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Julian Schaap

Dados Biográficos

ID149183
NOMEJulian Schaap
PRENOMESJulian
SOBRENOMESchaap
ASSINATURASCHAAP J
AFILIAÇÕESErasmus University Rotterdam
ORCID0000-0002-3656-4225
VERIFICADOSim
TOTAL DE OBRAS15
TOTAL DE CITAÇÕES41
TOTAL COMO AUTOR15
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2015
ANO MAIS RECENTE DE PUBLICAÇÃO2026
ÍNDICE H5
  • Why Is Adherence to Dietary Guidelines Socially Stratified among Adults? The Role of Declarative and Nondeclarative Cultural Capital

    Open Access•Joost Oude Groeniger, Tim Van Meurs et al.•ARTICLE•Journal of Health and Social…•2026

    Cultural capital is theorized to comprise both a declarative (i.e., deliberate/conscious) and a nondeclarative (i.e., automatic/unconscious) element, also referred to as “embodied.” While the latter is considered crucial in everyday health-related choices and in explaining why members of the higher strata more often make healthier ones, extant quantitative research has been unable to empirically measure it. This study implemented a novel method t…

  • Bridging nodes

    Open Access•Thomas Calkins, Julian Schaap et al.•ARTICLE•Poetics•2026

    Taste in music, literature, and the arts has been a rich site for studying the relationship between culture and stratification for decades. This work consistently finds that socioeconomic status shapes the volume of culture consumed, yet questions about the breadth of musical tastes remain. The effects of race/ethnicity inequality also remain understudied in most of the existing research, the effects of which often serve as controls, but are not …

  • Investing in meaning

    Open Access•Suzanne Abrahamse, Michaël Berghman et al.•ARTICLE•Journal of Cultural Economy•2026•Referências: 30

    Toy collectibles such as LEGO, Pokémon, and Magic: The Gathering have seen a steep increase in consumer interest as objects of financial investment. This puts pressure on the meaningfulness of collecting, as the ‘thrill of the hunt’ is replaced by transparent online marketplaces with disenchanting financial logics and direct, frictionless consumption options. Based on qualitative interviews with collectors of the popular Collectible Card Game (CC…

  • Music in healthcare

    Open Access•A Becker, Emy S van der Valk Bouman et al.•ARTICLE•SSM - Population Health•2025

    Music is increasingly investigated in healthcare to manage pain, anxiety and stress. Previous studies have demonstrated that listening to (preferred) music is effective for pain relief, but rarely explore whether people are open to instrumentalizing music in healthcare. Therefore, this study investigates 1) to what extent people across twenty countries are willing to listen to music when experiencing pain in healthcare, and 2) which music genres …

  • De volgende stap in stratificatiesociologie

    Julian Schaap, Willem De Koster et al.•ARTICLE•Mens & Maatschappij•2024

    Amsterdam University Press is a leading publisher of academic books, journals and textbooks in the Humanities and Social Sciences. Our aim is to make current research available to scholars, students, innovators, and the general public. AUP stands for scholarly excellence, global presence, and engagement with the international academic community

  • Write, record, optimize? How musicians reflect on music optimization strategies in the creative production process

    Open Access•Nick Polak, Julian Schaap•ARTICLE•New Media & Society•2024•Citada por: 5•Referências: 13

    Musicians are believed to increasingly “optimize” their music to positively influence discoverability and engagement on music and social media platforms. Common examples of such optimization strategies are skipping intros, quickly moving to the chorus, or inserting danceable “hooks.” But to what extent are optimization strategies actively considered in the creative production process? And, if so, in what stage of production? In this article, we e…

  • Advancing Stratification Research by Measuring Non-declarative Cultural Capital

    Open Access•Jeroen Van Der Waal, Willem De Koster et al.•ARTICLE•American Sociological Review•2024•Citada por: 5•Referências: 75

    Cultural capital is a central concept in stratification research. Crucial to the Bourdieusian habitus, upper strata familiarity with the dominant culture is assumed to be ingrained via socialization, allowing its members to smoothly navigate educational institutions and higher segments of the labor market. Although cultural capital is deemed partially implicit, such "non-declarative" or "embodied" cultural capital has largely escaped empirical sc…

  • Black Rap, White Rock

    Open Access•Julian Schaap, Jeroen Van Der Waal et al.•ARTICLE•Sociological Inquiry•2022•Citada por: 2•Referências: 33

