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Kristina Busse

Dados Biográficos

ID1507162
NOMEKristina Busse
PRENOMESKristina
SOBRENOMEBusse
ASSINATURABUSSE K
AFILIAÇÕESFilm Independent
ORCID0009-0006-8277-107X
VERIFICADONão
TOTAL DE OBRAS12
TOTAL DE CITAÇÕES4
TOTAL COMO AUTOR11
TOTAL COMO EDITOR1
PRIMEIRO ANO DE PUBLICAÇÃO2004
ANO MAIS RECENTE DE PUBLICAÇÃO2022
ÍNDICE H1
  • Roundtable

    Open Access•Lincoln Geraghty, Brian Chin et al.•ARTICLE•Humanities•2022

    Fanfiction as a cultural practice has rapidly evolved in recent years, from a community-based form of social interaction to a globally recognised form of narrative world-building [...]

  • The ethics of studying online fandom

    Kristina Busse•CHAPTER•Routledge Companion to Media Fandom•2017

    This chapter illustrates how utilitarian approaches often harm the already most vulnerable, which indicates the superiority of clear rules like the ones endeavored by Internal Review Boards. It suggests that even personal imperatives can become detrimental when a strict set of rules fails in specific situations. If online texts are testimonies of human research subjects, researchers need IRB permissions with informed consent, and even pseudonyms …

  • Framing Fan Fiction

    Open Access•Kristina Busse•BOOK•Framing Fan Fiction•2017

  • Framing Fan Fiction

    Kristina Busse•BOOK•Framing Fan Fiction•2017

    Contents -- Introduction -- 1. The Return of the Author: Ethos and Identity Politics -- Part I. Slash as Identificatory Practices -- 2. "I'm jealous of the fake me": Postmodern Subjectivity and Identity Construction in Boy Band Fan Fiction -- 3. Bending Gender: Feminist and (Trans)Gender Discourses in the Changing Bodies of Slash Fan Fiction, with Alexis Lothian -- 4. Affective Imagination: Fan Representation in Media Fan Fiction -- Part II. Cano…

  • The Fan Fiction Studies Reader

    Open Access•Kristina Busse, Karen Hellekson•BOOK•The Fan Fiction Studies Reader•2014

    "An essential introduction to a rapidly growing field of study, The Fan Fiction Studies Reader gather in one place the key foundational texts of the fan studies corpus, with a focus on fan fiction."--Back cover

  • Spreadable Media

    H Jenkins, Sam Ford et al.•ARTICLE•Cinema Journal•2014

    Spreadable Media:Creating Value and Meaning in a Networked Culture Online Roundtable on Spreadable Media, by Henry Jenkins, Sam Ford, and Joshua Green, with participants Paul Booth, Kristina Busse, Melissa Click, Sam Ford, Henry Jenkins, Xiaochang Li, and Sharon Ross. Moderated by Lousia Stein, Book Review Editor Spreadable Media: Creating Value and Meaning in a Networked Culture by Henry Jenkins, Sam Ford, and Joshua Green. New York University P…

  • Fan Cultures and Fan Communities

    Open Access•Kristina Busse, Jonathan Gray•OTHER•The Handbook of Media Audiences•2011

    This chapter contains sections titled: Introduction History Convergence and New Media Culture Fan Communities: Exemplary or Exceptional Audiences Beyond Communities References

  • Scholarly Critiques and Critiques of Scholarship

    Kristina Busse, Alexis Lothian•ARTICLE•Camera Obscura Feminism Culture…•2011•Citada por: 1

    Vidding is a thirty-year-old remix practice in which predominantly female media fans reedit television or film into music videos. Vidding is important not only as an art form in its own right but also as a subcultural — and often feminist — reinterpretation of and confrontation with mainstream media culture. The feminist manifestations of vidding range from the creation of deeply felt emotional odes to television and film, to the analytical teasi…

  • Limit Play

    Louisa Stein, Kristina Busse•ARTICLE•Popular Communication•2009•Citada por: 3•Referências: 4

    Fans create fiction and art in a space between their imaginative expansive impulses and various restrictions. Indeed, limitations of culture and technology are at the heart of fan creativity. These constraints come in many forms, from the constraints of the source text to those of community expectations, from the broader cultural expectations of genre to the limitations of technological interfaces. These multiple restrictions of text, intertext, …

  • “Yearning Void and Infinite Potential”

    Alexis Lothian, Kristina Busse et al.•ARTICLE•English Language Notes•2007

    Research Article| September 01 2007 "Yearning Void and Infinite Potential": Online Slash Fandom as Queer Female Space Alexis Lothian; Alexis Lothian University of Southern California [email protected] Alexis Lothian is a doctoral student in English at the University of Southern California, specializing in queer and feminist theory and cultural studies. Her interests include geek literatures and cultures, futurity, utopia, and the Internet. Search f…

  • Fan fiction and fan communities in the age of the Internet

    Karen Hellekson, Kristina Busse•BOOK•Fan fiction and fan communities…•2006

    "The essays in this volume explore the world of fan fiction--its purposes, how it is created, how the fan experiences it. Grouped by subject matter, twelve essays cover topics such as genre intersection, sexual relationships between characters, character construction through narrative and the role of the beta reader in online communities"--Provided by publisher

  • CFP

    Karen Hellekson, Kristina Busse•ARTICLE•Science Fiction Studies•2004

  • Limit Play

    Louisa Stein, Kristina Busse•ARTICLE•Popular Communication•2009•Citada por: 3•Referências: 4

    Fans create fiction and art in a space between their imaginative expansive impulses and various restrictions. Indeed, limitations of culture and technology are at the heart of fan creativity. These constraints come in many forms, from the constraints of the source text to those of community expectations, from the broader cultural expectations of genre to the limitations of technological interfaces. These multiple restrictions of text, intertext, …

