Bernard Zelechow

• Proust

  Bernard Zelechow•ARTICLE•The European Legacy•2004

  Incluir item

  The self as the identification of the self with itself is a product of the dynamic transformation of European culture beginning in the Renaissance. The self, or absolute ego, was an outgrowth of the consciously rationalist spirit. However, modernity's Faustian drive was conscious paradoxically without being self conscious of itself or its cultural creations. Modernism deconstructed the values and assumptions of modernity. A casualty was the probl…

• Revelations/Derrida

  Bernard Zelechow•ARTICLE•The European Legacy•1997

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• Pseudoscientific Reasoning and Social Competitiveness in Art

  Bernard Zelechow, Hrvoje Lorkovic•ARTICLE•The European Legacy•1997

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• Religion and science

  Bernard Zelechow•ARTICLE•The European Legacy•1996

  Incluir item

  (1996). Religion and science: The Nietzschean version. The European Legacy: Vol. 1, Science and Religion in Modern Western Thought, pp. 1740-1751

• Crossroads between culture and mind

  Bernard Zelechow•ARTICLE•History of European Ideas•1995•Referências: 1

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• Introduction to the essays on post-modern criticism

  Bernard Zelechow•ARTICLE•History of European Ideas•1995

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  Introduction to the essays on post-modern criticism." History of European Ideas, 20(4-6), pp. 783–784

• The languages of paradise

  Bernard Zelechow•ARTICLE•History of European Ideas•1995•Referências: 1

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• Neo-Baroque

  Bernard Zelechow•ARTICLE•History of European Ideas•1995•Referências: 1

  Incluir item

  (1995). Neo-Baroque: A sign of the times. History of European Ideas: Vol. 21, No. 2, pp. 271-280

• Memories of the blind

  Bernard Zelechow•ARTICLE•History of European Ideas•1995•Referências: 1

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  (1995). Memories of the blind: The self-portrait and other ruins. History of European Ideas: Vol. 21, No. 4, pp. 618-620

• The return of thematic criticism

  Bernard Zelechow•ARTICLE•History of European Ideas•1995•Referências: 1

  Incluir item

  (1995). The return of thematic criticism. History of European Ideas: Vol. 21, No. 2, pp. 271-280

• The concept of the self

  Bernard Zelechow•ARTICLE•History of European Ideas•1994

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• A painting is a painting? Some cracks in the armour of formalist aesthetics and analytic philosophy

  Bernard Zelechow•ARTICLE•History of European Ideas•1994•Referências: 1

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• Biblical speech and modern consciousness in the post-modern age

  Bernard Zelechow•ARTICLE•History of European Ideas•1994•Referências: 2

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  Le present article pose le probleme des relations entre l'epistemologie et les valeurs bibliques. L'A. montre que les textes bibliques fournissent l'epistemologie propre a fonder la connaissance et le raisonnement qui transcendent le dualisme inherent a l'hermeneutique contemporaine

• The opera

  Bernard Zelechow•ARTICLE•History of European Ideas•1993•Citada por: 1

  Incluir item

• The post-modern and the post-industrial

  Bernard Zelechow•ARTICLE•History of European Ideas•1992

  Incluir item

  (1992). The post-modern and the post-industrial. History of European Ideas: Vol. 14, No. 5, pp. 723-723

• The surrealist mind

  Bernard Zelechow•ARTICLE•History of European Ideas•1992

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• Art and enlightenment

  Bernard Zelechow•ARTICLE•History of European Ideas•1992•Citada por: 1

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  Art and enlightenment: Aesthetic theory after Adorno." History of European Ideas, 14(3), pp. 459–460

• Subject and consciousness

  Bernard Zelechow•ARTICLE•History of European Ideas•1991

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• The prophetic role of the arts, especially opera, in nineteenth-century culture 1

  Bernard Zelechow•ARTICLE•History of European Ideas•1991•Referências: 1

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• The Opera

  Open Access•Bernard Zelechow•ARTICLE•The Journal of Popular Culture•1991

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• Hegel's idealism

  Bernard Zelechow•ARTICLE•History of European Ideas•1991•Citada por: 3

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• Fear and trembling and joyful wisdom 1 — The same book; A look at metaphoric communication

  Bernard Zelechow•ARTICLE•History of European Ideas•1990•Referências: 1

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• Derrida, deconstructionism and Nietzsche

  Bernard Zelechow•ARTICLE•History of European Ideas•1989•Referências: 1

  Incluir item

  (1989). Derrida, deconstructionism and Nietzsche: The tree of knowledge and the tree of life. History of European Ideas: Vol. 11, No. 1-6, pp. 901-905

• Hegel's idealism

  Bernard Zelechow•ARTICLE•History of European Ideas•1991•Citada por: 3

  Incluir item

• The opera

  Bernard Zelechow•ARTICLE•History of European Ideas•1993•Citada por: 1

  Incluir item

• Art and enlightenment

  Bernard Zelechow•ARTICLE•History of European Ideas•1992•Citada por: 1

  Incluir item

  Art and enlightenment: Aesthetic theory after Adorno." History of European Ideas, 14(3), pp. 459–460

