Pular para o conteúdo principal

ETHNOS_APP

Início • Busca • Periódicos • Lista 0

Silvia Kolbowski

Dados Biográficos

ID1601368
NOMESilvia Kolbowski
PRENOMESSilvia
SOBRENOMEKolbowski
ASSINATURAKOLBOWSKI S
VERIFICADONão
TOTAL DE OBRAS11
TOTAL DE CITAÇÕES48
TOTAL COMO AUTOR11
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1983
ANO MAIS RECENTE DE PUBLICAÇÃO2018
ÍNDICE H4
  • A Questionnaire on Monuments

    Lucía Allais, Noel W Anderson et al.•ARTICLE•October•2018•Citada por: 4•Referências: 4

    A Questionnaire on Monuments" features 49 responses to questions formulated by Leah Dickerman, Hal Foster, David Joselit, and Carrie Lambert-Beatty: "From Charlottesville to Cape Town, there have been struggles over monuments and other markers involving histories of racial conflict. How do these charged situations shed light on the ethics of images in civil society today? Speaking generally or with specific examples in mind, please consider any o…

  • Diary of a Buren Spectator

    Silvia Kolbowski•ARTICLE•October•2006

    January 01 2006 Diary of a Buren Spectator Silvia Kolbowski Silvia Kolbowski Search for other works by this author on: This Site Google Scholar Author and Article Information Silvia Kolbowski Silvia Kolbowski is an artist whose scope of address includes the ethics and politics of history, culture, and the unconscious. Her most recent project, Proximity to Power, American Style, a slide and audio work about the relational aspects of masculine powe…

  • An Inadequate History of Conceptual Art

    Silvia Kolbowski•ARTICLE•October•2000•Citada por: 2

  • The Moma Expansion

    Hal Foster, Denis Hollier et al.•ARTICLE•October•1998•Citada por: 4

    Hal Foster: Can you give us a general summary of the competition process? Terence Riley: In brief, a lot of paper was generated by the selection process. Underlying the process of the museum selecting an architect is the presupposition that, for the architect to develop a proposal or a scheme, the museum has to be able to explain to the architect its position on a variety of important issues. In a day-to-day mode, people who work in a building ra…

  • Visual Culture Questionnaire

    Svetlana Alper, Svetlana Alpers et al.•ARTICLE•October•1996•Citada por: 27

    1. It has been suggested that the interdisciplinary project of is no longer organized on the model of (as were the disciplines of art history, architectural history, film history, etc.) but on the model of anthropology. Hence, it is argued by some that visual culture is in an eccentric (even, at times, antagonistic) position with regard to the new art history with its social-historical and semiotic imperatives and models of context and text

  • Further Thoughts on Helke Sander's Project

    Annette Michelson, Andreas Huyssen et al.•ARTICLE•October•1995•Citada por: 5

    Annette Michelson: We are here to discuss a work by the important German feminist filmmaker Helke Sander. Although this film won the Nestor Almendros Prize at the Human Rights Film Festival of 1993 in New York and was the subject, last fall, of a day-long symposium at the Graduate Center of the City University, it has not yet received a fully articulated and nuanced response in the United States. It seems to us that the film raises important ques…

  • The Reception of the Sixties

    Rosalind Krau, Rosalind Krauss et al.•ARTICLE•October•1994•Citada por: 3

    ous art magazines but of mass-press journalism-was something that shocked us. I'm sure this was experienced by each of us differently, since we all encountered 1960s art and the discourse it generated, and the profound change it effected in artistic practice, at different moments. But we could start by speculating on why we think there is a particular resistance to 1960s art at this moment. What is there in the political or aesthetic situation of…

  • Once More, with Feeling… Already

    Silvia Kolbowski•ARTICLE•October•1993

  • The Politics of the Signifier

    Hal Foster, Rosalind Krau et al.•ARTICLE•October•1993•Citada por: 3

    Hal Foster: The editors of October have decided to begin a series of roundtables in order to explore some of the problems that appear to confront art, theory, and politics with a special urgency in this country today. Recent political events, socioeconomic developments, and institutional changes have transformed the frames in which these practices are enacted and understood. The same is true of historical work in modernist studies, and in future …

  • Out of Cold Blood

    Silvia Kolbowski•ARTICLE•Afterimage•1986

    Other| June 01 1986 Out of Cold Blood: New Argentine Films Silvia Kolbowski Silvia Kolbowski Silvia Kolbowski is an artist and writer currently visiting in West Berlin. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (1986) 14 (1): 5–7. https://doi.org/10.1525/aft.1986.14.1.5 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Ic…

