Hormoz Farhat

Dados Biográficos

ID136255
NOMEHormoz Farhat
PRENOMESHormoz
SOBRENOMEFarhat
ASSINATURAFARHAT H
AFILIAÇÕESTrinity College Dublin
VERIFICADONão
TOTAL DE OBRAS13
TOTAL DE CITAÇÕES0
TOTAL COMO AUTOR13
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1962
ANO MAIS RECENTE DE PUBLICAÇÃO2009
ÍNDICE H0

  • Dastgah Concept in Persian Music

    Hormoz FarhatBOOKDastgah Concept in Persian Music2009

  • Dastgāh-e Dašti

    Hormoz FarhatCHAPTERDastgah Concept in Persian Music2009

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  • Iran

    Bo Lawergren, Hormoz Farhat et al.CHAPTERThe new Grove dictionary of music…2001

  • Music

    Open AccessHormoz FarhatARTICLEIranian Studies1998

    In an Encyclopedia Devoted to Matters Pertaining to Persia and The greater Iranian cultural sphere, musical items cannot be too numerous or diverse. Musical topics fall under four categories: 1) the theory and history of traditional art music; 2) folk music of different regions; 3) musical instruments; and 4) individual musicians and their work, past and present, worthy of mention. Of these, art music provides the most extensive area for represen…

  • The Evolution of Style and Content in Performance Practices of Persian Traditional Music

    Open AccessHormoz FarhatARTICLEMusicological Annual1997

    The Evolution of Style and Content in Performance Practices of Persian Traditional Music

  • Le tar et le setar de Dariush Talai

    Hormoz Farhat, Jean DuringARTICLEYearbook for Traditional Music1994

  • The Dastgah Concept in Persian Music

    Margaret Caton, Hormoz FarhatARTICLEAsian Music1992

  • The Dastgah Concept in Persian Music

    Stephen Blum, Hormoz FarhatARTICLEEthnomusicology1992

  • Western Musical Influences in Persia

    Open AccessHormoz FarhatARTICLEMusicological Annual1991

    Western Musical Influences in Persia

  • Dastgah Concept in Persian Music The

    Hormoz FarhatBOOKDastgah Concept in Persian Music1990

    The tradition of Persian art music embodies twelve modal systems, known as dastgahs. Each dastgah represents a complex of skeletal melodic models on the basis of which a performer produces extemporised pieces. The dastgahs revolve around unspecified central nuclear melodies which the individual musician comes to know through experience and absorption. It is a personal and elusive tradition of great subtlety and depth. Through extensive research, …

  • Iranian dastgah

    Hormoz Farhat, Jacques Cloarec et al.ARTICLEEthnomusicology1973

  • Der Dastgāh; Studien zur neuen persischen Musik

    Hormoz Farhat, Khatschi et al.ARTICLEEthnomusicology1964

  • Ethnic Music

    Darius L Thieme, Hormoz FarhatARTICLEEthnomusicology1962