• Derrida, deconstructionism and Nietzsche

  Bernard Zelechow•ARTICLE•History of European Ideas•1989•Referências: 1

  Incluir item

  (1989). Derrida, deconstructionism and Nietzsche: The tree of knowledge and the tree of life. History of European Ideas: Vol. 11, No. 1-6, pp. 901-905

• Fear and trembling and joyful wisdom 1 — The same book; A look at metaphoric communication

  Bernard Zelechow•ARTICLE•History of European Ideas•1990•Referências: 1

  Incluir item

• Subject and consciousness

  Bernard Zelechow•ARTICLE•History of European Ideas•1991

  Incluir item

• The prophetic role of the arts, especially opera, in nineteenth-century culture 1

  Bernard Zelechow•ARTICLE•History of European Ideas•1991•Referências: 1

  Incluir item

• The Opera

  Open Access•Bernard Zelechow•ARTICLE•The Journal of Popular Culture•1991

  Incluir item

• Hegel's idealism

  Bernard Zelechow•ARTICLE•History of European Ideas•1991•Citada por: 3

  Incluir item

• The post-modern and the post-industrial

  Bernard Zelechow•ARTICLE•History of European Ideas•1992

  Incluir item

  (1992). The post-modern and the post-industrial. History of European Ideas: Vol. 14, No. 5, pp. 723-723

• The surrealist mind

  Bernard Zelechow•ARTICLE•History of European Ideas•1992

  Incluir item

• Art and enlightenment

  Bernard Zelechow•ARTICLE•History of European Ideas•1992•Citada por: 1

  Incluir item

  Art and enlightenment: Aesthetic theory after Adorno." History of European Ideas, 14(3), pp. 459–460

• The opera

  Bernard Zelechow•ARTICLE•History of European Ideas•1993•Citada por: 1

  Incluir item

• The concept of the self

  Bernard Zelechow•ARTICLE•History of European Ideas•1994

  Incluir item

• A painting is a painting? Some cracks in the armour of formalist aesthetics and analytic philosophy

  Bernard Zelechow•ARTICLE•History of European Ideas•1994•Referências: 1

  Incluir item

• Biblical speech and modern consciousness in the post-modern age

  Bernard Zelechow•ARTICLE•History of European Ideas•1994•Referências: 2

  Incluir item

  Le present article pose le probleme des relations entre l'epistemologie et les valeurs bibliques. L'A. montre que les textes bibliques fournissent l'epistemologie propre a fonder la connaissance et le raisonnement qui transcendent le dualisme inherent a l'hermeneutique contemporaine

• Crossroads between culture and mind

  Bernard Zelechow•ARTICLE•History of European Ideas•1995•Referências: 1

  Incluir item

• Introduction to the essays on post-modern criticism

  Bernard Zelechow•ARTICLE•History of European Ideas•1995

  Incluir item

  Introduction to the essays on post-modern criticism." History of European Ideas, 20(4-6), pp. 783–784

• The languages of paradise

  Bernard Zelechow•ARTICLE•History of European Ideas•1995•Referências: 1

  Incluir item

• Neo-Baroque

  Bernard Zelechow•ARTICLE•History of European Ideas•1995•Referências: 1

  Incluir item

  (1995). Neo-Baroque: A sign of the times. History of European Ideas: Vol. 21, No. 2, pp. 271-280

• Memories of the blind

  Bernard Zelechow•ARTICLE•History of European Ideas•1995•Referências: 1

  Incluir item

  (1995). Memories of the blind: The self-portrait and other ruins. History of European Ideas: Vol. 21, No. 4, pp. 618-620

• The return of thematic criticism

  Bernard Zelechow•ARTICLE•History of European Ideas•1995•Referências: 1

  Incluir item

  (1995). The return of thematic criticism. History of European Ideas: Vol. 21, No. 2, pp. 271-280

• Religion and science

  Bernard Zelechow•ARTICLE•The European Legacy•1996

  Incluir item

  (1996). Religion and science: The Nietzschean version. The European Legacy: Vol. 1, Science and Religion in Modern Western Thought, pp. 1740-1751

• Revelations/Derrida

  Bernard Zelechow•ARTICLE•The European Legacy•1997

  Incluir item

• Pseudoscientific Reasoning and Social Competitiveness in Art

  Bernard Zelechow, Hrvoje Lorkovic•ARTICLE•The European Legacy•1997

  Incluir item

• Proust

  Bernard Zelechow•ARTICLE•The European Legacy•2004

  Incluir item

  The self as the identification of the self with itself is a product of the dynamic transformation of European culture beginning in the Renaissance. The self, or absolute ego, was an outgrowth of the consciously rationalist spirit. However, modernity's Faustian drive was conscious paradoxically without being self conscious of itself or its cultural creations. Modernism deconstructed the values and assumptions of modernity. A casualty was the probl…

Philosophy (16 obras) · Art (13 obras) · Philosophy (13 obras) · Epistemology (12 obras) · Aesthetics (9 obras) · Sociology (7 obras) · Art history (6 obras) · History (6 obras) · History (6 obras) · Literature (6 obras)