  • Virgin Territory

    Silvia Kolbowski•ARTICLE•Afterimage•1983

    Other| November 01 1983 Virgin Territory: Gilbert & George’s “Modern Faith” Modern Faith at Sonnabend Gallery, New York April 16-May 14 Silvia Kolbowski Silvia Kolbowski Silvia Kolbowski is an artist and writes on photography. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (1983) 11 (4): 12–13. https://doi.org/10.1525/aft.1983.11.4.12 Views Icon Views Article contents Figures & tables Video Audio Supplementar…

  • Visual Culture Questionnaire

    Svetlana Alper, Svetlana Alpers et al.•ARTICLE•October•1996•Citada por: 27

    1. It has been suggested that the interdisciplinary project of is no longer organized on the model of (as were the disciplines of art history, architectural history, film history, etc.) but on the model of anthropology. Hence, it is argued by some that visual culture is in an eccentric (even, at times, antagonistic) position with regard to the new art history with its social-historical and semiotic imperatives and models of context and text

  • Further Thoughts on Helke Sander's Project

    Annette Michelson, Andreas Huyssen et al.•ARTICLE•October•1995•Citada por: 5

    Annette Michelson: We are here to discuss a work by the important German feminist filmmaker Helke Sander. Although this film won the Nestor Almendros Prize at the Human Rights Film Festival of 1993 in New York and was the subject, last fall, of a day-long symposium at the Graduate Center of the City University, it has not yet received a fully articulated and nuanced response in the United States. It seems to us that the film raises important ques…

  • A Questionnaire on Monuments

    Lucía Allais, Noel W Anderson et al.•ARTICLE•October•2018•Citada por: 4•Referências: 4

    A Questionnaire on Monuments" features 49 responses to questions formulated by Leah Dickerman, Hal Foster, David Joselit, and Carrie Lambert-Beatty: "From Charlottesville to Cape Town, there have been struggles over monuments and other markers involving histories of racial conflict. How do these charged situations shed light on the ethics of images in civil society today? Speaking generally or with specific examples in mind, please consider any o…

  • The Moma Expansion

    Hal Foster, Denis Hollier et al.•ARTICLE•October•1998•Citada por: 4

    Hal Foster: Can you give us a general summary of the competition process? Terence Riley: In brief, a lot of paper was generated by the selection process. Underlying the process of the museum selecting an architect is the presupposition that, for the architect to develop a proposal or a scheme, the museum has to be able to explain to the architect its position on a variety of important issues. In a day-to-day mode, people who work in a building ra…

  • The Reception of the Sixties

    Rosalind Krau, Rosalind Krauss et al.•ARTICLE•October•1994•Citada por: 3

    ous art magazines but of mass-press journalism-was something that shocked us. I'm sure this was experienced by each of us differently, since we all encountered 1960s art and the discourse it generated, and the profound change it effected in artistic practice, at different moments. But we could start by speculating on why we think there is a particular resistance to 1960s art at this moment. What is there in the political or aesthetic situation of…

  • The Politics of the Signifier

    Hal Foster, Rosalind Krau et al.•ARTICLE•October•1993•Citada por: 3

    Hal Foster: The editors of October have decided to begin a series of roundtables in order to explore some of the problems that appear to confront art, theory, and politics with a special urgency in this country today. Recent political events, socioeconomic developments, and institutional changes have transformed the frames in which these practices are enacted and understood. The same is true of historical work in modernist studies, and in future …

  • An Inadequate History of Conceptual Art

    Silvia Kolbowski•ARTICLE•October•2000•Citada por: 2

  • Virgin Territory

    Silvia Kolbowski•ARTICLE•Afterimage•1983

    Other| November 01 1983 Virgin Territory: Gilbert & George’s “Modern Faith” Modern Faith at Sonnabend Gallery, New York April 16-May 14 Silvia Kolbowski Silvia Kolbowski Silvia Kolbowski is an artist and writes on photography. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (1983) 11 (4): 12–13. https://doi.org/10.1525/aft.1983.11.4.12 Views Icon Views Article contents Figures & tables Video Audio Supplementar…

