Nancy Guy

Dados Biográficos

ID148665
NOMENancy Guy
PRENOMESNancy
SOBRENOMEGuy
ASSINATURAGUY N
AFILIAÇÕESUniversity of California San Diego
ORCID0000-0001-6261-7653
VERIFICADOSim
TOTAL DE OBRAS12
TOTAL DE CITAÇÕES29
TOTAL COMO AUTOR12
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1990
ANO MAIS RECENTE DE PUBLICAÇÃO2025
ÍNDICE H2

  • Editing the Encyclopedia of Taiwan Studies

    Hsin-Huang Michael Hsiao, Lung-chih Chang et al.ARTICLEInternational Journal of Taiwan…2025

  • Resounding Taiwan

    Nancy GuyBOOKResounding Taiwan2021

  • "Beyond "Innocence

    Nancy GuyARTICLEAsian Music2019

    Reviewed by: Beyond "Innocence": Amis Aboriginal Song in Taiwan as an Ecosystem by Shzr Ee Tan Nancy Guy (bio) Beyond "Innocence": Amis Aboriginal Song in Taiwan as an Ecosystem. Shzr Ee Tan. Farnham, UK: Ashgate, 2012. 312 pp. + 1 CD-ROM, photographs, map, musical examples, notes, glossary, bibliography, index. ISBN: 978-1-4094-2436-9 (hardcover), $96.00. The Amis people, of Austronesian descent, are one of Taiwan's 16 officially recognized indi…

  • Popular Music as a Barometer of Political Change

    Nancy Guy, Patricia HallBOOKOxford Handbook of Music Censorship2016

    This chapter examines popular music as a barometer of political change in democratizing Taiwan. After providing a brief overview of developments in Taiwan’s pop music world as they relate to political change, the essay details the innovative musical creations of the late 1980s through the 1990s that heralded the regime change of May 2000, when Chen Shui-bian was elected President, thus ending the Chinese Nationalist Party’s fifty years of unbroke…

  • Flowing Down Taiwan's Tamsui River

    Nancy GuyARTICLEEthnomusicology2009Citada por: 22Referências: 5

    Research Article| April 01 2009 Flowing Down Taiwan's Tamsui River: Towards an Ecomusicology of the Environmental Imagination Nancy Guy Nancy Guy Search for other works by this author on: This Site Google Ethnomusicology (2009) 53 (2): 218–248. https://doi.org/10.2307/25653067 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Nancy Guy; Flowing Down Taiwan's Tamsui River: Towards an Ecomusicology of…

  • Feeling a Shared History through Song

    Nancy GuyARTICLETDR/The Drama Review2008

    Released in 1934, “A Flower in the Rainy Night” (U iā hoe) is often considered one of the most heart-rending of old Taiwanese songs. On the eve of the 2002 Taipei mayoral election, Taiwan's former president, Lee Teng-hui, closed the rally for the underdog candidate by leading a crowd of 50,000 in singing the song. An analysis of ethnographic, literary, and media sources indicates that the song serves as an elaborating symbol and aids in conceptua…

  • "Republic of China National Anthem" on Taiwan

    Nancy GuyARTICLEEthnomusicology2002Citada por: 7Referências: 2

    Le 20 mai 2000, a l'occasion des ceremonies d'inauguration du nouveau President de la Republique de Taiwan, Chen Shui-bian, l'hymne national de la Republique de Chine fut chante par A-mei, une vedette pop autochtone de Taiwan, accompagne par l'Orchestre symphonique national. L'A. examine les significations politiques et socioculturelles des nombreux discours et reactions suscites par la prestation d'A-mei. Il montre comment l'examen de l'enonce (…

  • Brokering Glory for the Chinese Nation

    Nancy GuyARTICLEComparative drama2001

    Brokering Glory for the Chinese Nation: Peking Opera's 1930 American Tour Nancy Guy On 29 December 1929 a company of some twenty Peking opera actors, musicians, and artistic advisors left Shanghai for the United States. Head ofthe troupe was China's foremost actor ofPeking opera, Mei Lanfang, who was already an international sensation.1 The tour, to at least five major U.S. cities, would be a brilliant success. With a tremendous demand for ticket…

  • Chine. Ka-Le

    Nancy Guy, France Picard et al.ARTICLEAsian Music1999

  • Governing the Arts, Governing the State

    Nancy GuyARTICLEEthnomusicology1999

    L'opera de Pekin a Taiwan a une position privilegiee et prestigieuse grâce a la politique culturelle du gouvernement chinois au detriment d'autres expressions artistiques traditionnelles. A travers une analyse de la politique culturelle, l'A. montre comment un regime construit sa propre image au niveau national puis international, et comment le controle etatique des institutions symboliques peut refleter une ideologie et des strategies de gouvern…

  • Peking Opera as "National Opera" in Taiwan

    Nancy Guy, Nancy A GuyARTICLEAsian Theatre Journal1995

    In preparation for its April 1992 Taiwan premiere of the Peking opera Hualong Dianjing' (Painting the Dragon's Eyes), the Air Forcesupported Dapenga Troupe distributed posters and handbills that prominently displayed two Chinese characters, 'jing and ju. b The character for 'juwas written in its simplified version as it would be in mainland China rather than in full form as is conventional on Taiwan

  • The Appreciation of Chinese Opera

    Nancy Guy, Nancy A GuyARTICLEAsian Theatre Journal1990

    This essay is a response to Ching-Hsi Perng's article, At the Crossroads: Peking Opera in Taiwan Today, which appeared in the Fall 1989 issue of Asian Theatre Journal. Much of Perng's attitude toward Peking opera is shared by many critics of the opera. This essay is offered not only as an appraisal of Perng's article; it is further meant to address what I perceive to be a lack of understanding and regard for a fundamental principle of the appreci…