Teri Silvio
Dados Biográficos
| ID | 140760 |
|---|---|
| NOME | Teri Silvio |
| PRENOMES | Teri |
| SOBRENOME | Silvio |
| ASSINATURA | SILVIO T |
| AFILIAÇÕES | Institute of Ethnology, Academia Sinica |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 15 |
| TOTAL DE CITAÇÕES | 95 |
| TOTAL COMO AUTOR | 15 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1992 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2019 |
| ÍNDICE H | 5 |
Localizing the Japanese manga system and making folk religion manga-esque
Around 90% of the comics sold in Taiwan are translations of Japanese manga. Wei Tsung-cheng is one of the only local artists who has achieved enough success within this market that he is able to make a living primarily from drawing original comics. Wei’s manga series Ming Zhan-lu: Final Destiny of the Formosan Gods simultaneously localizes the Japanese manga system and reframes Taiwanese folk religion through the subcultural aesthetics of manga f…
Puppets, Gods, and Brands
The early twenty-first century has seen an explosion of animation. Cartoon characters are everywhere—in cinema, television, and video games and as brand logos. There are new technological objects that seem to have lives of their own—from Facebook algorithms that suggest products for us to buy to robots that respond to human facial expressions. The ubiquity of animation is not a trivial side-effect of the development of digital technologies and th…
Embodied Modernities
From feminist philosophy to genetic science, scholarship in recent years has succeeded in challenging many entrenched assumptions about the material and biological status of human bodies. Likewise in the study of Chinese cultures, accelerating globalization and the resultant hybridity have called into question previous assumptions about the boundaries of Chinese national and ethnic identity. The problem of identifying a single or definitive refer…
Crying Songs and Their Fans
This article analyzes the structure of feeling embodied in a ritual of theater-going in which women fans of Taiwanese Opera would weep along with actresses singing “crying songs” and rush to the stage to hand them money and other gifts. The ritual was popular only during the opera's golden age as Taiwan's most popular genre of commercial theater and temple festival performance, from the late 1940s to the early 1970s, and the author places the rit…
Permanent Alien Residence
I am a US citizen working as an anthropologist (research and teaching) in Taipei. I live and work in Taiwan primarily because it allows me to work on local/globalizing and global/localizing popular culture simultaneously from the ethnographic inside and outside. On the one hand I have become an active member of the interpretive and creative communities I study, yet on the other, my foreigner status is irreducible and I am constantly reminded of t…
Pink Globalization
Confessions of an Aca-Fan
Animation
From the 1950s through the 1990s, the trope of performance was elaborated across a range of academic disciplines, providing a platform for comparing the construction of identities through mimetic embodiment in ritual, work, and everyday life. Today, as animation is being remediated through digital media, both scholars and participants in various types of online communities are beginning to use animation as a trope for human action on/in the world…
Tai/kuso/camp
The valorization of ‘bad taste’ has emerged as a central element in Taiwanese subcultural and avant‐garde style since 2000. This paper looks at the politics of this emerging sensibility by analyzing the performances of two theater troupes that rework opeila, a formerly abject form of Taiwanese local opera. The Golden Bough Theater's opeila‐inspired comedy series is characterized by both sincere nostalgia for working‐class culture and an ironic an…
Remediation and Local Globalizations
This article analyzes the Pili International Multimedia Company's "digital video knights-errant puppetry" serials, a popular culture genre unique to Taiwan, to answer two questions. First, how do digital technologies, originally developed to meet the needs of the American military and entertainment industries, become embedded in a different cultural context? Second, how does this embedding allow media technologies to become something through whic…
Live Performance in a World of Recordings, Broadcasting
Tears of Longing
Tears of Longing: Nostalgia and the Nation in Japanese Popular Song. Christine R. Yano. Cambridge, MA: Harvard University Press, 2002. ix. 255 pp.,tables,figures, appendixes, notes, references, index
Reflexivity, Bodily Praxis, and Identity in Taiwanese Opera
Research Article| October 01 1999 Reflexivity, Bodily Praxis, and Identity in Taiwanese Opera Teri Silvio Teri Silvio Search for other works by this author on: This Site Google GLQ (1999) 5 (4): 585–603. https://doi.org/10.1215/10642684-5-4-585 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Teri Silvio; Reflexivity, Bodily Praxis, and Identity in Taiwanese Opera. GLQ 1 October 1999; 5 (4): 585–603. doi: https://doi.org/1…
Takarazuka
Takarazuka: Sexual Politics and Popular Culture in Modern Japan. JENNIFER ROBERTSON. Berkeley: University of California Press, 1998. xvi. 278 pp., illustrations, notes, bibliography, index
Too Much Light Makes the Baby Go Blind
Animation
From the 1950s through the 1990s, the trope of performance was elaborated across a range of academic disciplines, providing a platform for comparing the construction of identities through mimetic embodiment in ritual, work, and everyday life. Today, as animation is being remediated through digital media, both scholars and participants in various types of online communities are beginning to use animation as a trope for human action on/in the world…
Puppets, Gods, and Brands
The early twenty-first century has seen an explosion of animation. Cartoon characters are everywhere—in cinema, television, and video games and as brand logos. There are new technological objects that seem to have lives of their own—from Facebook algorithms that suggest products for us to buy to robots that respond to human facial expressions. The ubiquity of animation is not a trivial side-effect of the development of digital technologies and th…
Embodied Modernities
From feminist philosophy to genetic science, scholarship in recent years has succeeded in challenging many entrenched assumptions about the material and biological status of human bodies. Likewise in the study of Chinese cultures, accelerating globalization and the resultant hybridity have called into question previous assumptions about the boundaries of Chinese national and ethnic identity. The problem of identifying a single or definitive refer…
