Stefano Castelvecchi
Dados Biográficos
| ID | 1207003 |
|---|---|
| NOME | Stefano Castelvecchi |
| PRENOMES | Stefano |
| SOBRENOME | Castelvecchi |
| ASSINATURA | CASTELVECCHI S |
| AFILIAÇÕES | Lecturer in the Faculty of Music, University of Cambridge |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 4 |
| TOTAL DE CITAÇÕES | 1 |
| TOTAL COMO AUTOR | 4 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2006 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2020 |
| ÍNDICE H | 1 |
On “Diegesis” and “Diegetic”
In discussing those passages of an opera in which not only the audience but also the characters of the story hear music, musicologists often write of “diegetic” music, adopting well-established terminology from film studies and narratology. The terms “diegesis” and “diegetic” stem from ancient Greek, and owe their long-standing fortune to their presence in seminal writings by Plato and Aristotle; scholars of narrative, drama, film, and music occa…
Sentimental Opera
Sentimental Opera is a study of the relationship between opera and two major phenomena of eighteenth-century European culture - the cult of sensibility and the emergence of bourgeois drama. A thorough examination of social and cultural contexts helps to explain the success of operas such as Paisiello's Nina as well as the extreme emotional reactions of their audiences. Like their counterparts in drama, literature and painting, these works brought…
Commentary
The recent work of historians and musicologists on Restoration Italy illustrates the complexity of the relationship between opera and society, allowing us to leave behind simplistic claims about either the “revolutionary” role of Italian opera or its political irrelevance. From a perspective closer to that of mentality history, the question to what extent a particular composer was “revolutionary” may take new directions, and even become irrelevan…
"Was Verdi a "Revolutionary
Commentary
The recent work of historians and musicologists on Restoration Italy illustrates the complexity of the relationship between opera and society, allowing us to leave behind simplistic claims about either the “revolutionary” role of Italian opera or its political irrelevance. From a perspective closer to that of mentality history, the question to what extent a particular composer was “revolutionary” may take new directions, and even become irrelevan…
Commentary
The recent work of historians and musicologists on Restoration Italy illustrates the complexity of the relationship between opera and society, allowing us to leave behind simplistic claims about either the “revolutionary” role of Italian opera or its political irrelevance. From a perspective closer to that of mentality history, the question to what extent a particular composer was “revolutionary” may take new directions, and even become irrelevan…
"Was Verdi a "Revolutionary
Sentimental Opera
Sentimental Opera is a study of the relationship between opera and two major phenomena of eighteenth-century European culture - the cult of sensibility and the emergence of bourgeois drama. A thorough examination of social and cultural contexts helps to explain the success of operas such as Paisiello's Nina as well as the extreme emotional reactions of their audiences. Like their counterparts in drama, literature and painting, these works brought…
On “Diegesis” and “Diegetic”
In discussing those passages of an opera in which not only the audience but also the characters of the story hear music, musicologists often write of “diegetic” music, adopting well-established terminology from film studies and narratology. The terms “diegesis” and “diegetic” stem from ancient Greek, and owe their long-standing fortune to their presence in seminal writings by Plato and Aristotle; scholars of narrative, drama, film, and music occa…
Art (3 obras) · History (3 obras) · Literature (3 obras) · Aesthetics (2 obras) · Drama (2 obras) · Epistemology (2 obras) · History (2 obras) · Musicology and Musical Analysis (2 obras) · Opera (2 obras) · Philosophy (2 obras)