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Peter Consenstein

Dados Biográficos

ID1237395
NOMEPeter Consenstein
PRENOMESPeter
SOBRENOMEConsenstein
ASSINATURACONSENSTEIN P
AFILIAÇÕESCornell University
VERIFICADONão
TOTAL DE OBRAS13
TOTAL DE CITAÇÕES1
OBRAS COMO AUTOR13
OBRAS COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1995
ANO MAIS RECENTE DE PUBLICAÇÃO2021
ÍNDICE H1
  • L’Histoire et les contraintes oulipiennes

    Peter Consenstein•ARTICLE•Contemporary French and…•2021

    The fundamental question of this essay is: what effect does Oulipian writing have on the telling of History? Most of the time, Oulipian writing falls under the rubric of experimental writing. However, the members of the group Oulipo often address events considered historic. There exists at the moment a theoretical discussion that is taking more and more seriously the relationship between History and fiction; sometimes the authors of fiction succe…

  • La conversation transatlantique

    Peter Consenstein•ARTICLE•SubStance•2021

    Reviewed by: La conversation transatlantique: Les échanges franco-américains en poésie depuis 1968 by Abigail Lang Peter Consenstein Lang, Abigail. La conversation transatlantique: Les échanges franco-américains en poésie depuis 1968. Les presses du réel, 2020. 336pp. Abigail Lang’s La conversation transatlantique: Les échanges franco-américains en poésie depuis 1968 [Transatlantic Conversation: Franco-American Exchanges in Poetry Since 1968] is …

  • La Lecture by Jan Baetens, Milan Chlumsky

    Peter Consenstein•ARTICLE•SubStance•2019

    Reviewed by: La Lecture by Jan Baetens, Milan Chlumsky Peter Consenstein Baetens, Jan, and Milan Chlumsky. La Lecture. Les Impressions Nouvelles, 2017. 98pp. When poetry and photography begin a discussion, even a polite one, what role does the reader/viewer play? Does he or she take the event into account, is the discussion read or watched, or is it the interactivity between the two media that draws attention? Taking the event into account might …

  • In Defense of Anne-Marie Albiach's Minimalist Poetry

    Peter Consenstein•ARTICLE•Contemporary French and…•2016

    In a book critiquing minimalism in French writing today, Jan Baetens took aim at so-called minimalist poetry. Anne-Marie Albiach was among the poets he discussed and he considered her writing to be a part of a larger argument regarding the philosophy of language. He also proposed that her poetry, in its desire to be minimalist, related maximum meaning. I counter his argument by stipulating that her poetry, like much poetry, deserves recognition f…

  • The Transmetrical Snark

    Peter Consenstein•ARTICLE•Modern Language Notes•2016

    The Transmetrical Snark Peter Consenstein (bio) To translate is to put a literary theory into practice. When Jacques Roubaud translates, he is sensitive to the source text’s formal qualities, which makes Lewis Carroll’s The Hunting of the Snark especially attractive. Carroll is one of Roubaud’s “masters,” a literary figure he emulates. Both authors are poet-mathematicians and both use writing to refine, explain and implement theorems and paradoxe…

  • Money/L'argent II

    Roger Celestin, Peter Consenstein et al.•ARTICLE•Contemporary French and…•2015

    It appears that a nation's traditions, Greece in this case, its value system, mythology, and philosophy—its very identity, one might say—can easily be cast aside, or at least made abstract by banke

  • Money/L'argent

    Roger Celestin, Peter Consenstein et al.•ARTICLE•Contemporary French and…•2015

    “A view from the terrace,” Alyson Waters. The adjustment of reality to the masses and the masses to reality is aprocess of unlimited scope, as much for thinking as for perception. —Walter Benjamin

  • Son et perception dans la poésie de Dominique Fourcade et Anne Portugal

    Peter Consenstein•ARTICLE•Contemporary French and…•2014

    La poésie expérimentale d'Anne Portugal et de Dominique Fourcade occupe la zone qui distingue un domaine artistique d'un autre. Ainsi, cette poésie représente une prise de conscience de ce qui relie la perception sonore à la représentation visuelle et écrite. Le but de cet article est de mettre en évidence comment la lecture d'une telle poésie demande un rehaussement des sens de la réception. Dans Son blanc du un de Dominique Fourcade le poète me…

  • La Dissolution, and

    Peter Consenstein•ARTICLE•SubStance•2012

  • Le présent immédiat dans la poésie de Dominique Fourcade

    Peter Consenstein•ARTICLE•Contemporary French and…•2006

  • Jacques Roubaud

    Peter Consenstein•ARTICLE•SubStance•2005

    Montémont, Véronique. Jacques Roubaud: l'amour du nombre. Lille: Presses Universitaires du Septentrion, 2004

