Thomas Blenman Hare
Dados Biográficos
| ID | 1246966 |
|---|---|
| NOME | Thomas Blenman Hare |
| PRENOMES | Thomas Blenman |
| SOBRENOME | Hare |
| ASSINATURA | HARE T B |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 8 |
| TOTAL DE CITAÇÕES | 1 |
| TOTAL COMO AUTOR | 8 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1983 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 1996 |
| ÍNDICE H | 1 |
Zeami’s Style
This is the first full-length study of Zeami Motokiyo (1363–1443), generally recognized as the greatest playwright of Japan's classical Noh theater. The book begins with a biography based on the known documents relating to Zeami's life. It then examines the documentary evidence for authorship and explains the various technical aspects of Noh. Subsequent chapters explore the role of the old man in noh (particularly in the play Takasago), as well a…
Reading Writing and Cooking
Contemporary readers of philosophy, literary criticism, and related modes of discourse face a constant challenge. Even as we doubt, or indeed, fain to reject outright, the adequacy of traditional understandings of language, we are compelled to follow its insidious rules, and in rebellion we succumb to complicity with the system we suspect. The mechanics of interpretation, the possibility of consensus on the meaning of any given word, the relation…
Reading Kamo no Chomei
Zeami's Style
Zeami's Style
The Road to Komatsubara
Ukifune
A Warbler's Song in the Dusk
A Warbler's Song in the Dusk
Ukifune
Zeami's Style
The Road to Komatsubara
Reading Kamo no Chomei
Zeami's Style
Reading Writing and Cooking
Contemporary readers of philosophy, literary criticism, and related modes of discourse face a constant challenge. Even as we doubt, or indeed, fain to reject outright, the adequacy of traditional understandings of language, we are compelled to follow its insidious rules, and in rebellion we succumb to complicity with the system we suspect. The mechanics of interpretation, the possibility of consensus on the meaning of any given word, the relation…
Zeami’s Style
This is the first full-length study of Zeami Motokiyo (1363–1443), generally recognized as the greatest playwright of Japan's classical Noh theater. The book begins with a biography based on the known documents relating to Zeami's life. It then examines the documentary evidence for authorship and explains the various technical aspects of Noh. Subsequent chapters explore the role of the old man in noh (particularly in the play Takasago), as well a…
Japanese History and Culture (7 obras) · Art (5 obras) · History (4 obras) · Philosophy (4 obras) · Linguistics (3 obras) · Literature (3 obras) · History (2 obras) · Hong Kong and Taiwan Politics (2 obras) · Philosophy (2 obras) · Reading (process (2 obras)