Richard Keeling

Dados Biográficos

ID150696
NOMERichard Keeling
PRENOMESRichard
SOBRENOMEKeeling
ASSINATURAKEELING R
VERIFICADONão
TOTAL DE OBRAS15
TOTAL DE CITAÇÕES5
TOTAL COMO AUTOR15
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1980
ANO MAIS RECENTE DE PUBLICAÇÃO2012
ÍNDICE H2

  • Animal Impersonation Songs as an Ancient Musical System in North America, Northeast Asia, and Arctic Europe

    Open AccessRichard Keeling, Richard P KeelingARTICLEEthnomusicology2012Citada por: 2Referências: 11

  • Cry for Luck

    David Roche, Richard Keeling et al.ARTICLEEthnomusicology1998

  • A Guide to Early Field Recordings (1900-1949) at the Lowie Museum of Anthropology

    Joan Berman, Richard Keeling et al.ARTICLEEthnomusicology1995Citada por: 2

    This book is a useful guide to songs and spoken narratives that were collected from Native American tribal groups all over the California region as part of an ethnological survey conducted by University of California researchers between 1900 and 1940. The collection is illuminated by a large body of published sources and manuscripts containing translations and other information on the cultural significance of the recordings. This volume provides …

  • Women in North American Indian Music

    Victoria Lindsay Levine, Richard Keeling et al.ARTICLEEthnomusicology1994

  • Euro-American Racism

    Open AccessRichard Keeling, Richard P KeelingARTICLEAnthropology News1993

  • Women in North American Indian Music

    Victoria Lindsay Levine, Richard Keeling et al.ARTICLEThe American Indian Quarterly1992

  • Music and Culture History among the Yurok and Neighboring Tribes of Northwestern California

    Richard Keeling, Richard P KeelingARTICLEJournal of Anthropological Research1992Citada por: 1

    As George Herzog (1935) once observed, repertories of Indian music are not typically homogeneous, but rather they usually contain "foreign elements" and "survivals" as well as songs in the predominant style. This presents serious difficulties for the generalist who seeks to define the music of a given tribe or culture area in unambiguous terms, but it also suggests interesting possibilities for the scholar who takes a historical approach. This st…

  • The Music of the Indians of Northern California

    Anne Dhu Shapiro, Jaime De Angulo et al.ARTICLEAmerican Music1991

  • The Federal Cylinder Project

    Richard Keeling, Richard P Keeling et al.ARTICLEJournal of American Folklore1988

    information on the context of song performance buried in the text. For example, we learn that the Oglala like their songs short (p. 57), that singers may practice for a performance by whistling a song (p. 58), that the sound of the mouth organ is likened to the noise of prairie dogs (p. 67), and that songs are created in the springtime during vision quests (p. 7). There is no overall discussion of performance or context, however, and I was left f…

  • Yaqui Deer Songs, Maso Bwikam

    Richard Keeling, Richard P Keeling et al.ARTICLEEthnomusicology1988

  • Contrast of Song Performance Style as a Function of Sex Role Polarity in the Hupa Brush Dance

    Richard Keeling, Richard P KeelingARTICLEEthnomusicology1985

    Any things connected with the physiology of sex on the one hand and with deer on the other are considered utterly incompatible by the Yurok. The prospective hunter therefore carefully keeps away from his wife, or counteracts the effect by reciting formula of special potence. Nor does he approach her after a meal of venison or sea-lion flesh, for fear of bringing illness on their child (Kroeber 1925:69)

  • The Ojibwa Dance Drum

    Richard Keeling, Richard P Keeling et al.ARTICLEThe American Indian Quarterly1984

  • "The #Sobbing" Quality in a Hupa Brush Dance Song

    Open AccessRichard Keeling, Richard P KeelingARTICLEAmerican Indian Culture and…1982

    ETHNOGRAPHIC INTRODUCTION\nIn the years before 1850 the Indians who lived along the lower reaches of the Klamath and Trinity Rivers in Northwestern California enjoyed a fantastic wealth of natural resources. Salmon and acorns were so plentiful that subsistence needs could be met by working no more than a few months out of the year. These Indians-the Yurok, Hupa, and Karok-lived in permanent villages in stout semi-subterranean houses made of cedar…

  • The Tache-Yokuts

    Richard Keeling, Richard P Keeling et al.ARTICLEEthnomusicology1982

  • The Secularization of the Modern Brush Dance

    Open AccessRichard Keeling, Richard P KeelingARTICLEAmerican Indian Culture and…1980

    THE END OF INDIAN TIME\nModern Yurok, Hupa, and Karok Indians insist that, in ancient times, everything used to be religious. Practical activities were ritualized and given a spiritual interpretation. The act of walking through the woods, for: example, was given shape through particular places where it was appropriate to rest, or to speak s ome specific words, or even just to drop a piece of twig, just as some wahgey had done.\nThe Indians believ…