  • Georges Perec on the Index

    Bernard Magne, Peter Consenstein•ARTICLE•Yale French Studies•2004•Citada por: 1

  • Memory and Oulipian Constraints

    Open Access•Peter Consenstein•ARTICLE•Postmodern Culture•1995

    Postmodern Culture - Volume 6, Number 1, September 1995

  • Georges Perec on the Index

    Bernard Magne, Peter Consenstein•ARTICLE•Yale French Studies•2004•Citada por: 1

  • Memory and Oulipian Constraints

    Open Access•Peter Consenstein•ARTICLE•Postmodern Culture•1995

    Postmodern Culture - Volume 6, Number 1, September 1995

  • Georges Perec on the Index

    Bernard Magne, Peter Consenstein•ARTICLE•Yale French Studies•2004•Citada por: 1

  • Jacques Roubaud

    Peter Consenstein•ARTICLE•SubStance•2005

    Montémont, Véronique. Jacques Roubaud: l'amour du nombre. Lille: Presses Universitaires du Septentrion, 2004

  • Le présent immédiat dans la poésie de Dominique Fourcade

    Peter Consenstein•ARTICLE•Contemporary French and…•2006

  • La Dissolution, and

    Peter Consenstein•ARTICLE•SubStance•2012

  • Son et perception dans la poésie de Dominique Fourcade et Anne Portugal

    Peter Consenstein•ARTICLE•Contemporary French and…•2014

    La poésie expérimentale d'Anne Portugal et de Dominique Fourcade occupe la zone qui distingue un domaine artistique d'un autre. Ainsi, cette poésie représente une prise de conscience de ce qui relie la perception sonore à la représentation visuelle et écrite. Le but de cet article est de mettre en évidence comment la lecture d'une telle poésie demande un rehaussement des sens de la réception. Dans Son blanc du un de Dominique Fourcade le poète me…

  • Money/L'argent II

    Roger Celestin, Peter Consenstein et al.•ARTICLE•Contemporary French and…•2015

    It appears that a nation's traditions, Greece in this case, its value system, mythology, and philosophy—its very identity, one might say—can easily be cast aside, or at least made abstract by banke

  • Money/L'argent

    Roger Celestin, Peter Consenstein et al.•ARTICLE•Contemporary French and…•2015

    “A view from the terrace,” Alyson Waters. The adjustment of reality to the masses and the masses to reality is aprocess of unlimited scope, as much for thinking as for perception. —Walter Benjamin

  • In Defense of Anne-Marie Albiach's Minimalist Poetry

    Peter Consenstein•ARTICLE•Contemporary French and…•2016

    In a book critiquing minimalism in French writing today, Jan Baetens took aim at so-called minimalist poetry. Anne-Marie Albiach was among the poets he discussed and he considered her writing to be a part of a larger argument regarding the philosophy of language. He also proposed that her poetry, in its desire to be minimalist, related maximum meaning. I counter his argument by stipulating that her poetry, like much poetry, deserves recognition f…

  • The Transmetrical Snark

    Peter Consenstein•ARTICLE•Modern Language Notes•2016

    The Transmetrical Snark Peter Consenstein (bio) To translate is to put a literary theory into practice. When Jacques Roubaud translates, he is sensitive to the source text’s formal qualities, which makes Lewis Carroll’s The Hunting of the Snark especially attractive. Carroll is one of Roubaud’s “masters,” a literary figure he emulates. Both authors are poet-mathematicians and both use writing to refine, explain and implement theorems and paradoxe…

  • La Lecture by Jan Baetens, Milan Chlumsky

    Peter Consenstein•ARTICLE•SubStance•2019

    Reviewed by: La Lecture by Jan Baetens, Milan Chlumsky Peter Consenstein Baetens, Jan, and Milan Chlumsky. La Lecture. Les Impressions Nouvelles, 2017. 98pp. When poetry and photography begin a discussion, even a polite one, what role does the reader/viewer play? Does he or she take the event into account, is the discussion read or watched, or is it the interactivity between the two media that draws attention? Taking the event into account might …

  • L’Histoire et les contraintes oulipiennes

    Peter Consenstein•ARTICLE•Contemporary French and…•2021

    The fundamental question of this essay is: what effect does Oulipian writing have on the telling of History? Most of the time, Oulipian writing falls under the rubric of experimental writing. However, the members of the group Oulipo often address events considered historic. There exists at the moment a theoretical discussion that is taking more and more seriously the relationship between History and fiction; sometimes the authors of fiction succe…

  • La conversation transatlantique

    Peter Consenstein•ARTICLE•SubStance•2021

    Reviewed by: La conversation transatlantique: Les échanges franco-américains en poésie depuis 1968 by Abigail Lang Peter Consenstein Lang, Abigail. La conversation transatlantique: Les échanges franco-américains en poésie depuis 1968. Les presses du réel, 2020. 336pp. Abigail Lang’s La conversation transatlantique: Les échanges franco-américains en poésie depuis 1968 [Transatlantic Conversation: Franco-American Exchanges in Poetry Since 1968] is …

Art (11 obras) · Philosophy (9 obras) · Humanities (7 obras) · Literature (5 obras) · Art history (4 obras) · Computer Science (4 obras) · French Literature and Poetry (4 obras) · Philosophy (4 obras) · Cultural Insights and Digital Impacts (3 obras) · French Literature and Critical Theory (3 obras)

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