  • Out of Cold Blood

    Silvia Kolbowski•ARTICLE•Afterimage•1986

    Other| June 01 1986 Out of Cold Blood: New Argentine Films Silvia Kolbowski Silvia Kolbowski Silvia Kolbowski is an artist and writer currently visiting in West Berlin. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (1986) 14 (1): 5–7. https://doi.org/10.1525/aft.1986.14.1.5 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Ic…

  • Once More, with Feeling… Already

    Silvia Kolbowski•ARTICLE•October•1993

  • The Politics of the Signifier

    Hal Foster, Rosalind Krau et al.•ARTICLE•October•1993•Citada por: 3

    Hal Foster: The editors of October have decided to begin a series of roundtables in order to explore some of the problems that appear to confront art, theory, and politics with a special urgency in this country today. Recent political events, socioeconomic developments, and institutional changes have transformed the frames in which these practices are enacted and understood. The same is true of historical work in modernist studies, and in future …

  • The Reception of the Sixties

    Rosalind Krau, Rosalind Krauss et al.•ARTICLE•October•1994•Citada por: 3

    ous art magazines but of mass-press journalism-was something that shocked us. I'm sure this was experienced by each of us differently, since we all encountered 1960s art and the discourse it generated, and the profound change it effected in artistic practice, at different moments. But we could start by speculating on why we think there is a particular resistance to 1960s art at this moment. What is there in the political or aesthetic situation of…

  • Further Thoughts on Helke Sander's Project

    Annette Michelson, Andreas Huyssen et al.•ARTICLE•October•1995•Citada por: 5

    Annette Michelson: We are here to discuss a work by the important German feminist filmmaker Helke Sander. Although this film won the Nestor Almendros Prize at the Human Rights Film Festival of 1993 in New York and was the subject, last fall, of a day-long symposium at the Graduate Center of the City University, it has not yet received a fully articulated and nuanced response in the United States. It seems to us that the film raises important ques…

  • Visual Culture Questionnaire

    Svetlana Alper, Svetlana Alpers et al.•ARTICLE•October•1996•Citada por: 27

    1. It has been suggested that the interdisciplinary project of is no longer organized on the model of (as were the disciplines of art history, architectural history, film history, etc.) but on the model of anthropology. Hence, it is argued by some that visual culture is in an eccentric (even, at times, antagonistic) position with regard to the new art history with its social-historical and semiotic imperatives and models of context and text

  • The Moma Expansion

    Hal Foster, Denis Hollier et al.•ARTICLE•October•1998•Citada por: 4

    Hal Foster: Can you give us a general summary of the competition process? Terence Riley: In brief, a lot of paper was generated by the selection process. Underlying the process of the museum selecting an architect is the presupposition that, for the architect to develop a proposal or a scheme, the museum has to be able to explain to the architect its position on a variety of important issues. In a day-to-day mode, people who work in a building ra…

  • An Inadequate History of Conceptual Art

    Silvia Kolbowski•ARTICLE•October•2000•Citada por: 2

  • Diary of a Buren Spectator

    Silvia Kolbowski•ARTICLE•October•2006

    January 01 2006 Diary of a Buren Spectator Silvia Kolbowski Silvia Kolbowski Search for other works by this author on: This Site Google Scholar Author and Article Information Silvia Kolbowski Silvia Kolbowski is an artist whose scope of address includes the ethics and politics of history, culture, and the unconscious. Her most recent project, Proximity to Power, American Style, a slide and audio work about the relational aspects of masculine powe…

  • A Questionnaire on Monuments

    Lucía Allais, Noel W Anderson et al.•ARTICLE•October•2018•Citada por: 4•Referências: 4

    A Questionnaire on Monuments" features 49 responses to questions formulated by Leah Dickerman, Hal Foster, David Joselit, and Carrie Lambert-Beatty: "From Charlottesville to Cape Town, there have been struggles over monuments and other markers involving histories of racial conflict. How do these charged situations shed light on the ethics of images in civil society today? Speaking generally or with specific examples in mind, please consider any o…

Art (10 obras) · Aesthetics (5 obras) · Computer Science (5 obras) · Philosophy (5 obras) · Art, Politics, and Modernism (4 obras) · Philosophy (4 obras) · Citation (3 obras) · Epistemology (3 obras) · Icon (3 obras) · Law (3 obras)

Ethnos_APP • Projeto Open Source • Licença MIT • Frontend v2.0.0 • Privacidade e Cookies • Documentação da API: api.ethnos.app/docs • Código da API: GitHub • DOI: 10.5281/zenodo.17049435 • Código do Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae