Sylvia Nannyonga-Tamusuza
Dados Biográficos
| ID | 163221 |
|---|---|
| NOME | Sylvia Nannyonga-Tamusuza |
| PRENOMES | Sylvia |
| SOBRENOME | Nannyonga-Tamusuza |
| ASSINATURA | NANNYONGA-TAMUSUZA S |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 4 |
| TOTAL DE CITAÇÕES | 37 |
| TOTAL COMO AUTOR | 4 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2009 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2015 |
| ÍNDICE H | 3 |
A Response to Peter Cooke’s Response
In the spirit of scholarly dialogue about issues of common concern, we would like to respond to Peter Cooke’s critique of our article “The Audible Future: Reimagining the Role of Sound Archives and Sound Repatriation in Uganda” (Ethnomusicology 56:2). His comments appear to be based on misunderstandings of our statements and on personal interpretations with which we take issue. We did not state in the article that Wachsmann mistreated or infringe…
Music as Dance and Dance as Music
The integration of music and dance among African people is a well-articulated phenomenon both within and outside of ethnomusicology (e.g., Blacking 1973; Hanna 1973; Nketia 1974; Stone 1998; Mans 2002; Gilman 2009; Mason 2012:5). As Ruth Stone reports, "African performance is a highly wrapped bundle of arts that are sometimes difficult to separate, even for analysis. Singing, playing instruments, dancing, masquerading and dramatizing are part of …
The Audible Future
Research Article| May 01 2012 The Audible Future: Reimagining the Role of Sound Archives and Sound Repatriation in Uganda Sylvia Nannyonga-Tamusuza; Sylvia Nannyonga-Tamusuza Search for other works by this author on: This Site Google Andrew N. Weintraub Andrew N. Weintraub Search for other works by this author on: This Site Google Ethnomusicology (2012) 56 (2): 206-233. https://doi.org/10.5406/ethnomusicology.56.2.0206 Cite Icon Cite Share Icon S…
Female-men, male-women, and others
Not all males are men and neither are all females women. A historical review of gender in Buganda confirms that gender is a construction and that the gendering process, based partly on biological factors and partly on arbitrary and cultural traits, relates dialectally with social, cultural and political forces that have shaped Buganda's society. This essay examines this history to chart the construction and negotiation of gender among Baganda fro…
The Audible Future
Research Article| May 01 2012 The Audible Future: Reimagining the Role of Sound Archives and Sound Repatriation in Uganda Sylvia Nannyonga-Tamusuza; Sylvia Nannyonga-Tamusuza Search for other works by this author on: This Site Google Andrew N. Weintraub Andrew N. Weintraub Search for other works by this author on: This Site Google Ethnomusicology (2012) 56 (2): 206-233. https://doi.org/10.5406/ethnomusicology.56.2.0206 Cite Icon Cite Share Icon S…
Female-men, male-women, and others
Not all males are men and neither are all females women. A historical review of gender in Buganda confirms that gender is a construction and that the gendering process, based partly on biological factors and partly on arbitrary and cultural traits, relates dialectally with social, cultural and political forces that have shaped Buganda's society. This essay examines this history to chart the construction and negotiation of gender among Baganda fro…
Music as Dance and Dance as Music
The integration of music and dance among African people is a well-articulated phenomenon both within and outside of ethnomusicology (e.g., Blacking 1973; Hanna 1973; Nketia 1974; Stone 1998; Mans 2002; Gilman 2009; Mason 2012:5). As Ruth Stone reports, "African performance is a highly wrapped bundle of arts that are sometimes difficult to separate, even for analysis. Singing, playing instruments, dancing, masquerading and dramatizing are part of …
Female-men, male-women, and others
Not all males are men and neither are all females women. A historical review of gender in Buganda confirms that gender is a construction and that the gendering process, based partly on biological factors and partly on arbitrary and cultural traits, relates dialectally with social, cultural and political forces that have shaped Buganda's society. This essay examines this history to chart the construction and negotiation of gender among Baganda fro…
The Audible Future
Research Article| May 01 2012 The Audible Future: Reimagining the Role of Sound Archives and Sound Repatriation in Uganda Sylvia Nannyonga-Tamusuza; Sylvia Nannyonga-Tamusuza Search for other works by this author on: This Site Google Andrew N. Weintraub Andrew N. Weintraub Search for other works by this author on: This Site Google Ethnomusicology (2012) 56 (2): 206-233. https://doi.org/10.5406/ethnomusicology.56.2.0206 Cite Icon Cite Share Icon S…
A Response to Peter Cooke’s Response
In the spirit of scholarly dialogue about issues of common concern, we would like to respond to Peter Cooke’s critique of our article “The Audible Future: Reimagining the Role of Sound Archives and Sound Repatriation in Uganda” (Ethnomusicology 56:2). His comments appear to be based on misunderstandings of our statements and on personal interpretations with which we take issue. We did not state in the article that Wachsmann mistreated or infringe…
Music as Dance and Dance as Music
The integration of music and dance among African people is a well-articulated phenomenon both within and outside of ethnomusicology (e.g., Blacking 1973; Hanna 1973; Nketia 1974; Stone 1998; Mans 2002; Gilman 2009; Mason 2012:5). As Ruth Stone reports, "African performance is a highly wrapped bundle of arts that are sometimes difficult to separate, even for analysis. Singing, playing instruments, dancing, masquerading and dramatizing are part of …
Art (3 obras) · Diverse Musicological Studies (3 obras) · Ethnomusicology (3 obras) · Music History and Culture (3 obras) · Sociology (3 obras) · Visual arts (3 obras) · Acoustics (2 obras) · Aesthetics (2 obras) · Law (2 obras) · Law (2 obras)