Rosie Findlay
Dados Biográficos
| ID | 146231 |
|---|---|
| NOME | Rosie Findlay |
| PRENOMES | Rosie |
| SOBRENOME | Findlay |
| ASSINATURA | FINDLAY R |
| AFILIAÇÕES | University of the Arts London |
| ORCID | 0000-0001-8596-6880 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 13 |
| TOTAL DE CITAÇÕES | 42 |
| OBRAS COMO AUTOR | 13 |
| OBRAS COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2015 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2026 |
| ÍNDICE H | 2 |
Editing with an ethic of care
This editorial endorses an approach to editing that centres care and relationality. It draws on literature on an ethics of care to argue for academic practice that recognizes relationality, interdependence and respect
From fashion blogger to media professional
In the two decades since fashion blogging emerged as a distinct sub-genre, a generation of early fashion bloggers has risen to prominence as writers and editors in the media industries, despite not starting their blogs – as many later did – as a route to a fashion-related career. This study traces the career histories of one such networked group of writers. All participated in early fashion blogging and now work in media, mostly in New York and T…
Revisiting Fashion at the Edge
In Fashion at the Edge , Caroline Evans places the past and present in conversation to investigate 1990s fashion’s obsession with the spectacular, the apocalyptic and the melancholic. Drawing on Ulrich Lehmann and Barbara Burman Baines’s writing on fashion revivals, she reads the citation of historical imagery by designers such as Alexander McQueen, Walter Van Beirendonck and Hussein Chalayan as ‘not so much a backwards as a forwards glance’: a c…
Making a Reality
This article analyses a series of interviews with queer-positive wedding apparel and style providers. Vendors’ descriptions of their relationships with clients reveal a prioritization of embodied intersubjectivity. We explore vendors’ construction of themselves as providing respite, in the wedding apparel production process, from clients’ repertoire of experiences of exclusion in a hetero- and cisnormative fashion industry. The intercorporeal eth…
Insights on Fashion Journalism
Russh and the 'all-Australian' girl
A central preoccupation that constantly arises in Australian culture is the question of who 'we' are and where 'we' belong. So much is evident in independent women's fashion magazine Russh, the focus of this article, in which pride and uncertainty about Australian identity (and fashionability) are representationally resolved through a sensual, girlish and white fashionable ideal. By closely analysing magazine issues selected from its archive, thi…
Commodity Feminism and Dressing the 'Best Self' onA Practical Wedding
Fashion as a cultural industry, with its interface between self and social, is laden with potential for interventions in systems of power. Yet its changemaking potential is susceptible to co-optation by neoliberal discourses that harness politics with a commodified, perfectible individuality that superficially counteracts hegemony even as it subtly reinforces it. So much is evident in nominally feminist wedding website A Practical Wedding, which …
Trust Us, We’re You”
In recent years, a number of fashion and beauty brands have developed promotional content that circulates an aspirational quality imbued with unstudied “cool” around their product. Despite the appeal of this conceit to tropes of the everyday, authenticity, and belonging, it presents a superficially relatable ideal whilst exploiting digital media’s capacities to foster intimacy and promote a postfeminist subjectivity based on consumption. This art…
How Fashion Travels
Despite the many transformations in aesthetics and technologies that fashion photography has undergone since its spread as an influential cultural form in the early twentieth century, one constant has always held fast: that the imagery depicts a fashionable ideal. The look of the fashionable ideal is, of course, ever subject to change. However, there are qualities that are always present: the body is subject to the authority of fashion, limitatio…
The Fashioned Body
This is a book review of the second edition of Joanne Entwistle's seminal volume 'The Fashioned Body'. \n \nThe Fashioned Body, second edition, by Joanne Entwistle, Cambridge, Polity Press, 2015, 273 pp., AUD39.95 (paperback), ISBN: 9780745649382
Dressing the Body
This article provides a context for, and introduces, the articles in the themed section of this issue, 'Dressing the Body
Such Stuff as Dreams are Made On
In a personal essay, Ida Hattemer-Higgins describes the discovery of a decrepit store in Athens brimming with designer deadstock from decades past. The clothes she finds therein are the stuff of dreams for any fashion enthusiast, as is the store itself, a dim, forgotten place where garments are concealed like buried treasure under layers of dust, and where the author herself drifts into a state of semi-consciousness. What Hattemer-Higgins describ…
The Short, Passionate, and Close-Knit History of Personal Style Blogs
Most media histories of style blogging commence their narrative in 2009, at the moment when a select few fashion and personal style bloggers were invited to sit front row at a number of shows on the Spring/Summer Ready-to-Wear "Fashion Month" schedule. Yet that moment, symbolic of the "arrival" of fashion bloggers in the industry (albeit a partial and contested one), was precipitated by years of fashion blogging. This developmental period has not…
How Fashion Travels
Despite the many transformations in aesthetics and technologies that fashion photography has undergone since its spread as an influential cultural form in the early twentieth century, one constant has always held fast: that the imagery depicts a fashionable ideal. The look of the fashionable ideal is, of course, ever subject to change. However, there are qualities that are always present: the body is subject to the authority of fashion, limitatio…
The Short, Passionate, and Close-Knit History of Personal Style Blogs
Most media histories of style blogging commence their narrative in 2009, at the moment when a select few fashion and personal style bloggers were invited to sit front row at a number of shows on the Spring/Summer Ready-to-Wear "Fashion Month" schedule. Yet that moment, symbolic of the "arrival" of fashion bloggers in the industry (albeit a partial and contested one), was precipitated by years of fashion blogging. This developmental period has not…
Commodity Feminism and Dressing the 'Best Self' onA Practical Wedding
Fashion as a cultural industry, with its interface between self and social, is laden with potential for interventions in systems of power. Yet its changemaking potential is susceptible to co-optation by neoliberal discourses that harness politics with a commodified, perfectible individuality that superficially counteracts hegemony even as it subtly reinforces it. So much is evident in nominally feminist wedding website A Practical Wedding, which …
Trust Us, We’re You”
In recent years, a number of fashion and beauty brands have developed promotional content that circulates an aspirational quality imbued with unstudied “cool” around their product. Despite the appeal of this conceit to tropes of the everyday, authenticity, and belonging, it presents a superficially relatable ideal whilst exploiting digital media’s capacities to foster intimacy and promote a postfeminist subjectivity based on consumption. This art…
Such Stuff as Dreams are Made On
In a personal essay, Ida Hattemer-Higgins describes the discovery of a decrepit store in Athens brimming with designer deadstock from decades past. The clothes she finds therein are the stuff of dreams for any fashion enthusiast, as is the store itself, a dim, forgotten place where garments are concealed like buried treasure under layers of dust, and where the author herself drifts into a state of semi-consciousness. What Hattemer-Higgins describ…
Russh and the 'all-Australian' girl
A central preoccupation that constantly arises in Australian culture is the question of who 'we' are and where 'we' belong. So much is evident in independent women's fashion magazine Russh, the focus of this article, in which pride and uncertainty about Australian identity (and fashionability) are representationally resolved through a sensual, girlish and white fashionable ideal. By closely analysing magazine issues selected from its archive, thi…
The Short, Passionate, and Close-Knit History of Personal Style Blogs
Most media histories of style blogging commence their narrative in 2009, at the moment when a select few fashion and personal style bloggers were invited to sit front row at a number of shows on the Spring/Summer Ready-to-Wear "Fashion Month" schedule. Yet that moment, symbolic of the "arrival" of fashion bloggers in the industry (albeit a partial and contested one), was precipitated by years of fashion blogging. This developmental period has not…
The Fashioned Body
This is a book review of the second edition of Joanne Entwistle's seminal volume 'The Fashioned Body'. \n \nThe Fashioned Body, second edition, by Joanne Entwistle, Cambridge, Polity Press, 2015, 273 pp., AUD39.95 (paperback), ISBN: 9780745649382
