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Kenneth Harrow

Dados Biográficos

ID157139
NOMEKenneth Harrow
PRENOMESKenneth
SOBRENOMEHarrow
ASSINATURAHARROW K
AFILIAÇÕESMichigan State University
VERIFICADONão
TOTAL DE OBRAS11
TOTAL DE CITAÇÕES5
TOTAL COMO AUTOR11
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1978
ANO MAIS RECENTE DE PUBLICAÇÃO2020
ÍNDICE H2
  • The Labour of Trash Films

    Kenneth W Harrow, Kenneth Harrow•ARTICLE•Critical Arts•2020•Referências: 1

    The notion of trash films, trashy performances, has marked Western film heavily. The emphasis often falls on disrupting an established order, “troubling the waters,” through anti-bourgeois language and images, through revolutionary class struggles. In this paper, I am interested in seeing how the features involving trash, disorder, and social struggle, accord with attempts to create a new cinematic language to convey positive visual and narrative…

  • The materiality of automobility

    Kenneth W Harrow, Kenneth Harrow•ARTICLE•Journal of African Cultural Studies•2020•Citada por: 2•Referências: 1

    Lindsey Green-Simms (2017) has written a fine book. For me there were perhaps three chapters where I was most impressed with that sense of new, strong thinking – those dealing with Francophone cine

  • In Celebration of Idrissa Ouedraogo (1954-2018)

    Open Access•Kenneth W Harrow, Kenneth Harrow•ARTICLE•African Studies Review•2018

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Timbuktu —The Controversy - Abderrahmane Sissako, Director. Timbuktu. Original Title

    Open Access•A Conversation among, Odile Cazenave et al.•ARTICLE•African Studies Review•2016

    TIMBUKTU—THE CONTROVERSY - Abderrahmane Sissako, director. Timbuktu. Original title: Timbuktu, le chagrin des oiseaux. 2014. 97 minutes. In French, Bambara, Songhay, Tamashek, Arabic, and English. France/Mauritania. Worso Films. - Volume 59 Issue 3

  • Trash

    Kenneth W Harrow, Kenneth Harrow•BOOK•Trash•2013

    African film against high culture

  • Postcolonial African Cinema

    Kenneth W Harrow, Kenneth Harrow•BOOK•Postcolonial African Cinema•2007

    A new critical approach to African cinema

  • Faces of Islam in African Literature

    John Conteh-Morgan, Kenneth W Harrow et al.•ARTICLE•Canadian Journal of African…•1994

  • Le Bel Immonde

    Kenneth W Harrow, Kenneth Harrow•ARTICLE•Callaloo•1991•Citada por: 1

  • L'anté-peuple

    Kenneth W Harrow, Kenneth Harrow et al.•ARTICLE•World Literature Today•1984

  • Sembène Ousmane's Xala

    Open Access•Kenneth W Harrow, Kenneth Harrow•ARTICLE•Studies in 20th & 21st century…•1980•Citada por: 2

    Sembène Ousmane's Xala was written as a novel and made into a film in 1974. It is a biting attack upon the newly risen bourgeois class that has ascended to power and wealth in Senegal since independence. The ideological framework of Xala rests upon Marxist assumptions adapted to and modified by the circumstances in Africa. The distinctively Senegalese features which mark Sembène's portrayal include Muslim and traditional religious beliefs which f…

  • The Ashanti Doll

    Kenneth W Harrow, Kenneth Harrow et al.•ARTICLE•World Literature Today•1978

  • The materiality of automobility

    Kenneth W Harrow, Kenneth Harrow•ARTICLE•Journal of African Cultural Studies•2020•Citada por: 2•Referências: 1

    Lindsey Green-Simms (2017) has written a fine book. For me there were perhaps three chapters where I was most impressed with that sense of new, strong thinking – those dealing with Francophone cine

  • Sembène Ousmane's Xala

    Open Access•Kenneth W Harrow, Kenneth Harrow•ARTICLE•Studies in 20th & 21st century…•1980•Citada por: 2