    Sociologists of race and ethnicity have convincingly demonstrated that cultural categorizations are affected by racialization. For example, some music genres are clearly dominated by people of color (e.g., rap, soul, r&b), whereas others are particularly popular among whites (e.g., rock, country, classical). However, we know relatively little about how habitual such racialized categorizations are for people. We offer an integrated approach of cul…

  • The ‘lonely raver’

    Open Access•F Vandenberg, Michaël Berghman et al.•ARTICLE•European Societies•2020•Citada por: 12•Referências: 5

    This paper offers an explorative analysis of the online social practices of \nlivestreamed concerts as one of the most popular cultural outlets during the \nCOVID-19 imposed ‘lockdown’ in Europe. Ritual theory is used to investigate \nthe potential of these virtual concerts in generating a collective \nconsciousness, and the related feelings of social solidarity and resilience, \nspecifically important in times of physical isolation. Through a th…

  • You're Not Supposed to Be into Rock Music

    Open Access•Julian Schaap, Pauwke Berkers•ARTICLE•Sociology of Race and Ethnicity•2020•Citada por: 3•Referências: 19

    The authors investigate how American and Dutch rock music consumers navigate the whiteness of rock music practice and discourse. In doing so, they address the complex connection between aesthetic categories (popular music) and ethnoracial categories and to what extent this relationship is open or resistant to structural change. Connecting literature on the racialization of cultural genres and on symbolic violence, the authors demonstrate how auth…

  • Destined for Greatness. Passions, Dreams, and Aspirations in a College Music Town by Ramirez, M. (2018)

    Open Access•Julian Schaap•ARTICLE•Work and Occupations•2019

    Through his meticulous study of 48 indie-rock musicians aspiring musical success, Ramirez sketches a captivating picture of the motivations, considerations, and concerns of these musicians and their endeavors to make music their vocation. In its essence, the book aims to answer a question that lies at the heart of most cultural work: How do persons aspiring for a job that is often perceived as leisure negotiate expectations of “serious” careers a…

  • “Maybe it’s … skin colour?” How race-ethnicity and gender function in consumers’ formation of classification styles of cultural content

    Open Access•Julian Schaap, Pauwke Berkers•ARTICLE•Consumption Markets & Culture•2019

    Race-ethnicity and gender, while rarely explicitly considered for cultural consumption choices, are characteristics that can function implicitly in the classification of cultural content like films, literature or music. Embedded in classification styles–recurrent classificatory patterns in the habitual ways people choose, weigh and combine classifications at their disposal–such attributes are important for consumption practices. Based on visual Q…

  • Improving Empirical Scrutiny of the Habitus

    Open Access•Julian Schaap, Jeroen Van Der Waal et al.•ARTICLE•Sociology•2019•Citada por: 7•Referências: 34

    Many studies invoke the concept of the Bourdieusian habitus to account for a plethora of stratified patterns uncovered by conventional social-scientific methods. However, as a stratum-specific, embodied and largely non-declarative set of dispositions, the role of the habitus in those stratified patterns is typically not adequately scrutinised empirically. Instead, the habitus is often attributed theoretically to an empirically established link be…

  • Gods in World of Warcraft exist’

    Open Access•Julian Schaap, J Harambam et al.•ARTICLE•New Media & Society•2016•Citada por: 5•Referências: 15

    In ‘secular’ Western societies, religious topics permeate media texts of books, films, series and games and such texts even inform several religious-spiritual movements. Critically expanding on theories about ‘fiction-based religion’, ‘invented religion’ or ‘hyper-real religion’, this article studies if, how and why players of the massively multiplayer online role-playing game (MMORPG) World of Warcraft reflect on religious narratives in the game…

  • Just Like Hendrix

    Julian Schaap•ARTICLE•Popular Communication•2015•Citada por: 2•Referências: 29

    Based on a quantitative and qualitative analysis of 385 rock album reviews, this article investigates (i) to what extent ethno-racial boundaries are (re)produced and/or contested in the critical and consumer reception of rock music in the United States between 2003 and 2013 and (ii) to what extent (semi-)professional reviewers and consumer-reviewers differ from each other regarding ethno-racial classifications in their reception of rock music. Al…

  • The ‘lonely raver’

