articulations – offer us tools to better understand how such events take place. Specifically, we argue that raciali…

Political science (19 obras) · Sociology (18 obras) · Law (13 obras) · Art (12 obras) · Aesthetics (11 obras) · Gender Studies (11 obras) · History (10 obras) · Philosophy (10 obras) · Anthropology (9 obras) · Latin American and Latino Studies (9 obras)

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