  • Scholarly Critiques and Critiques of Scholarship

    Kristina Busse, Alexis Lothian•ARTICLE•Camera Obscura Feminism Culture…•2011•Citada por: 1

    Vidding is a thirty-year-old remix practice in which predominantly female media fans reedit television or film into music videos. Vidding is important not only as an art form in its own right but also as a subcultural — and often feminist — reinterpretation of and confrontation with mainstream media culture. The feminist manifestations of vidding range from the creation of deeply felt emotional odes to television and film, to the analytical teasi…

  • CFP

    Karen Hellekson, Kristina Busse•ARTICLE•Science Fiction Studies•2004

  • Fan fiction and fan communities in the age of the Internet

    Karen Hellekson, Kristina Busse•BOOK•Fan fiction and fan communities…•2006

    "The essays in this volume explore the world of fan fiction--its purposes, how it is created, how the fan experiences it. Grouped by subject matter, twelve essays cover topics such as genre intersection, sexual relationships between characters, character construction through narrative and the role of the beta reader in online communities"--Provided by publisher

  • “Yearning Void and Infinite Potential”

    Alexis Lothian, Kristina Busse et al.•ARTICLE•English Language Notes•2007

    Research Article| September 01 2007 "Yearning Void and Infinite Potential": Online Slash Fandom as Queer Female Space Alexis Lothian; Alexis Lothian University of Southern California [email protected] Alexis Lothian is a doctoral student in English at the University of Southern California, specializing in queer and feminist theory and cultural studies. Her interests include geek literatures and cultures, futurity, utopia, and the Internet. Search f…

  • Limit Play

    Louisa Stein, Kristina Busse•ARTICLE•Popular Communication•2009•Citada por: 3•Referências: 4

    Fans create fiction and art in a space between their imaginative expansive impulses and various restrictions. Indeed, limitations of culture and technology are at the heart of fan creativity. These constraints come in many forms, from the constraints of the source text to those of community expectations, from the broader cultural expectations of genre to the limitations of technological interfaces. These multiple restrictions of text, intertext, …

  • Fan Cultures and Fan Communities

    Open Access•Kristina Busse, Jonathan Gray•OTHER•The Handbook of Media Audiences•2011

    This chapter contains sections titled: Introduction History Convergence and New Media Culture Fan Communities: Exemplary or Exceptional Audiences Beyond Communities References

  • Scholarly Critiques and Critiques of Scholarship

    Kristina Busse, Alexis Lothian•ARTICLE•Camera Obscura Feminism Culture…•2011•Citada por: 1

    Vidding is a thirty-year-old remix practice in which predominantly female media fans reedit television or film into music videos. Vidding is important not only as an art form in its own right but also as a subcultural — and often feminist — reinterpretation of and confrontation with mainstream media culture. The feminist manifestations of vidding range from the creation of deeply felt emotional odes to television and film, to the analytical teasi…

  • The Fan Fiction Studies Reader

    Open Access•Kristina Busse, Karen Hellekson•BOOK•The Fan Fiction Studies Reader•2014

    "An essential introduction to a rapidly growing field of study, The Fan Fiction Studies Reader gather in one place the key foundational texts of the fan studies corpus, with a focus on fan fiction."--Back cover

  • Spreadable Media

    H Jenkins, Sam Ford et al.•ARTICLE•Cinema Journal•2014

    Spreadable Media:Creating Value and Meaning in a Networked Culture Online Roundtable on Spreadable Media, by Henry Jenkins, Sam Ford, and Joshua Green, with participants Paul Booth, Kristina Busse, Melissa Click, Sam Ford, Henry Jenkins, Xiaochang Li, and Sharon Ross. Moderated by Lousia Stein, Book Review Editor Spreadable Media: Creating Value and Meaning in a Networked Culture by Henry Jenkins, Sam Ford, and Joshua Green. New York University P…

  • The ethics of studying online fandom

    Kristina Busse•CHAPTER•Routledge Companion to Media Fandom•2017

    This chapter illustrates how utilitarian approaches often harm the already most vulnerable, which indicates the superiority of clear rules like the ones endeavored by Internal Review Boards. It suggests that even personal imperatives can become detrimental when a strict set of rules fails in specific situations. If online texts are testimonies of human research subjects, researchers need IRB permissions with informed consent, and even pseudonyms …

  • Framing Fan Fiction

    Open Access•Kristina Busse•BOOK•Framing Fan Fiction•2017

  • Framing Fan Fiction

    Kristina Busse•BOOK•Framing Fan Fiction•2017

    Contents -- Introduction -- 1. The Return of the Author: Ethos and Identity Politics -- Part I. Slash as Identificatory Practices -- 2. "I'm jealous of the fake me": Postmodern Subjectivity and Identity Construction in Boy Band Fan Fiction -- 3. Bending Gender: Feminist and (Trans)Gender Discourses in the Changing Bodies of Slash Fan Fiction, with Alexis Lothian -- 4. Affective Imagination: Fan Representation in Media Fan Fiction -- Part II. Cano…

  • Roundtable

    Open Access•Lincoln Geraghty, Brian Chin et al.•ARTICLE•Humanities•2022

    Fanfiction as a cultural practice has rapidly evolved in recent years, from a community-based form of social interaction to a globally recognised form of narrative world-building [...]

Art (11 obras) · Asian Culture and Media Studies (9 obras) · Sociology (9 obras) · History (8 obras) · Media studies (8 obras) · Digital Games and Media (7 obras) · Literature (7 obras) · Computer Science (5 obras) · Aesthetics (3 obras) · Fan fiction (3 obras)

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