    Open Access•F Vandenberg, Michaël Berghman et al.•ARTICLE•European Societies•2020•Citada por: 12•Referências: 5

    This paper offers an explorative analysis of the online social practices of \nlivestreamed concerts as one of the most popular cultural outlets during the \nCOVID-19 imposed ‘lockdown’ in Europe. Ritual theory is used to investigate \nthe potential of these virtual concerts in generating a collective \nconsciousness, and the related feelings of social solidarity and resilience, \nspecifically important in times of physical isolation. Through a th…

  • Improving Empirical Scrutiny of the Habitus

    Open Access•Julian Schaap, Jeroen Van Der Waal et al.•ARTICLE•Sociology•2019•Citada por: 7•Referências: 34

    Many studies invoke the concept of the Bourdieusian habitus to account for a plethora of stratified patterns uncovered by conventional social-scientific methods. However, as a stratum-specific, embodied and largely non-declarative set of dispositions, the role of the habitus in those stratified patterns is typically not adequately scrutinised empirically. Instead, the habitus is often attributed theoretically to an empirically established link be…

  • Write, record, optimize? How musicians reflect on music optimization strategies in the creative production process

    Open Access•Nick Polak, Julian Schaap•ARTICLE•New Media & Society•2024•Citada por: 5•Referências: 13

    Musicians are believed to increasingly “optimize” their music to positively influence discoverability and engagement on music and social media platforms. Common examples of such optimization strategies are skipping intros, quickly moving to the chorus, or inserting danceable “hooks.” But to what extent are optimization strategies actively considered in the creative production process? And, if so, in what stage of production? In this article, we e…

  • Advancing Stratification Research by Measuring Non-declarative Cultural Capital

    Open Access•Jeroen Van Der Waal, Willem De Koster et al.•ARTICLE•American Sociological Review•2024•Citada por: 5•Referências: 75

    Cultural capital is a central concept in stratification research. Crucial to the Bourdieusian habitus, upper strata familiarity with the dominant culture is assumed to be ingrained via socialization, allowing its members to smoothly navigate educational institutions and higher segments of the labor market. Although cultural capital is deemed partially implicit, such "non-declarative" or "embodied" cultural capital has largely escaped empirical sc…

  • Gods in World of Warcraft exist’

    Open Access•Julian Schaap, J Harambam et al.•ARTICLE•New Media & Society•2016•Citada por: 5•Referências: 15

    In ‘secular’ Western societies, religious topics permeate media texts of books, films, series and games and such texts even inform several religious-spiritual movements. Critically expanding on theories about ‘fiction-based religion’, ‘invented religion’ or ‘hyper-real religion’, this article studies if, how and why players of the massively multiplayer online role-playing game (MMORPG) World of Warcraft reflect on religious narratives in the game…

  • You're Not Supposed to Be into Rock Music

    Open Access•Julian Schaap, Pauwke Berkers•ARTICLE•Sociology of Race and Ethnicity•2020•Citada por: 3•Referências: 19

    The authors investigate how American and Dutch rock music consumers navigate the whiteness of rock music practice and discourse. In doing so, they address the complex connection between aesthetic categories (popular music) and ethnoracial categories and to what extent this relationship is open or resistant to structural change. Connecting literature on the racialization of cultural genres and on symbolic violence, the authors demonstrate how auth…

  • Black Rap, White Rock

    Open Access•Julian Schaap, Jeroen Van Der Waal et al.•ARTICLE•Sociological Inquiry•2022•Citada por: 2•Referências: 33

    Sociologists of race and ethnicity have convincingly demonstrated that cultural categorizations are affected by racialization. For example, some music genres are clearly dominated by people of color (e.g., rap, soul, r&b), whereas others are particularly popular among whites (e.g., rock, country, classical). However, we know relatively little about how habitual such racialized categorizations are for people. We offer an integrated approach of cul…

  • Just Like Hendrix

    Julian Schaap•ARTICLE•Popular Communication•2015•Citada por: 2•Referências: 29

    Based on a quantitative and qualitative analysis of 385 rock album reviews, this article investigates (i) to what extent ethno-racial boundaries are (re)produced and/or contested in the critical and consumer reception of rock music in the United States between 2003 and 2013 and (ii) to what extent (semi-)professional reviewers and consumer-reviewers differ from each other regarding ethno-racial classifications in their reception of rock music. Al…

