Yohann C Ripert
Dados Biográficos
| ID | 120627 |
|---|---|
| NOME | Yohann C Ripert |
| PRENOMES | Yohann C |
| SOBRENOME | Ripert |
| ASSINATURA | RIPERT Y C |
| ORCID | 0000-0002-1065-6631 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 4 |
| TOTAL DE CITAÇÕES | 3 |
| TOTAL COMO AUTOR | 4 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2020 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2022 |
| ÍNDICE H | 1 |
Jeremy Prestholdt. Icons of Dissent
How do popular icons affect people across borders? What is the framework within which they circulate and are interpreted over time? How does a popular yet local figure become a global icon? Those are some of the questions Jeremy Prestholdt asks in his new book, Icons of Dissent: The Global Resonance of Che, Marley, Tupac, and Bin Laden. Informed by the history of immaterial commodities, the circulation of ideas, and the politics of mass media, Ic…
When Is Poetry Political? Césaire on the Role of Knowledge in 1944
This essay investigates a moment for Caribbean knowledge production in which intellectuals, gathered in Haiti in 1944 for an International Congress of Philosophy, questioned whether to politicize knowledge or to seclude it from politics. Focusing on Aimé Césaire's "Poetry and Knowledge," the author compares the 1944 conference paper with the version published in Tropiques in 1945 to show a feedback loop between poetry and politics. The war, the i…
Decolonizing Diplomacy
At the turn of the 1960s, Léopold Sédar Senghor and John F. Kennedy vowed to radically transform African foreign policy. Through a close reading of a recently declassified correspondence and a historical analysis of two behind-the-scenes negotiations, Senghor's first state visit to the U.S. and Kennedy's support for the First World Festival of Negro Arts, Ripert examines the private and public concatenations that lead both statesmen to transform …
The First World Festival of Negro Arts, Dakar 1966
Reviewed by: The First World Festival of Negro Arts, Dakar 1966: Contexts and Legacies ed. by David Murphy Yohann C. Ripert The First World Festival of Negro Arts, Dakar 1966: Contexts and Legacies ED. DAVID MURPHY Liverpool UP, 2016. xii + 224 pp. ISBN 9781781383162 cloth. The First World Festival of Negro Arts, Dakar 1966: Contexts and Legacies is a collection of ten essays that investigate art performances and postcolonial practices at a major…
Decolonizing Diplomacy
At the turn of the 1960s, Léopold Sédar Senghor and John F. Kennedy vowed to radically transform African foreign policy. Through a close reading of a recently declassified correspondence and a historical analysis of two behind-the-scenes negotiations, Senghor's first state visit to the U.S. and Kennedy's support for the First World Festival of Negro Arts, Ripert examines the private and public concatenations that lead both statesmen to transform …
The First World Festival of Negro Arts, Dakar 1966
Reviewed by: The First World Festival of Negro Arts, Dakar 1966: Contexts and Legacies ed. by David Murphy Yohann C. Ripert The First World Festival of Negro Arts, Dakar 1966: Contexts and Legacies ED. DAVID MURPHY Liverpool UP, 2016. xii + 224 pp. ISBN 9781781383162 cloth. The First World Festival of Negro Arts, Dakar 1966: Contexts and Legacies is a collection of ten essays that investigate art performances and postcolonial practices at a major…
The First World Festival of Negro Arts, Dakar 1966
Reviewed by: The First World Festival of Negro Arts, Dakar 1966: Contexts and Legacies ed. by David Murphy Yohann C. Ripert The First World Festival of Negro Arts, Dakar 1966: Contexts and Legacies ED. DAVID MURPHY Liverpool UP, 2016. xii + 224 pp. ISBN 9781781383162 cloth. The First World Festival of Negro Arts, Dakar 1966: Contexts and Legacies is a collection of ten essays that investigate art performances and postcolonial practices at a major…
When Is Poetry Political? Césaire on the Role of Knowledge in 1944
This essay investigates a moment for Caribbean knowledge production in which intellectuals, gathered in Haiti in 1944 for an International Congress of Philosophy, questioned whether to politicize knowledge or to seclude it from politics. Focusing on Aimé Césaire's "Poetry and Knowledge," the author compares the 1944 conference paper with the version published in Tropiques in 1945 to show a feedback loop between poetry and politics. The war, the i…
Decolonizing Diplomacy
At the turn of the 1960s, Léopold Sédar Senghor and John F. Kennedy vowed to radically transform African foreign policy. Through a close reading of a recently declassified correspondence and a historical analysis of two behind-the-scenes negotiations, Senghor's first state visit to the U.S. and Kennedy's support for the First World Festival of Negro Arts, Ripert examines the private and public concatenations that lead both statesmen to transform …
Jeremy Prestholdt. Icons of Dissent
How do popular icons affect people across borders? What is the framework within which they circulate and are interpreted over time? How does a popular yet local figure become a global icon? Those are some of the questions Jeremy Prestholdt asks in his new book, Icons of Dissent: The Global Resonance of Che, Marley, Tupac, and Bin Laden. Informed by the history of immaterial commodities, the circulation of ideas, and the politics of mass media, Ic…
Political science (4 obras) · Politics (4 obras) · Sociology (4 obras) · African history and culture studies (3 obras) · Art (3 obras) · History (3 obras) · Ideology (3 obras) · Law (3 obras) · Art history (2 obras) · Computer Science (2 obras)