Dressing the Body
This article provides a context for, and introduces, the articles in the themed section of this issue, 'Dressing the Body
Such Stuff as Dreams are Made On
In a personal essay, Ida Hattemer-Higgins describes the discovery of a decrepit store in Athens brimming with designer deadstock from decades past. The clothes she finds therein are the stuff of dreams for any fashion enthusiast, as is the store itself, a dim, forgotten place where garments are concealed like buried treasure under layers of dust, and where the author herself drifts into a state of semi-consciousness. What Hattemer-Higgins describ…
Trust Us, We’re You”
In recent years, a number of fashion and beauty brands have developed promotional content that circulates an aspirational quality imbued with unstudied “cool” around their product. Despite the appeal of this conceit to tropes of the everyday, authenticity, and belonging, it presents a superficially relatable ideal whilst exploiting digital media’s capacities to foster intimacy and promote a postfeminist subjectivity based on consumption. This art…
How Fashion Travels
Despite the many transformations in aesthetics and technologies that fashion photography has undergone since its spread as an influential cultural form in the early twentieth century, one constant has always held fast: that the imagery depicts a fashionable ideal. The look of the fashionable ideal is, of course, ever subject to change. However, there are qualities that are always present: the body is subject to the authority of fashion, limitatio…
Commodity Feminism and Dressing the 'Best Self' onA Practical Wedding
Fashion as a cultural industry, with its interface between self and social, is laden with potential for interventions in systems of power. Yet its changemaking potential is susceptible to co-optation by neoliberal discourses that harness politics with a commodified, perfectible individuality that superficially counteracts hegemony even as it subtly reinforces it. So much is evident in nominally feminist wedding website A Practical Wedding, which …
Insights on Fashion Journalism
Russh and the 'all-Australian' girl
A central preoccupation that constantly arises in Australian culture is the question of who 'we' are and where 'we' belong. So much is evident in independent women's fashion magazine Russh, the focus of this article, in which pride and uncertainty about Australian identity (and fashionability) are representationally resolved through a sensual, girlish and white fashionable ideal. By closely analysing magazine issues selected from its archive, thi…
Making a Reality
This article analyses a series of interviews with queer-positive wedding apparel and style providers. Vendors’ descriptions of their relationships with clients reveal a prioritization of embodied intersubjectivity. We explore vendors’ construction of themselves as providing respite, in the wedding apparel production process, from clients’ repertoire of experiences of exclusion in a hetero- and cisnormative fashion industry. The intercorporeal eth…
Revisiting Fashion at the Edge
In Fashion at the Edge , Caroline Evans places the past and present in conversation to investigate 1990s fashion’s obsession with the spectacular, the apocalyptic and the melancholic. Drawing on Ulrich Lehmann and Barbara Burman Baines’s writing on fashion revivals, she reads the citation of historical imagery by designers such as Alexander McQueen, Walter Van Beirendonck and Hussein Chalayan as ‘not so much a backwards as a forwards glance’: a c…
From fashion blogger to media professional
In the two decades since fashion blogging emerged as a distinct sub-genre, a generation of early fashion bloggers has risen to prominence as writers and editors in the media industries, despite not starting their blogs – as many later did – as a route to a fashion-related career. This study traces the career histories of one such networked group of writers. All participated in early fashion blogging and now work in media, mostly in New York and T…
Editing with an ethic of care
This editorial endorses an approach to editing that centres care and relationality. It draws on literature on an ethics of care to argue for academic practice that recognizes relationality, interdependence and respect
Fashion and Cultural Textiles (10 obras) · Art (9 obras) · Sociology (7 obras) · Aesthetics (6 obras) · Cultural Industries and Urban Development (5 obras) · Political science (5 obras) · Visual arts (5 obras) · Crafts, Textile, and Design (4 obras) · Epistemology (4 obras) · Media studies (4 obras)