Remediation and Local Globalizations
This article analyzes the Pili International Multimedia Company's "digital video knights-errant puppetry" serials, a popular culture genre unique to Taiwan, to answer two questions. First, how do digital technologies, originally developed to meet the needs of the American military and entertainment industries, become embedded in a different cultural context? Second, how does this embedding allow media technologies to become something through whic…
Confessions of an Aca-Fan
Reflexivity, Bodily Praxis, and Identity in Taiwanese Opera
Research Article| October 01 1999 Reflexivity, Bodily Praxis, and Identity in Taiwanese Opera Teri Silvio Teri Silvio Search for other works by this author on: This Site Google GLQ (1999) 5 (4): 585–603. https://doi.org/10.1215/10642684-5-4-585 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Teri Silvio; Reflexivity, Bodily Praxis, and Identity in Taiwanese Opera. GLQ 1 October 1999; 5 (4): 585–603. doi: https://doi.org/1…
Tears of Longing
Tears of Longing: Nostalgia and the Nation in Japanese Popular Song. Christine R. Yano. Cambridge, MA: Harvard University Press, 2002. ix. 255 pp.,tables,figures, appendixes, notes, references, index
Too Much Light Makes the Baby Go Blind
Reflexivity, Bodily Praxis, and Identity in Taiwanese Opera
Research Article| October 01 1999 Reflexivity, Bodily Praxis, and Identity in Taiwanese Opera Teri Silvio Teri Silvio Search for other works by this author on: This Site Google GLQ (1999) 5 (4): 585–603. https://doi.org/10.1215/10642684-5-4-585 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Teri Silvio; Reflexivity, Bodily Praxis, and Identity in Taiwanese Opera. GLQ 1 October 1999; 5 (4): 585–603. doi: https://doi.org/1…
Takarazuka
Takarazuka: Sexual Politics and Popular Culture in Modern Japan. JENNIFER ROBERTSON. Berkeley: University of California Press, 1998. xvi. 278 pp., illustrations, notes, bibliography, index
Tears of Longing
Tears of Longing: Nostalgia and the Nation in Japanese Popular Song. Christine R. Yano. Cambridge, MA: Harvard University Press, 2002. ix. 255 pp.,tables,figures, appendixes, notes, references, index
Live Performance in a World of Recordings, Broadcasting
Remediation and Local Globalizations
This article analyzes the Pili International Multimedia Company's "digital video knights-errant puppetry" serials, a popular culture genre unique to Taiwan, to answer two questions. First, how do digital technologies, originally developed to meet the needs of the American military and entertainment industries, become embedded in a different cultural context? Second, how does this embedding allow media technologies to become something through whic…
Tai/kuso/camp
The valorization of ‘bad taste’ has emerged as a central element in Taiwanese subcultural and avant‐garde style since 2000. This paper looks at the politics of this emerging sensibility by analyzing the performances of two theater troupes that rework opeila, a formerly abject form of Taiwanese local opera. The Golden Bough Theater's opeila‐inspired comedy series is characterized by both sincere nostalgia for working‐class culture and an ironic an…
Confessions of an Aca-Fan
Animation
From the 1950s through the 1990s, the trope of performance was elaborated across a range of academic disciplines, providing a platform for comparing the construction of identities through mimetic embodiment in ritual, work, and everyday life. Today, as animation is being remediated through digital media, both scholars and participants in various types of online communities are beginning to use animation as a trope for human action on/in the world…
Permanent Alien Residence
I am a US citizen working as an anthropologist (research and teaching) in Taipei. I live and work in Taiwan primarily because it allows me to work on local/globalizing and global/localizing popular culture simultaneously from the ethnographic inside and outside. On the one hand I have become an active member of the interpretive and creative communities I study, yet on the other, my foreigner status is irreducible and I am constantly reminded of t…
Pink Globalization
Embodied Modernities
From feminist philosophy to genetic science, scholarship in recent years has succeeded in challenging many entrenched assumptions about the material and biological status of human bodies. Likewise in the study of Chinese cultures, accelerating globalization and the resultant hybridity have called into question previous assumptions about the boundaries of Chinese national and ethnic identity. The problem of identifying a single or definitive refer…
Crying Songs and Their Fans
This article analyzes the structure of feeling embodied in a ritual of theater-going in which women fans of Taiwanese Opera would weep along with actresses singing “crying songs” and rush to the stage to hand them money and other gifts. The ritual was popular only during the opera's golden age as Taiwan's most popular genre of commercial theater and temple festival performance, from the late 1940s to the early 1970s, and the author places the rit…
Localizing the Japanese manga system and making folk religion manga-esque
Around 90% of the comics sold in Taiwan are translations of Japanese manga. Wei Tsung-cheng is one of the only local artists who has achieved enough success within this market that he is able to make a living primarily from drawing original comics. Wei’s manga series Ming Zhan-lu: Final Destiny of the Formosan Gods simultaneously localizes the Japanese manga system and reframes Taiwanese folk religion through the subcultural aesthetics of manga f…
Puppets, Gods, and Brands
The early twenty-first century has seen an explosion of animation. Cartoon characters are everywhere—in cinema, television, and video games and as brand logos. There are new technological objects that seem to have lives of their own—from Facebook algorithms that suggest products for us to buy to robots that respond to human facial expressions. The ubiquity of animation is not a trivial side-effect of the development of digital technologies and th…
Sociology (11 obras) · Art (10 obras) · Asian Culture and Media Studies (9 obras) · Aesthetics (7 obras) · History (7 obras) · Japanese History and Culture (6 obras) · Media studies (6 obras) · Anthropology (5 obras) · History (5 obras) · Hong Kong and Taiwan Politics (4 obras)