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Barry Schrader

Dados Biográficos

ID1237708
NOMEBarry Schrader
PRENOMESBarry
SOBRENOMESchrader
ASSINATURASCHRADER B
AFILIAÇÕESCalifornia Institute of the Arts
ORCID0000-0003-4112-0976
VERIFICADOSim
TOTAL DE OBRAS9
TOTAL DE CITAÇÕES14
OBRAS COMO AUTOR8
OBRAS COMO EDITOR1
PRIMEIRO ANO DE PUBLICAÇÃO1984
ANO MAIS RECENTE DE PUBLICAÇÃO2026
ÍNDICE H2
  • Tcherepnin (USA)

    Enrique Alberto Arias, Christopher Palmer et al.•CHAPTER•The new Grove dictionary of music…•2026

  • Living war, writing war, teaching war

    Barry Schrader•ARTICLE•Critical Military Studies•2023•Citada por: 4•Referências: 37

    What does it mean to be an academic who is also a war veteran? This paper examines that question as I delve into my own identity and positionality as a war veteran and as an academic who critically examines war and militarism. It is broken up into three sections: living war, writing war, and teaching war. Living war refers to what it is like to be a war veteran in academic spaces, from a student perspective to a teaching perspective. Writing war …

  • Cyborgian Self-Awareness

    Barry Schrader, Benjamin Schrader•ARTICLE•Theory & Event•2019

    This paper examines the idea of memory being a dangerous weapon through the genre of sci-fi, specifically as the basis of a collective history for artificial life forms which poses a danger to the state, as I examine three shows: Blade Runner, Blade Runner 2049, and the HBO series Westworld. Furthermore, the affect of traumatic memories in artificial life parallels the ways that the state deals with post-traumatic stress (PTS) in soldiers; in thi…

  • The affect of veteran activism

    Barry Schrader, Benjamin Schrader•ARTICLE•Critical Military Studies•2019•Citada por: 10•Referências: 15

    This paper examines the affects of veteran activism, primarily that of those who are doing work tied to ideals of social justice, and shows that this activism is a process of demilitarization. It asks why these veterans are doing what they are doing and how they are doing it. The answers to these questions come from 22 interviews conducted with veteran activists all around the United States. Throughout these interviews three major themes tied to …

  • Peace

    Barry Schrader, Benjamin Schrader•ARTICLE•Critical Studies on Security•2014

  • Electroacoustic music in the United States

    Barry Schrader, Marc Battier•CHAPTER•The new Grove dictionary of music…•2013

  • Tcherepnin, Serge

    Christopher Palmer, Barry Schrader•EDITOR•CHAPTER•The new Grove dictionary of music…•2001

  • Live/electro-acoustic music - a perspective from history and California

    Barry Schrader•ARTICLE•Contemporary Music Review•1991

    KEY WORDS: Californiapre-recorded musiclive performanceelectro-acoustic music

  • Introduction to Electro-Acoustic Music

    S Wilson, Barry Schrader•ARTICLE•Leonardo•1984

  • The affect of veteran activism

    Barry Schrader, Benjamin Schrader•ARTICLE•Critical Military Studies•2019•Citada por: 10•Referências: 15

    This paper examines the affects of veteran activism, primarily that of those who are doing work tied to ideals of social justice, and shows that this activism is a process of demilitarization. It asks why these veterans are doing what they are doing and how they are doing it. The answers to these questions come from 22 interviews conducted with veteran activists all around the United States. Throughout these interviews three major themes tied to …

  • Living war, writing war, teaching war

    Barry Schrader•ARTICLE•Critical Military Studies•2023•Citada por: 4•Referências: 37

    What does it mean to be an academic who is also a war veteran? This paper examines that question as I delve into my own identity and positionality as a war veteran and as an academic who critically examines war and militarism. It is broken up into three sections: living war, writing war, and teaching war. Living war refers to what it is like to be a war veteran in academic spaces, from a student perspective to a teaching perspective. Writing war …

  • Introduction to Electro-Acoustic Music

    S Wilson, Barry Schrader•ARTICLE•Leonardo•1984

  • Live/electro-acoustic music - a perspective from history and California

    Barry Schrader•ARTICLE•Contemporary Music Review•1991

    KEY WORDS: Californiapre-recorded musiclive performanceelectro-acoustic music

  • Tcherepnin, Serge

    Christopher Palmer, Barry Schrader•EDITOR•CHAPTER•The new Grove dictionary of music…•2001

  • Electroacoustic music in the United States

    Barry Schrader, Marc Battier•CHAPTER•The new Grove dictionary of music…•2013

  • Peace

    Barry Schrader, Benjamin Schrader•ARTICLE•Critical Studies on Security•2014

  • Cyborgian Self-Awareness

    Barry Schrader, Benjamin Schrader•ARTICLE•Theory & Event•2019

    This paper examines the idea of memory being a dangerous weapon through the genre of sci-fi, specifically as the basis of a collective history for artificial life forms which poses a danger to the state, as I examine three shows: Blade Runner, Blade Runner 2049, and the HBO series Westworld. Furthermore, the affect of traumatic memories in artificial life parallels the ways that the state deals with post-traumatic stress (PTS) in soldiers; in thi…

  • The affect of veteran activism

    Barry Schrader, Benjamin Schrader•ARTICLE•Critical Military Studies•2019•Citada por: 10•Referências: 15

    This paper examines the affects of veteran activism, primarily that of those who are doing work tied to ideals of social justice, and shows that this activism is a process of demilitarization. It asks why these veterans are doing what they are doing and how they are doing it. The answers to these questions come from 22 interviews conducted with veteran activists all around the United States. Throughout these interviews three major themes tied to …

  • Living war, writing war, teaching war

    Barry Schrader•ARTICLE•Critical Military Studies•2023•Citada por: 4•Referências: 37

    What does it mean to be an academic who is also a war veteran? This paper examines that question as I delve into my own identity and positionality as a war veteran and as an academic who critically examines war and militarism. It is broken up into three sections: living war, writing war, and teaching war. Living war refers to what it is like to be a war veteran in academic spaces, from a student perspective to a teaching perspective. Writing war …

  • Tcherepnin (USA)

    Enrique Alberto Arias, Christopher Palmer et al.•CHAPTER•The new Grove dictionary of music…•2026

Art (5 obras) · Computer Science (4 obras) · Political science (4 obras) · Law (3 obras) · Visual arts (3 obras) · Affect (linguistics (2 obras) · Gender Studies (2 obras) · Gender, Security, and Conflict (2 obras) · Music Technology and Sound Studies (2 obras) · Politics (2 obras)

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