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Brian D’aquino

Dados Biográficos

ID1395155
NOMEBrian D’aquino
PRENOMESBrian
SOBRENOMED’aquino
ASSINATURAD’AQUINO B
AFILIAÇÕESGoldsmiths University of London
VERIFICADONão
TOTAL DE OBRAS5
TOTAL DE CITAÇÕES3
TOTAL COMO AUTOR5
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2017
ANO MAIS RECENTE DE PUBLICAÇÃO2023
ÍNDICE H1
  • Jamaican Sound Systems and Knowledge Systems

    Open Access•Julian Henriques, Brian D’aquino et al.•ARTICLE•Performance Matters•2023

    Working with popular street cultures in the Global South offers scope for practice-based research (PBR) to go beyond its application with creative practitioners in the galleries and theatres of the Global North. We start from an account of a “reasoning session” with reggae sound system owners, selectors, and engineers staged as a PBR event in Kingston, Jamaica. Such popular music cultures across the Global South have their own specialist apparatu…

  • The Power to Name and Other Dilemmas Presented by Brazilian Funk Subgenres

    Open Access•Liv Sovik, Brian D’aquino•ARTICLE•Dancecult•2022

  • Amplifying Street Knowledge through Practice-as-Research

    Brian D’aquino, Oana Pârvan•ARTICLE•Journal of World Popular Music•2021

    Based on a first-hand account of the SSO#5 event, the authors discuss the challenges of grounding the organization of an international academic event in the local environment of Naples, a Southern Italy city with a strong sound system tradition. An ethnographic account of the Italian and Naples scene, including interviews with local sound system pioneers, will provide the context. The overarching intention animating the planning of the event was …

  • Sounds in the City

    Brian D’aquino, Oana Pârvan•ARTICLE•Journal of World Popular Music•2021

    .

  • A Popular Culture Research Methodology

    Open Access•Brian D’aquino, Julian Henriques et al.•ARTICLE•Volume•2017•Citada por: 3

    Cet article explore une méthodologie innovante de recherche par la pratique qui rassemble praticiens et aficionados d'une culture populaire avec des chercheurs académiques, dans l'espace partagé de symposiums sur la culture sound system du reggae. En tant qu'organisateurs, nous décrivons ce qui a rendu ces symposiums différents des conférences académiques habituelles, en termes de participants, de sujets de discussion, d'ateliers, de démonstratio…

  • A Popular Culture Research Methodology

    Open Access•Brian D’aquino, Julian Henriques et al.•ARTICLE•Volume•2017•Citada por: 3

    Cet article explore une méthodologie innovante de recherche par la pratique qui rassemble praticiens et aficionados d'une culture populaire avec des chercheurs académiques, dans l'espace partagé de symposiums sur la culture sound system du reggae. En tant qu'organisateurs, nous décrivons ce qui a rendu ces symposiums différents des conférences académiques habituelles, en termes de participants, de sujets de discussion, d'ateliers, de démonstratio…

  • A Popular Culture Research Methodology

    Open Access•Brian D’aquino, Julian Henriques et al.•ARTICLE•Volume•2017•Citada por: 3

    Cet article explore une méthodologie innovante de recherche par la pratique qui rassemble praticiens et aficionados d'une culture populaire avec des chercheurs académiques, dans l'espace partagé de symposiums sur la culture sound system du reggae. En tant qu'organisateurs, nous décrivons ce qui a rendu ces symposiums différents des conférences académiques habituelles, en termes de participants, de sujets de discussion, d'ateliers, de démonstratio…

  • Amplifying Street Knowledge through Practice-as-Research

    Brian D’aquino, Oana Pârvan•ARTICLE•Journal of World Popular Music•2021

    Based on a first-hand account of the SSO#5 event, the authors discuss the challenges of grounding the organization of an international academic event in the local environment of Naples, a Southern Italy city with a strong sound system tradition. An ethnographic account of the Italian and Naples scene, including interviews with local sound system pioneers, will provide the context. The overarching intention animating the planning of the event was …

  • Sounds in the City

    Brian D’aquino, Oana Pârvan•ARTICLE•Journal of World Popular Music•2021

    .

  • The Power to Name and Other Dilemmas Presented by Brazilian Funk Subgenres

    Open Access•Liv Sovik, Brian D’aquino•ARTICLE•Dancecult•2022

  • Jamaican Sound Systems and Knowledge Systems

    Open Access•Julian Henriques, Brian D’aquino et al.•ARTICLE•Performance Matters•2023

    Working with popular street cultures in the Global South offers scope for practice-based research (PBR) to go beyond its application with creative practitioners in the galleries and theatres of the Global North. We start from an account of a “reasoning session” with reggae sound system owners, selectors, and engineers staged as a PBR event in Kingston, Jamaica. Such popular music cultures across the Global South have their own specialist apparatu…

History (3 obras) · Music History and Culture (3 obras) · Art (2 obras) · Caribbean history, culture, and politics (2 obras) · Computer Science (2 obras) · Grassroots (2 obras) · Political science (2 obras) · Public relations (2 obras) · Sociology (2 obras) · Acknowledgement (1 obras)

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