Ana Belén Martín Sevillano
Dados Biográficos
| ID | 1546690 |
|---|---|
| NOME | Ana Belén Martín Sevillano |
| PRENOMES | Ana Belén Martín |
| SOBRENOME | Sevillano |
| ASSINATURA | SEVILLANO A B M |
| AFILIAÇÕES | Université de Montréal |
| ORCID | 0000-0001-7829-3067 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 6 |
| TOTAL DE CITAÇÕES | 1 |
| TOTAL COMO AUTOR | 6 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2006 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2021 |
| ÍNDICE H | 1 |
The Romani Ethos
In the context of the sociopolitical articulation of the Romani diaspora, this paper explores how its narrative is supported in four literary works written in different languages and national settings – Fires in the Dark by Louise Doughty, Camelamos Naquerar (We want to speak) by José Heredia Maya, Goddamn Gypsy by Ronald Lee, and Dites-le avec des pleurs (Say it with tears) by Mateo Maximoff – shaping a transnational/diasporicliterary production…
Son ilusiones
La producción cultural de la clase obrera española ha recibido escaso reconocimiento histórico en España, país que presenta un modelo social que liga las prácticas artísticas y culturales a las clases media y alta. A partir de 2011, tras el movimiento político 15M, la crítica ha iniciado un tímido proceso de recuperación y revalorización de prácticas culturales que han sido consideradas de mal gusto o marginales en virtud del origen social de sus…
The Artwork of Clara Morera
This essay offers an account of Clara Morera's artistic course, considering the context and quality of her artwork. Morera has been one of the first female Cuban visual artists to formulate a gendered discourse in the plastic arts by making use of the symbolic and aesthetic force of the Cuban religious legacy. The analysis of the artist's work reveals the innovative aesthetic syntax she has developed by approaching, from her own gendered experien…
Género y "racialidad" en la esfera pública
Representation in the public sphere is still a challenge for the afro-descendent women in the islands of the Hispanic Caribbean (Cuba, Puerto Rico, and Dominican Republic). These nations have little public policy to address the pervasive oppression of women and afro-descendants. Despite the efforts made during the last decade, associations in the public sphere have encountered problems both to emerge and to survive due to the absence of social an…
Cuba Posible
A finales de los años ochenta, tras tres décadas de gobierno Revolucionario, se abrió en Cuba una renovadora etapa creativa en la que la producción cultural se orientó a reconstruir espacios de diálogo y negociación propios de la sociedad civil. La obra cultural se entendió entonces como un foro de discusión en el que, entre otras cosas, se ponía en cuestión la definición oficial de la nación, de sus límites y de su textura. Para ilustrar esta id…
Experience, Subjectivity and Politics in the Italian Feminist Movement
This article describes the political practices of a part of the Italian women’s movement that, as of the 1980s, gave way to the sexual difference thought. Through a political analysis of their own experience, which removed any humanist identity assumptions, the women’s movement generated new practices and discourses. With these, women were able to exert self-criticism, and simultaneously to produce new subjectivities articulated around the sexual…
Experience, Subjectivity and Politics in the Italian Feminist Movement
This article describes the political practices of a part of the Italian women’s movement that, as of the 1980s, gave way to the sexual difference thought. Through a political analysis of their own experience, which removed any humanist identity assumptions, the women’s movement generated new practices and discourses. With these, women were able to exert self-criticism, and simultaneously to produce new subjectivities articulated around the sexual…
Experience, Subjectivity and Politics in the Italian Feminist Movement
This article describes the political practices of a part of the Italian women’s movement that, as of the 1980s, gave way to the sexual difference thought. Through a political analysis of their own experience, which removed any humanist identity assumptions, the women’s movement generated new practices and discourses. With these, women were able to exert self-criticism, and simultaneously to produce new subjectivities articulated around the sexual…
Cuba Posible
A finales de los años ochenta, tras tres décadas de gobierno Revolucionario, se abrió en Cuba una renovadora etapa creativa en la que la producción cultural se orientó a reconstruir espacios de diálogo y negociación propios de la sociedad civil. La obra cultural se entendió entonces como un foro de discusión en el que, entre otras cosas, se ponía en cuestión la definición oficial de la nación, de sus límites y de su textura. Para ilustrar esta id…
Género y "racialidad" en la esfera pública
Representation in the public sphere is still a challenge for the afro-descendent women in the islands of the Hispanic Caribbean (Cuba, Puerto Rico, and Dominican Republic). These nations have little public policy to address the pervasive oppression of women and afro-descendants. Despite the efforts made during the last decade, associations in the public sphere have encountered problems both to emerge and to survive due to the absence of social an…
The Artwork of Clara Morera
This essay offers an account of Clara Morera's artistic course, considering the context and quality of her artwork. Morera has been one of the first female Cuban visual artists to formulate a gendered discourse in the plastic arts by making use of the symbolic and aesthetic force of the Cuban religious legacy. The analysis of the artist's work reveals the innovative aesthetic syntax she has developed by approaching, from her own gendered experien…
Son ilusiones
La producción cultural de la clase obrera española ha recibido escaso reconocimiento histórico en España, país que presenta un modelo social que liga las prácticas artísticas y culturales a las clases media y alta. A partir de 2011, tras el movimiento político 15M, la crítica ha iniciado un tímido proceso de recuperación y revalorización de prácticas culturales que han sido consideradas de mal gusto o marginales en virtud del origen social de sus…
The Romani Ethos
In the context of the sociopolitical articulation of the Romani diaspora, this paper explores how its narrative is supported in four literary works written in different languages and national settings – Fires in the Dark by Louise Doughty, Camelamos Naquerar (We want to speak) by José Heredia Maya, Goddamn Gypsy by Ronald Lee, and Dites-le avec des pleurs (Say it with tears) by Mateo Maximoff – shaping a transnational/diasporicliterary production…
Art (5 obras) · Political science (4 obras) · Sociology (4 obras) · Aesthetics (3 obras) · Humanities (3 obras) · Anthropology (2 obras) · Context (archaeology (2 obras) · Cuban History and Society (2 obras) · Gender Studies (2 obras) · Gender Studies (2 obras)