Rosemary M Nielsen
Dados Biográficos
| ID | 1429271 |
|---|---|
| NOME | Rosemary M Nielsen |
| PRENOMES | Rosemary M |
| SOBRENOME | Nielsen |
| ASSINATURA | NIELSEN R M |
| AFILIAÇÕES | University of Alberta |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 9 |
| TOTAL DE CITAÇÕES | 10 |
| TOTAL COMO AUTOR | 9 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1976 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 1994 |
| ÍNDICE H | 1 |
Horace, Strabo, and Ezra Pound
Ovid's Heroines
Hypermnestra to Lynceus Canace to Macareus Hypsipyle to Jason Medea to Jason Deianira to Hercules Ariadne to Theseus Phaedra to Hippolytus Oenone to Paris Paris to Helen Helen to Paris Laodamia to Protesilaus Briseis to Achilles Hermione to Orestes Phyllis to Demophoon Penelope to Ulysses Dido to Aeneas Leander to Hero Hero to Leander Acontius to Cydippe Cydippe to Acontius Sappho to Phaon
Views of Clytemnestra, Ancient and Modern
The Woman and the Lyre
Faint though the voices of the women of Greek and Roman antiquity may be in some cases, their sound, if we listen carefully enough, can fill many of the gaps and silences of women s past.from the ConclusionBeginning with Sappho in the seventh century B.C. and ending with Hypatia and Egeria in the fifth century A.D., Jane McIntosh Snyder listens carefully to the major women writers of classical Greece and Rome, piecing together the surviving fragm…
Sowing the Body
The Faith of Lover and Reader in Odes 1.5
Mask and Figure in Catullus, Carmen 11
Catullus 45 and Horace Odes 3.9
Late in the fifties Munro's long-standing and influential verdict on the Acme and Septimius poem (‘the most charming picture in any language of a light and happy love’) suddenly came under fire. A flurry of scholarly reaction arose, and strangely enough, almost as quickly subsided, to support, then condemn, and finally to modify beyond recognition S. Baker's proposition that Catullus ‘never wrote about love without some irony’. A rehearsal of the…
Alcestis
Euripides' Alcestis presents its audience with a curious problem. Why is a blatant coward rewarded? The answer has usually been discovered in Admetus' scrupulous observance of the law of hospitality (10), that is, in a personal trait. The significance of this solution is important because the ostensible morality of the play, one characterized by its peculiar blend of fairy-tale and harsh reality, is now dependent upon the single redeeming quality…
The Woman and the Lyre
Faint though the voices of the women of Greek and Roman antiquity may be in some cases, their sound, if we listen carefully enough, can fill many of the gaps and silences of women s past.from the ConclusionBeginning with Sappho in the seventh century B.C. and ending with Hypatia and Egeria in the fifth century A.D., Jane McIntosh Snyder listens carefully to the major women writers of classical Greece and Rome, piecing together the surviving fragm…
Alcestis
Euripides' Alcestis presents its audience with a curious problem. Why is a blatant coward rewarded? The answer has usually been discovered in Admetus' scrupulous observance of the law of hospitality (10), that is, in a personal trait. The significance of this solution is important because the ostensible morality of the play, one characterized by its peculiar blend of fairy-tale and harsh reality, is now dependent upon the single redeeming quality…
Alcestis
Euripides' Alcestis presents its audience with a curious problem. Why is a blatant coward rewarded? The answer has usually been discovered in Admetus' scrupulous observance of the law of hospitality (10), that is, in a personal trait. The significance of this solution is important because the ostensible morality of the play, one characterized by its peculiar blend of fairy-tale and harsh reality, is now dependent upon the single redeeming quality…
Catullus 45 and Horace Odes 3.9
Late in the fifties Munro's long-standing and influential verdict on the Acme and Septimius poem (‘the most charming picture in any language of a light and happy love’) suddenly came under fire. A flurry of scholarly reaction arose, and strangely enough, almost as quickly subsided, to support, then condemn, and finally to modify beyond recognition S. Baker's proposition that Catullus ‘never wrote about love without some irony’. A rehearsal of the…
Mask and Figure in Catullus, Carmen 11
The Faith of Lover and Reader in Odes 1.5
Sowing the Body
The Woman and the Lyre
Faint though the voices of the women of Greek and Roman antiquity may be in some cases, their sound, if we listen carefully enough, can fill many of the gaps and silences of women s past.from the ConclusionBeginning with Sappho in the seventh century B.C. and ending with Hypatia and Egeria in the fifth century A.D., Jane McIntosh Snyder listens carefully to the major women writers of classical Greece and Rome, piecing together the surviving fragm…
Views of Clytemnestra, Ancient and Modern
Ovid's Heroines
Hypermnestra to Lynceus Canace to Macareus Hypsipyle to Jason Medea to Jason Deianira to Hercules Ariadne to Theseus Phaedra to Hippolytus Oenone to Paris Paris to Helen Helen to Paris Laodamia to Protesilaus Briseis to Achilles Hermione to Orestes Phyllis to Demophoon Penelope to Ulysses Dido to Aeneas Leander to Hero Hero to Leander Acontius to Cydippe Cydippe to Acontius Sappho to Phaon
Horace, Strabo, and Ezra Pound
Art (7 obras) · Classical Antiquity Studies (6 obras) · Literature (5 obras) · Philosophy (5 obras) · Philosophy (4 obras) · History (3 obras) · Psychology (3 obras) · Ancient history (2 obras) · Art history (2 obras) · Classical Philosophy and Thought (2 obras)