  • Just Like Hendrix

    Julian Schaap•ARTICLE•Popular Communication•2015•Citada por: 2•Referências: 29

    Based on a quantitative and qualitative analysis of 385 rock album reviews, this article investigates (i) to what extent ethno-racial boundaries are (re)produced and/or contested in the critical and consumer reception of rock music in the United States between 2003 and 2013 and (ii) to what extent (semi-)professional reviewers and consumer-reviewers differ from each other regarding ethno-racial classifications in their reception of rock music. Al…

  • Gods in World of Warcraft exist’

    Open Access•Julian Schaap, J Harambam et al.•ARTICLE•New Media & Society•2016•Citada por: 5•Referências: 15

    In ‘secular’ Western societies, religious topics permeate media texts of books, films, series and games and such texts even inform several religious-spiritual movements. Critically expanding on theories about ‘fiction-based religion’, ‘invented religion’ or ‘hyper-real religion’, this article studies if, how and why players of the massively multiplayer online role-playing game (MMORPG) World of Warcraft reflect on religious narratives in the game…

  • Destined for Greatness. Passions, Dreams, and Aspirations in a College Music Town by Ramirez, M. (2018)

    Open Access•Julian Schaap•ARTICLE•Work and Occupations•2019

    Through his meticulous study of 48 indie-rock musicians aspiring musical success, Ramirez sketches a captivating picture of the motivations, considerations, and concerns of these musicians and their endeavors to make music their vocation. In its essence, the book aims to answer a question that lies at the heart of most cultural work: How do persons aspiring for a job that is often perceived as leisure negotiate expectations of “serious” careers a…

  • “Maybe it’s … skin colour?” How race-ethnicity and gender function in consumers’ formation of classification styles of cultural content

    Open Access•Julian Schaap, Pauwke Berkers•ARTICLE•Consumption Markets & Culture•2019

    Race-ethnicity and gender, while rarely explicitly considered for cultural consumption choices, are characteristics that can function implicitly in the classification of cultural content like films, literature or music. Embedded in classification styles–recurrent classificatory patterns in the habitual ways people choose, weigh and combine classifications at their disposal–such attributes are important for consumption practices. Based on visual Q…

  • Improving Empirical Scrutiny of the Habitus

    Open Access•Julian Schaap, Jeroen Van Der Waal et al.•ARTICLE•Sociology•2019•Citada por: 7•Referências: 34

    Many studies invoke the concept of the Bourdieusian habitus to account for a plethora of stratified patterns uncovered by conventional social-scientific methods. However, as a stratum-specific, embodied and largely non-declarative set of dispositions, the role of the habitus in those stratified patterns is typically not adequately scrutinised empirically. Instead, the habitus is often attributed theoretically to an empirically established link be…

  • The ‘lonely raver’

    Open Access•F Vandenberg, Michaël Berghman et al.•ARTICLE•European Societies•2020•Citada por: 12•Referências: 5

    This paper offers an explorative analysis of the online social practices of \nlivestreamed concerts as one of the most popular cultural outlets during the \nCOVID-19 imposed ‘lockdown’ in Europe. Ritual theory is used to investigate \nthe potential of these virtual concerts in generating a collective \nconsciousness, and the related feelings of social solidarity and resilience, \nspecifically important in times of physical isolation. Through a th…

  • You're Not Supposed to Be into Rock Music

    Open Access•Julian Schaap, Pauwke Berkers•ARTICLE•Sociology of Race and Ethnicity•2020•Citada por: 3•Referências: 19

    The authors investigate how American and Dutch rock music consumers navigate the whiteness of rock music practice and discourse. In doing so, they address the complex connection between aesthetic categories (popular music) and ethnoracial categories and to what extent this relationship is open or resistant to structural change. Connecting literature on the racialization of cultural genres and on symbolic violence, the authors demonstrate how auth…

  • Black Rap, White Rock

    Open Access•Julian Schaap, Jeroen Van Der Waal et al.•ARTICLE•Sociological Inquiry•2022•Citada por: 2•Referências: 33

    Sociologists of race and ethnicity have convincingly demonstrated that cultural categorizations are affected by racialization. For example, some music genres are clearly dominated by people of color (e.g., rap, soul, r&b), whereas others are particularly popular among whites (e.g., rock, country, classical). However, we know relatively little about how habitual such racialized categorizations are for people. We offer an integrated approach of cul…

  • De volgende stap in stratificatiesociologie

    Julian Schaap, Willem De Koster et al.•ARTICLE•Mens & Maatschappij•2024

    Amsterdam University Press is a leading publisher of academic books, journals and textbooks in the Humanities and Social Sciences. Our aim is to make current research available to scholars, students, innovators, and the general public. AUP stands for scholarly excellence, global presence, and engagement with the international academic community

  • Write, record, optimize? How musicians reflect on music optimization strategies in the creative production process

    Open Access•Nick Polak, Julian Schaap•ARTICLE•New Media & Society•2024•Citada por: 5•Referências: 13

    Musicians are believed to increasingly “optimize” their music to positively influence discoverability and engagement on music and social media platforms. Common examples of such optimization strategies are skipping intros, quickly moving to the chorus, or inserting danceable “hooks.” But to what extent are optimization strategies actively considered in the creative production process? And, if so, in what stage of production? In this article, we e…

  • Advancing Stratification Research by Measuring Non-declarative Cultural Capital

    Open Access•Jeroen Van Der Waal, Willem De Koster et al.•ARTICLE•American Sociological Review•2024•Citada por: 5•Referências: 75

    Cultural capital is a central concept in stratification research. Crucial to the Bourdieusian habitus, upper strata familiarity with the dominant culture is assumed to be ingrained via socialization, allowing its members to smoothly navigate educational institutions and higher segments of the labor market. Although cultural capital is deemed partially implicit, such "non-declarative" or "embodied" cultural capital has largely escaped empirical sc…

  • Music in healthcare

    Open Access•A Becker, Emy S van der Valk Bouman et al.•ARTICLE•SSM - Population Health•2025

    Music is increasingly investigated in healthcare to manage pain, anxiety and stress. Previous studies have demonstrated that listening to (preferred) music is effective for pain relief, but rarely explore whether people are open to instrumentalizing music in healthcare. Therefore, this study investigates 1) to what extent people across twenty countries are willing to listen to music when experiencing pain in healthcare, and 2) which music genres …

  • Why Is Adherence to Dietary Guidelines Socially Stratified among Adults? The Role of Declarative and Nondeclarative Cultural Capital

    Open Access•Joost Oude Groeniger, Tim Van Meurs et al.•ARTICLE•Journal of Health and Social…•2026

    Cultural capital is theorized to comprise both a declarative (i.e., deliberate/conscious) and a nondeclarative (i.e., automatic/unconscious) element, also referred to as “embodied.” While the latter is considered crucial in everyday health-related choices and in explaining why members of the higher strata more often make healthier ones, extant quantitative research has been unable to empirically measure it. This study implemented a novel method t…

  • Bridging nodes

    Open Access•Thomas Calkins, Julian Schaap et al.•ARTICLE•Poetics•2026

    Taste in music, literature, and the arts has been a rich site for studying the relationship between culture and stratification for decades. This work consistently finds that socioeconomic status shapes the volume of culture consumed, yet questions about the breadth of musical tastes remain. The effects of race/ethnicity inequality also remain understudied in most of the existing research, the effects of which often serve as controls, but are not …

  • Investing in meaning

    Open Access•Suzanne Abrahamse, Michaël Berghman et al.•ARTICLE•Journal of Cultural Economy•2026•Referências: 30

    Toy collectibles such as LEGO, Pokémon, and Magic: The Gathering have seen a steep increase in consumer interest as objects of financial investment. This puts pressure on the meaningfulness of collecting, as the ‘thrill of the hunt’ is replaced by transparent online marketplaces with disenchanting financial logics and direct, frictionless consumption options. Based on qualitative interviews with collectors of the popular Collectible Card Game (CC…

Sociology (9 obras) · Psychology (8 obras) · Art (7 obras) · Social and Cultural Dynamics (7 obras) · Aesthetics (6 obras) · Music History and Culture (5 obras) · Social Psychology (5 obras) · Social science (5 obras) · Visual arts (5 obras) · Diverse Music Education Insights (4 obras)

Ethnos_APP • Projeto Open Source • Licença MIT • Frontend v2.0.0 • Privacidade e Cookies • Documentação da API: api.ethnos.app/docs • Código da API: GitHub • DOI: 10.5281/zenodo.17049435 • Código do Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae