Jerrold E Hogle
Dados Biográficos
| ID | 1444586 |
|---|---|
| NOME | Jerrold E Hogle |
| PRENOMES | Jerrold E |
| SOBRENOME | Hogle |
| ASSINATURA | HOGLE J E |
| AFILIAÇÕES | University of Arizona |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 12 |
| TOTAL DE CITAÇÕES | 2 |
| TOTAL COMO AUTOR | 10 |
| TOTAL COMO EDITOR | 2 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1979 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2019 |
| ÍNDICE H | 1 |
The Gothic-Romantic Hybridity in Mary Robinson'sLyrical Tales
Mary Darby Robinson is well known for writing her final volume of poems, the Lyrical Tales (1800), as a direct answer, sometimes poem by poem, to Wordsworth and Coleridge's 1798 Lyrical Ballads. What has been less studied is how deliberately hybrid in style and allusions her response-poems are in the Tales, especially how prominently they foreground Gothic imagery, theatricality, and hyperbole in poems that also ape the emerging "romantic" mode o…
The Cambridge Companion to ‘Frankenstein
The Cambridge Companion to Frankenstein consists of sixteen original essays on Mary Shelley's novel by leading scholars, providing an invaluable introduction to Frankenstein and its various critical contexts. Theoretically informed but accessibly written, this volume relates Frankenstein to various social, literary, scientific and historical contexts, and outlines how critical theories such as ecocriticism, posthumanism, and queer theory generate…
The Cambridge Companion to the Modern Gothic
This Companion explores the many ways in which the Gothic has dispersed in the twentieth and twenty-first centuries, and in particular how it has come to offer a focus for the tensions inherent in modernity. Fourteen essays by world-class experts show how the Gothic in numerous forms - including literature, film, television, and cyberspace - helps audiences both to distance themselves from and to deal with some of the key underlying problems of m…
Hyper-reality and the Gothic Affect
American Zombie Gothic
Zombie stories are peculiarly American, as the creature was born in the New World and functions as a reminder of the atrocities of colonialism and slavery. The voodoo-based zombie films of the 1930s and '40s reveal deep-seated racist attitudes and imperialist paranoia, but the contagious, cannibalistic zombie horde invasion narrative established by George A. Romero has even greater singularity. This book provides a cultural and critical analysis …
Gothic Terms, Themes, Concepts and Contexts
Just as THE UNCANNY offers a connection to the structure of the unconscious, the abject offers a sensation of horror that connects us viscerally to the experience of repression and the process of subject formation. For Julia Kristeva, in Powers of Horror, abjection disturbs ‘identity, system, order’ and is characterised by ‘the in-between, the ambiguous, the composite’.
Writers of Gothic
Ainsworth made his first venture into sensational fiction with ‘The Test of Affection’ (European Magazine, 1822), a tale that relies heavily on artificial ‘SUPERNATURAL’ devices in the ANN RADCLIFFE mode for its effect. It was followed by ‘The Spectre Bride’ (Arliss’s Pocket Magazine, 1822) and his early Gothic tales were collected in his first book, the anonymous December Tales (1823). All of this youthful work — which displays more enthusiasm t…
The Cambridge Companion to Gothic Fiction
Gothic as a form of fiction-making has played a major role in Western culture since the late eighteenth century. In this volume, fourteen world-class experts on the Gothic provide thorough and revealing accounts of this haunting-to-horrifying type of fiction from the 1760s (the decade of The Castle of Otranto, the first so-called 'Gothic story') to the end of the twentieth century (an era haunted by filmed and computerized Gothic simulations). Al…
Shelley and the Conditions of Meaning
The Gothic and the "Otherings" of Ascendant Culture
Research Article| July 01 1996 The Gothic and the “Otherings” of Ascendant Culture: The Original Phantom of the Opera Jerrold E. Hogle Jerrold E. Hogle Search for other works by this author on: This Site Google South Atlantic Quarterly (1996) 95 (3): 821–846. https://doi.org/10.1215/00382876-95-3-821 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Jerrold E. Hogle; The Gothic and the “Otherings” o…
"Metaphor and Metamorphosis in Shelley's "The Witch of Atlas
S. illustre sa theorie de l'inspiration a travers les repetitions d'Hesiode, Herodote, Ovide, Spenser, Milton et celebre la fragmentation et l'absence de centre du developpement metaphorique des metamorphoses. Le poete recoit et recompose dans une allegorie une autre forme. Influence de l'associationnisme et de Hume. La caverne de la sorciere somme de l'inconscient collectif des chiffres. La fabrication poetique et l'abandon des defenses du moi a…
The Texture of the Self in Godwin's Things as They Are
If any novel has set record for making critics uneasy, it could be William Godwin's Things as They Are; or Adventures of Caleb Williams (1794). Granted, have easily defined it as a means of propaganda,' supplement to Enquiry Concerning Political Justice published by Godwin year before. The novel's Preface, after all, offers delineation of passing in moral world under the existing constitution of society (CW, 1). But many have seen book as contrad…
"Metaphor and Metamorphosis in Shelley's "The Witch of Atlas
S. illustre sa theorie de l'inspiration a travers les repetitions d'Hesiode, Herodote, Ovide, Spenser, Milton et celebre la fragmentation et l'absence de centre du developpement metaphorique des metamorphoses. Le poete recoit et recompose dans une allegorie une autre forme. Influence de l'associationnisme et de Hume. La caverne de la sorciere somme de l'inconscient collectif des chiffres. La fabrication poetique et l'abandon des defenses du moi a…
The Texture of the Self in Godwin's Things as They Are
If any novel has set record for making critics uneasy, it could be William Godwin's Things as They Are; or Adventures of Caleb Williams (1794). Granted, have easily defined it as a means of propaganda,' supplement to Enquiry Concerning Political Justice published by Godwin year before. The novel's Preface, after all, offers delineation of passing in moral world under the existing constitution of society (CW, 1). But many have seen book as contrad…
"Metaphor and Metamorphosis in Shelley's "The Witch of Atlas
S. illustre sa theorie de l'inspiration a travers les repetitions d'Hesiode, Herodote, Ovide, Spenser, Milton et celebre la fragmentation et l'absence de centre du developpement metaphorique des metamorphoses. Le poete recoit et recompose dans une allegorie une autre forme. Influence de l'associationnisme et de Hume. La caverne de la sorciere somme de l'inconscient collectif des chiffres. La fabrication poetique et l'abandon des defenses du moi a…
Shelley and the Conditions of Meaning
The Gothic and the "Otherings" of Ascendant Culture
Research Article| July 01 1996 The Gothic and the “Otherings” of Ascendant Culture: The Original Phantom of the Opera Jerrold E. Hogle Jerrold E. Hogle Search for other works by this author on: This Site Google South Atlantic Quarterly (1996) 95 (3): 821–846. https://doi.org/10.1215/00382876-95-3-821 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Jerrold E. Hogle; The Gothic and the “Otherings” o…
The Cambridge Companion to Gothic Fiction
Gothic as a form of fiction-making has played a major role in Western culture since the late eighteenth century. In this volume, fourteen world-class experts on the Gothic provide thorough and revealing accounts of this haunting-to-horrifying type of fiction from the 1760s (the decade of The Castle of Otranto, the first so-called 'Gothic story') to the end of the twentieth century (an era haunted by filmed and computerized Gothic simulations). Al…
Gothic Terms, Themes, Concepts and Contexts
Just as THE UNCANNY offers a connection to the structure of the unconscious, the abject offers a sensation of horror that connects us viscerally to the experience of repression and the process of subject formation. For Julia Kristeva, in Powers of Horror, abjection disturbs ‘identity, system, order’ and is characterised by ‘the in-between, the ambiguous, the composite’.
Writers of Gothic
Ainsworth made his first venture into sensational fiction with ‘The Test of Affection’ (European Magazine, 1822), a tale that relies heavily on artificial ‘SUPERNATURAL’ devices in the ANN RADCLIFFE mode for its effect. It was followed by ‘The Spectre Bride’ (Arliss’s Pocket Magazine, 1822) and his early Gothic tales were collected in his first book, the anonymous December Tales (1823). All of this youthful work — which displays more enthusiasm t…
Hyper-reality and the Gothic Affect
American Zombie Gothic
Zombie stories are peculiarly American, as the creature was born in the New World and functions as a reminder of the atrocities of colonialism and slavery. The voodoo-based zombie films of the 1930s and '40s reveal deep-seated racist attitudes and imperialist paranoia, but the contagious, cannibalistic zombie horde invasion narrative established by George A. Romero has even greater singularity. This book provides a cultural and critical analysis …
The Cambridge Companion to the Modern Gothic
This Companion explores the many ways in which the Gothic has dispersed in the twentieth and twenty-first centuries, and in particular how it has come to offer a focus for the tensions inherent in modernity. Fourteen essays by world-class experts show how the Gothic in numerous forms - including literature, film, television, and cyberspace - helps audiences both to distance themselves from and to deal with some of the key underlying problems of m…
The Cambridge Companion to ‘Frankenstein
The Cambridge Companion to Frankenstein consists of sixteen original essays on Mary Shelley's novel by leading scholars, providing an invaluable introduction to Frankenstein and its various critical contexts. Theoretically informed but accessibly written, this volume relates Frankenstein to various social, literary, scientific and historical contexts, and outlines how critical theories such as ecocriticism, posthumanism, and queer theory generate…
The Gothic-Romantic Hybridity in Mary Robinson'sLyrical Tales
Mary Darby Robinson is well known for writing her final volume of poems, the Lyrical Tales (1800), as a direct answer, sometimes poem by poem, to Wordsworth and Coleridge's 1798 Lyrical Ballads. What has been less studied is how deliberately hybrid in style and allusions her response-poems are in the Tales, especially how prominently they foreground Gothic imagery, theatricality, and hyperbole in poems that also ape the emerging "romantic" mode o…
Art (11 obras) · Gothic Literature and Media Analysis (6 obras) · History (6 obras) · Philosophy (6 obras) · Aesthetics (5 obras) · Art history (5 obras) · Computer Science (5 obras) · Literature (5 obras) · Psychology (5 obras) · Crime and Detective Fiction Studies (4 obras)