    Sembène Ousmane's Xala was written as a novel and made into a film in 1974. It is a biting attack upon the newly risen bourgeois class that has ascended to power and wealth in Senegal since independence. The ideological framework of Xala rests upon Marxist assumptions adapted to and modified by the circumstances in Africa. The distinctively Senegalese features which mark Sembène's portrayal include Muslim and traditional religious beliefs which f…

  • Le Bel Immonde

    Kenneth W Harrow, Kenneth Harrow•ARTICLE•Callaloo•1991•Citada por: 1

  • The Ashanti Doll

    Kenneth W Harrow, Kenneth Harrow et al.•ARTICLE•World Literature Today•1978

  • Sembène Ousmane's Xala

    Open Access•Kenneth W Harrow, Kenneth Harrow•ARTICLE•Studies in 20th & 21st century…•1980•Citada por: 2

    Sembène Ousmane's Xala was written as a novel and made into a film in 1974. It is a biting attack upon the newly risen bourgeois class that has ascended to power and wealth in Senegal since independence. The ideological framework of Xala rests upon Marxist assumptions adapted to and modified by the circumstances in Africa. The distinctively Senegalese features which mark Sembène's portrayal include Muslim and traditional religious beliefs which f…

  • L'anté-peuple

    Kenneth W Harrow, Kenneth Harrow et al.•ARTICLE•World Literature Today•1984

  • Le Bel Immonde

    Kenneth W Harrow, Kenneth Harrow•ARTICLE•Callaloo•1991•Citada por: 1

  • Faces of Islam in African Literature

    John Conteh-Morgan, Kenneth W Harrow et al.•ARTICLE•Canadian Journal of African…•1994

  • Postcolonial African Cinema

    Kenneth W Harrow, Kenneth Harrow•BOOK•Postcolonial African Cinema•2007

    A new critical approach to African cinema

  • Trash

    Kenneth W Harrow, Kenneth Harrow•BOOK•Trash•2013

    African film against high culture

  • Timbuktu —The Controversy - Abderrahmane Sissako, Director. Timbuktu. Original Title

    Open Access•A Conversation among, Odile Cazenave et al.•ARTICLE•African Studies Review•2016

    TIMBUKTU—THE CONTROVERSY - Abderrahmane Sissako, director. Timbuktu. Original title: Timbuktu, le chagrin des oiseaux. 2014. 97 minutes. In French, Bambara, Songhay, Tamashek, Arabic, and English. France/Mauritania. Worso Films. - Volume 59 Issue 3

  • In Celebration of Idrissa Ouedraogo (1954-2018)

    Open Access•Kenneth W Harrow, Kenneth Harrow•ARTICLE•African Studies Review•2018

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Labour of Trash Films

    Kenneth W Harrow, Kenneth Harrow•ARTICLE•Critical Arts•2020•Referências: 1

    The notion of trash films, trashy performances, has marked Western film heavily. The emphasis often falls on disrupting an established order, “troubling the waters,” through anti-bourgeois language and images, through revolutionary class struggles. In this paper, I am interested in seeing how the features involving trash, disorder, and social struggle, accord with attempts to create a new cinematic language to convey positive visual and narrative…

  • The materiality of automobility

    Kenneth W Harrow, Kenneth Harrow•ARTICLE•Journal of African Cultural Studies•2020•Citada por: 2•Referências: 1

    Lindsey Green-Simms (2017) has written a fine book. For me there were perhaps three chapters where I was most impressed with that sense of new, strong thinking – those dealing with Francophone cine

Art (7 obras) · History (7 obras) · African history and culture studies (5 obras) · History (5 obras) · Aesthetics (3 obras) · Political science (3 obras) · Africa (2 obras) · African Studies and Geopolitics (2 obras) · African studies and sociopolitical issues (2 obras) · Art history (2 obras)

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