Janaki Bakhle
Dados Biográficos
| ID | 163219 |
|---|---|
| NOME | Janaki Bakhle |
| PRENOMES | Janaki |
| SOBRENOME | Bakhle |
| ASSINATURA | BAKHLE J |
| AFILIAÇÕES | Columbia University |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 7 |
| TOTAL DE CITAÇÕES | 15 |
| TOTAL COMO AUTOR | 7 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2005 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2024 |
| ÍNDICE H | 3 |
Savarkar and the Making of Hindutva
Savarkar (1883–1966), Sedition and Surveillance
In March 1910, after two years of sustained surveillance by the colonial government, a young Indian revolutionary nationalist, Vinayak Damodar Savarkar (1883–1966), was arrested in London and extradited to India for trial. Among the charges he faced was the curious one of sedition. Using Savarkar as the starting point – and concluding with Gandhi's own encounter with sedition – this essay argues that sedition law had a critical, and extended, lif…
Country First? Vinayak Damodar Savarkar (1883-1966) and the Writing of Essentials of Hindutva
This essay analyzes and historically contextualizes the timing and the rhetorical style of V. D. Savarkar's infamous extended essay Essentials of Hindutva, originally written in English. The author argues that the text was written as a response to both the Khilafat movement (1920-24) and Mohandas Karamchand Gandhi's support of it. She shows how Savarkar addressed this text, written behind prison walls, to a Hindu community to claim that Savarkar'…
Peasant Pasts
Music as the Sound of the Secular
Few debates have maintained as persistent and passionate a level of interest and international scope-whether in the United States, France, or Turkey-as that around secularism. A cursory glance at the titles alone of books and articles on the subject tells us that this is a debate in which serious personal and political stakes are invested. At the very least the debate has been generated by the recognition that a new language of politics is needed…
The Prince and the Musician
This chapter raises questions about the daily lives of court-appointed musicians, looking at their daily routines and what was expected of them. If one puts aside both nostalgia and romance, it becomes clear that a regime of colonial discipline had long been in place in princely states like Baroda. Not only was music systematized by the end of the 19th century, musicians were treated less as artists who adorned the court and more as salaried empl…
Two Men and Music
This book is a provocative account of the development of modern national culture in India using classical music as a case study. The author demonstrates how the emergence of an “Indian” cultural tradition reflected colonial and exclusionary practices, particularly the exclusion of Muslims by the Brahmanic elite, which occurred despite the fact that Muslims were the major practitioners of the Indian music that was installed as a “Hindu” national t…
Savarkar (1883–1966), Sedition and Surveillance
In March 1910, after two years of sustained surveillance by the colonial government, a young Indian revolutionary nationalist, Vinayak Damodar Savarkar (1883–1966), was arrested in London and extradited to India for trial. Among the charges he faced was the curious one of sedition. Using Savarkar as the starting point – and concluding with Gandhi's own encounter with sedition – this essay argues that sedition law had a critical, and extended, lif…
Country First? Vinayak Damodar Savarkar (1883-1966) and the Writing of Essentials of Hindutva
This essay analyzes and historically contextualizes the timing and the rhetorical style of V. D. Savarkar's infamous extended essay Essentials of Hindutva, originally written in English. The author argues that the text was written as a response to both the Khilafat movement (1920-24) and Mohandas Karamchand Gandhi's support of it. She shows how Savarkar addressed this text, written behind prison walls, to a Hindu community to claim that Savarkar'…
Music as the Sound of the Secular
Few debates have maintained as persistent and passionate a level of interest and international scope-whether in the United States, France, or Turkey-as that around secularism. A cursory glance at the titles alone of books and articles on the subject tells us that this is a debate in which serious personal and political stakes are invested. At the very least the debate has been generated by the recognition that a new language of politics is needed…
The Prince and the Musician
This chapter raises questions about the daily lives of court-appointed musicians, looking at their daily routines and what was expected of them. If one puts aside both nostalgia and romance, it becomes clear that a regime of colonial discipline had long been in place in princely states like Baroda. Not only was music systematized by the end of the 19th century, musicians were treated less as artists who adorned the court and more as salaried empl…
Two Men and Music
This book is a provocative account of the development of modern national culture in India using classical music as a case study. The author demonstrates how the emergence of an “Indian” cultural tradition reflected colonial and exclusionary practices, particularly the exclusion of Muslims by the Brahmanic elite, which occurred despite the fact that Muslims were the major practitioners of the Indian music that was installed as a “Hindu” national t…
Peasant Pasts
Music as the Sound of the Secular
Few debates have maintained as persistent and passionate a level of interest and international scope-whether in the United States, France, or Turkey-as that around secularism. A cursory glance at the titles alone of books and articles on the subject tells us that this is a debate in which serious personal and political stakes are invested. At the very least the debate has been generated by the recognition that a new language of politics is needed…
Savarkar (1883–1966), Sedition and Surveillance
In March 1910, after two years of sustained surveillance by the colonial government, a young Indian revolutionary nationalist, Vinayak Damodar Savarkar (1883–1966), was arrested in London and extradited to India for trial. Among the charges he faced was the curious one of sedition. Using Savarkar as the starting point – and concluding with Gandhi's own encounter with sedition – this essay argues that sedition law had a critical, and extended, lif…
Country First? Vinayak Damodar Savarkar (1883-1966) and the Writing of Essentials of Hindutva
This essay analyzes and historically contextualizes the timing and the rhetorical style of V. D. Savarkar's infamous extended essay Essentials of Hindutva, originally written in English. The author argues that the text was written as a response to both the Khilafat movement (1920-24) and Mohandas Karamchand Gandhi's support of it. She shows how Savarkar addressed this text, written behind prison walls, to a Hindu community to claim that Savarkar'…
Savarkar and the Making of Hindutva
Law (5 obras) · Political science (5 obras) · Sociology (4 obras) · Art (3 obras) · History (3 obras) · Indian History and Philosophy (3 obras) · Anthropological Studies and Insights (2 obras) · Hindutva (2 obras) · History (2 obras) · Literature (2 obras)