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Andrew Clay Mcgraw

Dados Biográficos

ID133877
NOMEAndrew Clay Mcgraw
PRENOMESAndrew Clay
SOBRENOMEMcgraw
ASSINATURAMCGRAW A C
VERIFICADONão
TOTAL DE OBRAS5
TOTAL DE CITAÇÕES1
TOTAL COMO AUTOR5
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2008
ANO MAIS RECENTE DE PUBLICAÇÃO2022
ÍNDICE H1
  • Music As Ethics

    Andrew Clay Mcgraw, Andrew Mcgraw•BOOK•Music As Ethics•2022

  • Radical Traditions

    Andrew Clay Mcgraw•BOOK•Radical Traditions•2013

    The Indonesian island of Bali has long been famous as a tropical paradise, its ubiquitous temple ceremonies accompanied by the shimmer of ancient gamelan percussion orchestras. But “Balinese music” encompasses a much wider range of expressions than just these iconic traditional sounds. Balinese contemporary music, musik kontemporer, is a self-consciously experimental expressionthat emerged in the late 1970s and has flourished in the post-totalita…

  • The Political Economy of the Performing Arts in Contemporary Bali

    Andrew Clay Mcgraw•ARTICLE•Indonesia and the Malay World•2009

    Colonial and early postcolonial accounts often regarded the performing arts in Bali as an autonomous field, furthering anthropological romances of the Balinese as the ultimate cultural beings, seemingly disinterested in politics and power. Many contemporary accounts of the arts have either presented an image of the Balinese as self-consciously apolitical or, through a narrow focus on repertoires, have illustrated the arts as a pure, bounded arena…

  • Radical Tradition

    Andrew Clay Mcgraw•ARTICLE•Ethnomusicology•2009

    Research Article| January 01 2009 Radical Tradition: Balinese Musik Kontemporer Andrew Clay McGraw Andrew Clay McGraw Search for other works by this author on: This Site Google Ethnomusicology (2009) 53 (1): 115–141. https://doi.org/10.2307/25653049 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Andrew Clay McGraw; Radical Tradition: Balinese Musik Kontemporer. Ethnomusicology 1 January 2009; 53 …

  • Different Temporalities

    Open Access•Andrew Clay Mcgraw•ARTICLE•Yearbook for Traditional Music•2008•Citada por: 1•Referências: 12

    On my first research trip to Bali, Indonesia, I brought along a reasonably expensive digital metronome with the wrongheaded idea that it would somehow aid my learning gamelan music. In a completely uncharacteristic mistake, Singapore Airlines lost my luggage containing the metronome. More than once, my Balinese teachers suggested (only half-kiddingly) that the goddess of music, Saraswati, had probably had a hand in this. Many Balinese teachers ha…

  • Different Temporalities

    Open Access•Andrew Clay Mcgraw•ARTICLE•Yearbook for Traditional Music•2008•Citada por: 1•Referências: 12

    On my first research trip to Bali, Indonesia, I brought along a reasonably expensive digital metronome with the wrongheaded idea that it would somehow aid my learning gamelan music. In a completely uncharacteristic mistake, Singapore Airlines lost my luggage containing the metronome. More than once, my Balinese teachers suggested (only half-kiddingly) that the goddess of music, Saraswati, had probably had a hand in this. Many Balinese teachers ha…

  • Different Temporalities

    Open Access•Andrew Clay Mcgraw•ARTICLE•Yearbook for Traditional Music•2008•Citada por: 1•Referências: 12

    On my first research trip to Bali, Indonesia, I brought along a reasonably expensive digital metronome with the wrongheaded idea that it would somehow aid my learning gamelan music. In a completely uncharacteristic mistake, Singapore Airlines lost my luggage containing the metronome. More than once, my Balinese teachers suggested (only half-kiddingly) that the goddess of music, Saraswati, had probably had a hand in this. Many Balinese teachers ha…

  • The Political Economy of the Performing Arts in Contemporary Bali

    Andrew Clay Mcgraw•ARTICLE•Indonesia and the Malay World•2009

    Colonial and early postcolonial accounts often regarded the performing arts in Bali as an autonomous field, furthering anthropological romances of the Balinese as the ultimate cultural beings, seemingly disinterested in politics and power. Many contemporary accounts of the arts have either presented an image of the Balinese as self-consciously apolitical or, through a narrow focus on repertoires, have illustrated the arts as a pure, bounded arena…

  • Radical Tradition

    Andrew Clay Mcgraw•ARTICLE•Ethnomusicology•2009

    Research Article| January 01 2009 Radical Tradition: Balinese Musik Kontemporer Andrew Clay McGraw Andrew Clay McGraw Search for other works by this author on: This Site Google Ethnomusicology (2009) 53 (1): 115–141. https://doi.org/10.2307/25653049 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Andrew Clay McGraw; Radical Tradition: Balinese Musik Kontemporer. Ethnomusicology 1 January 2009; 53 …

  • Radical Traditions

    Andrew Clay Mcgraw•BOOK•Radical Traditions•2013

    The Indonesian island of Bali has long been famous as a tropical paradise, its ubiquitous temple ceremonies accompanied by the shimmer of ancient gamelan percussion orchestras. But “Balinese music” encompasses a much wider range of expressions than just these iconic traditional sounds. Balinese contemporary music, musik kontemporer, is a self-consciously experimental expressionthat emerged in the late 1970s and has flourished in the post-totalita…

  • Music As Ethics

    Andrew Clay Mcgraw, Andrew Mcgraw•BOOK•Music As Ethics•2022

Art (4 obras) · Visual arts (4 obras) · History (3 obras) · Law (3 obras) · Music History and Culture (3 obras) · Musical (3 obras) · Musicology and Musical Analysis (3 obras) · Aesthetics (2 obras) · Diverse Musicological Studies (2 obras) · History and criticism (2 obras)

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