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Guy L Beck

Dados Biográficos

ID1209217
NOMEGuy L Beck
PRENOMESGuy L
SOBRENOMEBeck
ASSINATURABECK G L
AFILIAÇÕESLoyola University New Orleans
VERIFICADONão
TOTAL DE OBRAS7
TOTAL DE CITAÇÕES5
TOTAL COMO AUTOR7
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1995
ANO MAIS RECENTE DE PUBLICAÇÃO2026
ÍNDICE H1
  • Sacred Harmony

    Open Access•Guy L Beck•ARTICLE•Religions•2026

    The concept of sacred harmony implies a set of relations between human beings and the natural order that include a divine or transcendental aspect. These types of correspondences as they relate to music are found among many of the ancient civilizations. In the West, the principles of sacred harmony emerged in ancient Greece with Pythagoras and Plato, such that the implicit connections between philosophical thought and musical experience laid the …

  • Shared Religious Soundscapes

    Open Access•Guy L Beck•ARTICLE•Religions•2023•Referências: 9

    Music has played a central role in Indian religious experience for millennia. The origins of Indian music include the recitation of the sacred syllable OM and Sanskrit Mantras in ancient Vedic fire sacrifices. The notion of Sound Absolute, first in the Upanishads as Śabda-Brahman and later as Nāda-Brahman, formed the theological background for music, Sangīta, designed as a vehicle of liberation founded upon the worship of Hindu deities expressed …

  • Theology of Music and Hindu Religion

    Open Access•Guy L Beck•ARTICLE•Religions•2021•Referências: 3

    As a subfield in the study of religion and music, the theology of music is generally understood in Western terms. Yet to fully encompass the rich heritage of music in world religions, the theology of music must welcome non-Western traditions. After introducing ancient Greek and Biblical narratives regarding the origins of music, including metaphysical concepts, narratives of music as Divine Gift, musical angels, and the sacred origin of the notes…

  • Sacred Music and Hindu Religious Experience

    Open Access•Guy L Beck•ARTICLE•Religions•2019•Citada por: 5•Referências: 2

    While music plays a significant role in many of the world's religions, it is in the Hindu religion that one finds one of the closest bonds between music and religious experience extending for millennia. The recitation of the syllable OM and the chanting of Sanskrit Mantras and hymns from the Vedas formed the core of ancient fire sacrifices. The Upanishads articulated OM as Śabda-Brahman, the Sound-Absolute that became the object of meditation in …

  • Hinduism

    Guy L Beck•CHAPTER•The new Grove dictionary of music…•2013

  • Celestial Lodge Above

    Guy L Beck•ARTICLE•Nova Religio The Journal of…•2000

    The hangings in the lodge room are blue, spread with golden stars. The Master and all the brothers wear a white robe as well as a blue headband with twelve golden stars on it, tied around their foreheads. The Master sits under a blue canopy on a throne, behind which is a transparent light that is sufficient to illuminate the whole lodge. Facing is a painting or image of a square city, or the celestial Jerusalem, descending from heaven, to crush t…

  • Sonic Theology

    Francis X Clooney, Guy L Beck•ARTICLE•Journal of the American Oriental…•1995

  • Sacred Music and Hindu Religious Experience

    Open Access•Guy L Beck•ARTICLE•Religions•2019•Citada por: 5•Referências: 2

    While music plays a significant role in many of the world's religions, it is in the Hindu religion that one finds one of the closest bonds between music and religious experience extending for millennia. The recitation of the syllable OM and the chanting of Sanskrit Mantras and hymns from the Vedas formed the core of ancient fire sacrifices. The Upanishads articulated OM as Śabda-Brahman, the Sound-Absolute that became the object of meditation in …

  • Sonic Theology

    Francis X Clooney, Guy L Beck•ARTICLE•Journal of the American Oriental…•1995

  • Celestial Lodge Above

    Guy L Beck•ARTICLE•Nova Religio The Journal of…•2000

    The hangings in the lodge room are blue, spread with golden stars. The Master and all the brothers wear a white robe as well as a blue headband with twelve golden stars on it, tied around their foreheads. The Master sits under a blue canopy on a throne, behind which is a transparent light that is sufficient to illuminate the whole lodge. Facing is a painting or image of a square city, or the celestial Jerusalem, descending from heaven, to crush t…

  • Hinduism

    Guy L Beck•CHAPTER•The new Grove dictionary of music…•2013

  • Sacred Music and Hindu Religious Experience

    Open Access•Guy L Beck•ARTICLE•Religions•2019•Citada por: 5•Referências: 2

    While music plays a significant role in many of the world's religions, it is in the Hindu religion that one finds one of the closest bonds between music and religious experience extending for millennia. The recitation of the syllable OM and the chanting of Sanskrit Mantras and hymns from the Vedas formed the core of ancient fire sacrifices. The Upanishads articulated OM as Śabda-Brahman, the Sound-Absolute that became the object of meditation in …

  • Theology of Music and Hindu Religion

    Open Access•Guy L Beck•ARTICLE•Religions•2021•Referências: 3

    As a subfield in the study of religion and music, the theology of music is generally understood in Western terms. Yet to fully encompass the rich heritage of music in world religions, the theology of music must welcome non-Western traditions. After introducing ancient Greek and Biblical narratives regarding the origins of music, including metaphysical concepts, narratives of music as Divine Gift, musical angels, and the sacred origin of the notes…

  • Shared Religious Soundscapes

    Open Access•Guy L Beck•ARTICLE•Religions•2023•Referências: 9

    Music has played a central role in Indian religious experience for millennia. The origins of Indian music include the recitation of the sacred syllable OM and Sanskrit Mantras in ancient Vedic fire sacrifices. The notion of Sound Absolute, first in the Upanishads as Śabda-Brahman and later as Nāda-Brahman, formed the theological background for music, Sangīta, designed as a vehicle of liberation founded upon the worship of Hindu deities expressed …

  • Sacred Harmony

    Open Access•Guy L Beck•ARTICLE•Religions•2026

    The concept of sacred harmony implies a set of relations between human beings and the natural order that include a divine or transcendental aspect. These types of correspondences as they relate to music are found among many of the ancient civilizations. In the West, the principles of sacred harmony emerged in ancient Greece with Pythagoras and Plato, such that the implicit connections between philosophical thought and musical experience laid the …

Art (5 obras) · Hinduism (5 obras) · Philosophy (5 obras) · Theology (5 obras) · Literature (4 obras) · Musical (4 obras) · Musicology and Musical Analysis (4 obras) · Sacred music (4 obras) · Religious studies (3 obras) · Biblical Studies and Interpretation (2 obras)

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