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Kirstin Gwyer

Dados Biográficos

ID1485791
NOMEKirstin Gwyer
PRENOMESKirstin
SOBRENOMEGwyer
ASSINATURAGWYER K
AFILIAÇÕESModern Languages and Literature, Jesus College, Oxford OX1 3DW, UK
ORCID0000-0002-8110-3620
VERIFICADOSim
TOTAL DE OBRAS4
TOTAL DE CITAÇÕES3
TOTAL COMO AUTOR4
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2014
ANO MAIS RECENTE DE PUBLICAÇÃO2018
ÍNDICE H1
  • ‘You think your writing belongs to you?’

    Open Access•Kirstin Gwyer•ARTICLE•Humanities•2018

    This article examines a sub-category of recent Jewish post-Holocaust fiction that engages with the absent memory of the persecution its authors did not personally witness through the medium of intertextuality, but with intertextual recourse not to testimonial writing but to literature only unwittingly or retrospectively shadowed by the Holocaust. It will be proposed that this practice of intertextuality constitutes a response to the post-Holocaus…

  • Beyond Lateness? "Postmemory" and the Late(st) German-Language Family Novel

    Kirstin Gwyer•ARTICLE•New German Critique•2015•Citada por: 3

    Once a corollary of modernity, a response to innovation and acceleration, manifesting itself as decadence, pessimism, or an apocalyptic sense of living in an age nearing its end, lateness in our more recent-postmodern(ist), posthistorical, posttraumatic-times has been revaluated. No longer considered a cultural affliction, it has come to be viewed less as the inevitable condition of memory than, problematically, as a position of privilege from wh…

  • Encrypting the Past

    Kirstin Gwyer•BOOK•Encrypting the Past•2014

    Encrypting the Past' puts forward the interpretative category of the first-generation German-Jewish Holocaust novel and examines its representational strategies. With reference to works by H.G. Adler, Jenny Aloni, Elisabeth Augustin, Erich Fried, and Wolfgang Hildesheimer, and a concluding section on W.G. Sebald, it shows how Holocaust literature was being written decades before postwar authors such as Sebald were credited with having found new w…

  • The Unhoused Past

    Kirstin Gwyer•CHAPTER•Encrypting the Past•2014

  • Beyond Lateness? "Postmemory" and the Late(st) German-Language Family Novel

    Kirstin Gwyer•ARTICLE•New German Critique•2015•Citada por: 3

    Once a corollary of modernity, a response to innovation and acceleration, manifesting itself as decadence, pessimism, or an apocalyptic sense of living in an age nearing its end, lateness in our more recent-postmodern(ist), posthistorical, posttraumatic-times has been revaluated. No longer considered a cultural affliction, it has come to be viewed less as the inevitable condition of memory than, problematically, as a position of privilege from wh…

  • Encrypting the Past

    Kirstin Gwyer•BOOK•Encrypting the Past•2014

    Encrypting the Past' puts forward the interpretative category of the first-generation German-Jewish Holocaust novel and examines its representational strategies. With reference to works by H.G. Adler, Jenny Aloni, Elisabeth Augustin, Erich Fried, and Wolfgang Hildesheimer, and a concluding section on W.G. Sebald, it shows how Holocaust literature was being written decades before postwar authors such as Sebald were credited with having found new w…

  • The Unhoused Past

    Kirstin Gwyer•CHAPTER•Encrypting the Past•2014

  • Beyond Lateness? "Postmemory" and the Late(st) German-Language Family Novel

    Kirstin Gwyer•ARTICLE•New German Critique•2015•Citada por: 3

    Once a corollary of modernity, a response to innovation and acceleration, manifesting itself as decadence, pessimism, or an apocalyptic sense of living in an age nearing its end, lateness in our more recent-postmodern(ist), posthistorical, posttraumatic-times has been revaluated. No longer considered a cultural affliction, it has come to be viewed less as the inevitable condition of memory than, problematically, as a position of privilege from wh…

  • ‘You think your writing belongs to you?’

    Open Access•Kirstin Gwyer•ARTICLE•Humanities•2018

    This article examines a sub-category of recent Jewish post-Holocaust fiction that engages with the absent memory of the persecution its authors did not personally witness through the medium of intertextuality, but with intertextual recourse not to testimonial writing but to literature only unwittingly or retrospectively shadowed by the Holocaust. It will be proposed that this practice of intertextuality constitutes a response to the post-Holocaus…

Art (3 obras) · German History and Society (3 obras) · History (3 obras) · Literature (3 obras) · Literature and Cultural Memory (3 obras) · Philosophy (3 obras) · The Holocaust (3 obras) · Aesthetics (2 obras) · Epistemology (2 obras) · German (2 obras)

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