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Seio Nakajima

Dados Biográficos

ID154666
NOMESeio Nakajima
PRENOMESSeio
SOBRENOMENakajima
ASSINATURANAKAJIMA S
AFILIAÇÕESWaseda University
VERIFICADONão
TOTAL DE OBRAS6
TOTAL DE CITAÇÕES3
TOTAL COMO AUTOR6
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2010
ANO MAIS RECENTE DE PUBLICAÇÃO2016
ÍNDICE H1
  • The genesis, structure and transformation of the contemporary Chinese cinematic field

    Open Access•Seio Nakajima•ARTICLE•Global Media and Communication•2016•Referências: 12

    By putting to work Pierre Bourdieu’s approach to the ‘field of cultural production’, I analyze interactions of politics and economy as they play out in what I call the ‘contemporary Chinese cinematic field’. How has the Chinese field of film production emerged, stabilized and changed in the era of Reform and Opening? Through archival data and in-depth interviews, I answer the question by discussing four sub-fields of film production, namely polit…

  • The Paradox of Class Labeling in the Mao Era

    Open Access•Seio Nakajima•ARTICLE•Journal of Contemporary East Asia…•2015•Referências: 2

    How can we understand the paradox that the apparently “convivial” (Ivan Illich) ideal of Maoism and the Chinese Revolution resulted in the extreme violence and turmoil of the Cultural Revolution? In this article, I tackle this question by discussing the practice and system of class labeling during the Mao Era (1949–1976), in particular, during the Cultural Revolution. I begin by examining the theory and concepts presented by Michel Foucault and p…

  • Chinese film spaces

    Seio Nakajima•ARTICLE•Continuum•2013•Referências: 2

    Drawing upon rich detailed data collected through ethnography in the capital city of Beijing, China, this article examines the social locations and media used for watching Chinese independent films. Three key research questions frame the article. (1) Who are the audiences of Chinese independent films? (2) Under what circumstances do they watch the films? (3) What are the broader social consequences of watching independent films in China? Empirica…

  • Re-imagining Civil Society in Contemporary Urban China

    Open Access•Seio Nakajima•ARTICLE•Qualitative Sociology•2013•Citada por: 2•Referências: 33

  • Prosumption in Art

    Open Access•Seio Nakajima•ARTICLE•American Behavioral Scientist•2012•Citada por: 1•Referências: 18

    Extending recent seminal studies on the emerging phenomenon of prosumption, this article analyzes the process of prosumption in art, which has been relatively neglected in the discussion. What was the history of prosumption in art before the rise of its awareness in the digital age? What characteristics of prosumption have emerged in the art world in the past two decades or so? What are the implications of the rise of prosumption in art for socio…

  • Visual Anthropology

    Open Access•Seio Nakajima•ARTICLE•American Anthropologist•2010

  • Re-imagining Civil Society in Contemporary Urban China

    Open Access•Seio Nakajima•ARTICLE•Qualitative Sociology•2013•Citada por: 2•Referências: 33

  • Prosumption in Art

    Open Access•Seio Nakajima•ARTICLE•American Behavioral Scientist•2012•Citada por: 1•Referências: 18

    Extending recent seminal studies on the emerging phenomenon of prosumption, this article analyzes the process of prosumption in art, which has been relatively neglected in the discussion. What was the history of prosumption in art before the rise of its awareness in the digital age? What characteristics of prosumption have emerged in the art world in the past two decades or so? What are the implications of the rise of prosumption in art for socio…

  • Visual Anthropology

    Open Access•Seio Nakajima•ARTICLE•American Anthropologist•2010

  • Prosumption in Art

    Open Access•Seio Nakajima•ARTICLE•American Behavioral Scientist•2012•Citada por: 1•Referências: 18

    Extending recent seminal studies on the emerging phenomenon of prosumption, this article analyzes the process of prosumption in art, which has been relatively neglected in the discussion. What was the history of prosumption in art before the rise of its awareness in the digital age? What characteristics of prosumption have emerged in the art world in the past two decades or so? What are the implications of the rise of prosumption in art for socio…

  • Chinese film spaces

    Seio Nakajima•ARTICLE•Continuum•2013•Referências: 2

    Drawing upon rich detailed data collected through ethnography in the capital city of Beijing, China, this article examines the social locations and media used for watching Chinese independent films. Three key research questions frame the article. (1) Who are the audiences of Chinese independent films? (2) Under what circumstances do they watch the films? (3) What are the broader social consequences of watching independent films in China? Empirica…

  • Re-imagining Civil Society in Contemporary Urban China

    Open Access•Seio Nakajima•ARTICLE•Qualitative Sociology•2013•Citada por: 2•Referências: 33

  • The Paradox of Class Labeling in the Mao Era

    Open Access•Seio Nakajima•ARTICLE•Journal of Contemporary East Asia…•2015•Referências: 2

    How can we understand the paradox that the apparently “convivial” (Ivan Illich) ideal of Maoism and the Chinese Revolution resulted in the extreme violence and turmoil of the Cultural Revolution? In this article, I tackle this question by discussing the practice and system of class labeling during the Mao Era (1949–1976), in particular, during the Cultural Revolution. I begin by examining the theory and concepts presented by Michel Foucault and p…

  • The genesis, structure and transformation of the contemporary Chinese cinematic field

    Open Access•Seio Nakajima•ARTICLE•Global Media and Communication•2016•Referências: 12

    By putting to work Pierre Bourdieu’s approach to the ‘field of cultural production’, I analyze interactions of politics and economy as they play out in what I call the ‘contemporary Chinese cinematic field’. How has the Chinese field of film production emerged, stabilized and changed in the era of Reform and Opening? Through archival data and in-depth interviews, I answer the question by discussing four sub-fields of film production, namely polit…

Law (6 obras) · Political science (6 obras) · Sociology (6 obras) · Law (5 obras) · Social science (4 obras) · Art (3 obras) · Chinese history and philosophy (3 obras) · Cultural Industries and Urban Development (3 obras) · Media studies (3 obras) · Politics (3 obras)

Ethnos_APP • Projeto Open Source • Licença MIT • Frontend v2.0.0 • Privacidade e Cookies • Documentação da API: api.ethnos.app/docs • Código da API: GitHub • DOI: 10.5281/zenodo.17049435 • Código do Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae