Nieves Limón Serrano
Dados Biográficos
| ID | 147913 |
|---|---|
| NOME | Nieves Limón Serrano |
| PRENOMES | Nieves Limón |
| SOBRENOME | Serrano |
| ASSINATURA | SERRANO N L |
| AFILIAÇÕES | Universidad Carlos III de Madrid |
| ORCID | 0000-0003-0292-0882 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 7 |
| TOTAL DE CITAÇÕES | 15 |
| TOTAL COMO AUTOR | 7 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2012 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2025 |
| ÍNDICE H | 2 |
Fotografía vernácua y archivos policiales. La memoria reconstruida en el cine de Susana de Sousa Dias
La filmografía de Susana de Sousa Dias (Lisboa, 1962) reflexiona sobre los límites y vacíos que han dejado los discursos oficiales en la historia reciente de Portugal. A lo largo de algunas de sus producciones, nos aproxima a los puntos ciegos de la dictadura salazarista. A través de sus películas es posible descubrir los episodios escamoteados, las voces silenciadas y los rostros borrados de los relatos hegemónicos del país vecino. De Sousa desv…
Barranquero, A. & Sáez Baeza, Ch. (Coords.). (2021). La comunicación desde abajo. Historia, sentidos y prácticas de la comunicación alternativa en España. Gedisa
Barranquero, A. & Sáez
Documentary subversions and migrant agency
The movement of people across different countries has been a constant in the history of human civilization. This has been attested to by the so-called ‘mobility turn’ in the social sciences. One of the most important recent instances of such a movement has been the mass migration of diverse communities to the United States. This migratory transit has been portrayed in numerous ways in different media. Among these, documentary films have played a …
Frida Kahlo's Photographic Posing
Artists’ autobiographies have been considered primary sources of information in Art History, while photographic portraits are generally intended as mimetic representations. However, both of these registers can also act as rhetorical strategies for the artist to construct a certain image of him or herself, and some artists have used photography to directly defy certain theoretical pillars of traditional autobiography. Such is the case of Mexican a…
Transmedialidad y ecosistema digital
This article explores some structural features of the so-called “transmedia storytelling”. In order to progress towards a conceptual clarification, the Internet has to be considered as a mass media with specific and privative traits that would define the “form of the media”: global, viral, participative, continuous (or almost), mobile, pervasive, pragmatically oriented etc. Some opinions of professionals related to the field have also been taken …
"Quién soy yo y quién eres tú?" ¿Están transformando las redes sociales la imagen que los periodistas radiofónicos españoles tienen del público
Are Social Media, and most specifically Twitter, transforming the image that Spanish radio journalists have of their publics? How are radio journalists using Twitter and what are their goals (if they have been established)? What kind of Social Media participation is more valued by radio journalists? These and other questions will be discussed throughout this article that presents the main results of a research project focussing on the transformat…
Periodismo y Social Media
As part of their professional routine, Spanish journalists are gradually joining the ranks of active users of social networks like Twitter. Following some on-the-fly strategy or just winging it, and fully putting into practice the idea that “one must be where the people are,” they distribute information coming from their own media, viralize information from other users/media, editorialize as they go, sum up daily life or shoot the breeze about a …
Periodismo y Social Media
As part of their professional routine, Spanish journalists are gradually joining the ranks of active users of social networks like Twitter. Following some on-the-fly strategy or just winging it, and fully putting into practice the idea that “one must be where the people are,” they distribute information coming from their own media, viralize information from other users/media, editorialize as they go, sum up daily life or shoot the breeze about a …
"Quién soy yo y quién eres tú?" ¿Están transformando las redes sociales la imagen que los periodistas radiofónicos españoles tienen del público
Are Social Media, and most specifically Twitter, transforming the image that Spanish radio journalists have of their publics? How are radio journalists using Twitter and what are their goals (if they have been established)? What kind of Social Media participation is more valued by radio journalists? These and other questions will be discussed throughout this article that presents the main results of a research project focussing on the transformat…
Documentary subversions and migrant agency
The movement of people across different countries has been a constant in the history of human civilization. This has been attested to by the so-called ‘mobility turn’ in the social sciences. One of the most important recent instances of such a movement has been the mass migration of diverse communities to the United States. This migratory transit has been portrayed in numerous ways in different media. Among these, documentary films have played a …
Transmedialidad y ecosistema digital
This article explores some structural features of the so-called “transmedia storytelling”. In order to progress towards a conceptual clarification, the Internet has to be considered as a mass media with specific and privative traits that would define the “form of the media”: global, viral, participative, continuous (or almost), mobile, pervasive, pragmatically oriented etc. Some opinions of professionals related to the field have also been taken …
"Quién soy yo y quién eres tú?" ¿Están transformando las redes sociales la imagen que los periodistas radiofónicos españoles tienen del público
Are Social Media, and most specifically Twitter, transforming the image that Spanish radio journalists have of their publics? How are radio journalists using Twitter and what are their goals (if they have been established)? What kind of Social Media participation is more valued by radio journalists? These and other questions will be discussed throughout this article that presents the main results of a research project focussing on the transformat…
Periodismo y Social Media
As part of their professional routine, Spanish journalists are gradually joining the ranks of active users of social networks like Twitter. Following some on-the-fly strategy or just winging it, and fully putting into practice the idea that “one must be where the people are,” they distribute information coming from their own media, viralize information from other users/media, editorialize as they go, sum up daily life or shoot the breeze about a …
Transmedialidad y ecosistema digital
This article explores some structural features of the so-called “transmedia storytelling”. In order to progress towards a conceptual clarification, the Internet has to be considered as a mass media with specific and privative traits that would define the “form of the media”: global, viral, participative, continuous (or almost), mobile, pervasive, pragmatically oriented etc. Some opinions of professionals related to the field have also been taken …
Frida Kahlo's Photographic Posing
Artists’ autobiographies have been considered primary sources of information in Art History, while photographic portraits are generally intended as mimetic representations. However, both of these registers can also act as rhetorical strategies for the artist to construct a certain image of him or herself, and some artists have used photography to directly defy certain theoretical pillars of traditional autobiography. Such is the case of Mexican a…
Documentary subversions and migrant agency
The movement of people across different countries has been a constant in the history of human civilization. This has been attested to by the so-called ‘mobility turn’ in the social sciences. One of the most important recent instances of such a movement has been the mass migration of diverse communities to the United States. This migratory transit has been portrayed in numerous ways in different media. Among these, documentary films have played a …
Barranquero, A. & Sáez Baeza, Ch. (Coords.). (2021). La comunicación desde abajo. Historia, sentidos y prácticas de la comunicación alternativa en España. Gedisa
Barranquero, A. & Sáez
Fotografía vernácua y archivos policiales. La memoria reconstruida en el cine de Susana de Sousa Dias
La filmografía de Susana de Sousa Dias (Lisboa, 1962) reflexiona sobre los límites y vacíos que han dejado los discursos oficiales en la historia reciente de Portugal. A lo largo de algunas de sus producciones, nos aproxima a los puntos ciegos de la dictadura salazarista. A través de sus películas es posible descubrir los episodios escamoteados, las voces silenciadas y los rostros borrados de los relatos hegemónicos del país vecino. De Sousa desv…
Art (6 obras) · Humanities (4 obras) · Media studies (4 obras) · Political science (4 obras) · Sociology (4 obras) · Media and Digital Communication (3 obras) · Philosophy (3 obras) · Radio, Podcasts, and Digital Media (3 obras) · Computer Science (2 obras) · Epistemology (2 obras)