Peter Simatei
Dados Biográficos
| ID | 133469 |
|---|---|
| NOME | Peter Simatei |
| PRENOMES | Peter |
| SOBRENOME | Simatei |
| ASSINATURA | SIMATEI P |
| AFILIAÇÕES | Moi University |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 7 |
| TOTAL DE CITAÇÕES | 9 |
| TOTAL COMO AUTOR | 6 |
| TOTAL COMO EDITOR | 1 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1998 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2023 |
| ÍNDICE H | 2 |
Decolonial Aesthetics II
East African Asian Writing and the Emergence of a Diasporic Aesthetic
Kalenjin popular music and the contestation of national space in Kenya
This paper addresses how Kalenjin popular music, played mainly on the Kalenjin language KASS FM Radio based in Nairobi and also broadcasting on the Internet, participates in the consolidation of Kalenjin identities by recasting the collective national space – as governed by the nation-state – as a sphere of influence potentially injurious to imagined Kalenjin cultural and economic interests. It becomes a music of identity that deploys history, my…
The Migrant Experience in East African Asian Writing
East African writers of South Asian origin handled issues of identity and history within the context of the homogenising nationalist politics of the nation-state. While this engagement led to the privileging of diaspora politics over the assimilationist ideologies engendered by the nation-state, these writers remain sceptical about the emancipatory potential of such politics for the marginalized East African Asian migrants in the West
Voyaging on the Mists of Memory
(2000). VOYAGING ON THE MISTS OF MEMORY: M. G. VASSANJI AND THE ASIAN QUEST/ION IN EAST AFRICA. English Studies in Africa: Vol. 43, No. 1, pp. 29-42
Versions and Inversions
Through the subtide of his novel Dedan Kimathi: The Real Story, Sam Kahiga situates the text at once at the center of the controversial dis? course of Mau Mau historiography. The novel's subtide makes no real claims to authentic historicity but it nevertheless signals the author's intention to contest the status of prior histories of Mau Mau, histories that he already implicidy considers unreal. Indeed Kahiga finds it necessary to state in note t…
All Things are Possible Here, No!, The Stars Have Dimmed Again
No abstract
Kalenjin popular music and the contestation of national space in Kenya
This paper addresses how Kalenjin popular music, played mainly on the Kalenjin language KASS FM Radio based in Nairobi and also broadcasting on the Internet, participates in the consolidation of Kalenjin identities by recasting the collective national space – as governed by the nation-state – as a sphere of influence potentially injurious to imagined Kalenjin cultural and economic interests. It becomes a music of identity that deploys history, my…
Voyaging on the Mists of Memory
(2000). VOYAGING ON THE MISTS OF MEMORY: M. G. VASSANJI AND THE ASIAN QUEST/ION IN EAST AFRICA. English Studies in Africa: Vol. 43, No. 1, pp. 29-42
All Things are Possible Here, No!, The Stars Have Dimmed Again
No abstract
Versions and Inversions
Through the subtide of his novel Dedan Kimathi: The Real Story, Sam Kahiga situates the text at once at the center of the controversial dis? course of Mau Mau historiography. The novel's subtide makes no real claims to authentic historicity but it nevertheless signals the author's intention to contest the status of prior histories of Mau Mau, histories that he already implicidy considers unreal. Indeed Kahiga finds it necessary to state in note t…
Voyaging on the Mists of Memory
(2000). VOYAGING ON THE MISTS OF MEMORY: M. G. VASSANJI AND THE ASIAN QUEST/ION IN EAST AFRICA. English Studies in Africa: Vol. 43, No. 1, pp. 29-42
The Migrant Experience in East African Asian Writing
East African writers of South Asian origin handled issues of identity and history within the context of the homogenising nationalist politics of the nation-state. While this engagement led to the privileging of diaspora politics over the assimilationist ideologies engendered by the nation-state, these writers remain sceptical about the emancipatory potential of such politics for the marginalized East African Asian migrants in the West
Kalenjin popular music and the contestation of national space in Kenya
This paper addresses how Kalenjin popular music, played mainly on the Kalenjin language KASS FM Radio based in Nairobi and also broadcasting on the Internet, participates in the consolidation of Kalenjin identities by recasting the collective national space – as governed by the nation-state – as a sphere of influence potentially injurious to imagined Kalenjin cultural and economic interests. It becomes a music of identity that deploys history, my…
Decolonial Aesthetics II
East African Asian Writing and the Emergence of a Diasporic Aesthetic
African history and culture studies (4 obras) · History (4 obras) · Archaeology (3 obras) · Art (3 obras) · East Asia (3 obras) · Gender Studies (3 obras) · Global Maritime and Colonial Histories (3 obras) · Postcolonial and Cultural Literary Studies (3 obras) · Sociology (3 obras) · Anthropology (2 obras)