Sally E Mcwilliam
Dados Biográficos
| ID | 1479151 |
|---|---|
| NOME | Sally E Mcwilliam |
| PRENOMES | Sally E |
| SOBRENOME | Mcwilliam |
| ASSINATURA | MCWILLIAM S E |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 3 |
| TOTAL DE CITAÇÕES | 1 |
| TOTAL COMO AUTOR | 3 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2005 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2013 |
| ÍNDICE H | 1 |
People Don't Attack You If You Dress Fancy
Twenty-first-century Chinese cities are spaces not only of architectural hybridity displaying the co-temporality of the dynastic past and the postsocialist future but also locales in which young women perform and negotiate the polyvalent discourses of what it means to be a woman in China. When many students in U.S. college classrooms are asked to offer images of Chinese women, the most frequent (and in some instances pernicious) representations a…
From a Distance of One Hundred and Twenty Years
From a Distance of One Hundred and Twenty YearsTheorizing Diasporic Chinese Female Subjectivities in Geling Yan’s The Lost Daughter of Happiness Sally E. McWilliams (bio) Diasporic Chinese women's literature presents a recurring struggle to integrate the complexities of national and transnational pasts with contemporary manifestations of racial, gender, and sexual politics and histories. Geling Yan's The Lost Daughter of Happiness problematizes t…
From a Distance of One Hundred and Twenty Years
Diasporic Chinese women's literature presents a recurring struggle to integrate the complexities of national and transnational pasts with contemporary manifestations of racial, gender, and sexual politics and histories. Geling Yan's The Lost Daughter of Happiness problematizes the narrative conventions used to depict diasporic Chinese female subjects (2001). x Her examination of female subjectivity interrogates how diasporic Chinese women's narra…
People Don't Attack You If You Dress Fancy
Twenty-first-century Chinese cities are spaces not only of architectural hybridity displaying the co-temporality of the dynastic past and the postsocialist future but also locales in which young women perform and negotiate the polyvalent discourses of what it means to be a woman in China. When many students in U.S. college classrooms are asked to offer images of Chinese women, the most frequent (and in some instances pernicious) representations a…
From a Distance of One Hundred and Twenty Years
From a Distance of One Hundred and Twenty YearsTheorizing Diasporic Chinese Female Subjectivities in Geling Yan’s The Lost Daughter of Happiness Sally E. McWilliams (bio) Diasporic Chinese women's literature presents a recurring struggle to integrate the complexities of national and transnational pasts with contemporary manifestations of racial, gender, and sexual politics and histories. Geling Yan's The Lost Daughter of Happiness problematizes t…
From a Distance of One Hundred and Twenty Years
Diasporic Chinese women's literature presents a recurring struggle to integrate the complexities of national and transnational pasts with contemporary manifestations of racial, gender, and sexual politics and histories. Geling Yan's The Lost Daughter of Happiness problematizes the narrative conventions used to depict diasporic Chinese female subjects (2001). x Her examination of female subjectivity interrogates how diasporic Chinese women's narra…
People Don't Attack You If You Dress Fancy
Twenty-first-century Chinese cities are spaces not only of architectural hybridity displaying the co-temporality of the dynastic past and the postsocialist future but also locales in which young women perform and negotiate the polyvalent discourses of what it means to be a woman in China. When many students in U.S. college classrooms are asked to offer images of Chinese women, the most frequent (and in some instances pernicious) representations a…
Aesthetics (3 obras) · Art (3 obras) · Gender Studies (3 obras) · Literature (3 obras) · Sociology (3 obras) · Anthropology (2 obras) · Asian American and Pacific Histories (2 obras) · Capitalism (2 obras) · Chinese americans (2 obras) · Diaspora, migration, transnational identity (2 obras)