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Katherine Farrimond

Dados Biográficos

ID1634696
NOMEKatherine Farrimond
PRENOMESKatherine
SOBRENOMEFarrimond
ASSINATURAFARRIMOND K
AFILIAÇÕESNewcastle University
ORCID0000-0002-0718-9825
VERIFICADOSim
TOTAL DE OBRAS6
TOTAL DE CITAÇÕES1
TOTAL COMO AUTOR6
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2012
ANO MAIS RECENTE DE PUBLICAÇÃO2025
ÍNDICE H1
  • Moderating Glamour

    Open Access•Katherine Farrimond•ARTICLE•Open Screens•2025

    ‘Femme fatale’ is an enduring and evocative term connected with femininity, glamour, danger and sexuality. Although it is most often theorised in relation to cinema, literature and art, ‘femme fatale’ is also used in advertising and online shopping, as well as lifestyle media, reality competition shows and beauty tutorials. Here I examine a range of these examples and argue that such appearances not only produce meaning about the femme fatale as …

  • Same-Old, Same-Old”

    Open Access•Katherine Farrimond•ARTICLE•Fashion Theory•2025•Referências: 5

    In this article I explore the idea of ‘signature style’ in celebrity media culture, and outline its relationship to competing demands of recognisability, reinvention, individuality and typicality that inform the celebrity image. I take ‘retro’ as an example, an aesthetic which I understand as broadly and flexibly referencing Western mid-century fashions. My case studies are singer and actress Andra Day and burlesque performer Dita Von Teese, and …

  • The Contemporary Femme Fatale

    Katherine Farrimond•BOOK•Contemporary Femme Fatale•2017

    The femme fatale occupies a precarious yet highly visible space in contemporary cinema. From sci-fi alien women to teenage bad girls, filmmakers continue to draw on the notion of the sexy deadly woman in ways which traverse boundaries of genre and narrative. This book charts the articulations of the femme fatale in American cinema of the past twenty years, and contends that, despite her problematic relationship with feminism, she offers a vital m…

  • Transgressive bodies

    Open Access•Katherine Farrimond•ARTICLE•Feminist Theory•2013

  • Third wave feminism and the politics of gender in late modernity

    Farrimond Katherine, Katherine Farrimond•ARTICLE•Journal of Gender Studies•2013

    SHELLEY, BUDGEON, , 2011, Basingstoke: Palgrave, 216 pp, ISBN 9780230580909, £55 (hardback) Feminism in late modernity constitutes a complex negotiation of twentieth-century feminist histories, as

  • Stay Still So We Can See Who You Are’

    Katherine Farrimond•ARTICLE•Journal of Bisexuality•2012•Citada por: 1•Referências: 2

    Within the huge proliferation of femme fatale figures in Western cinema of the past two decades, one of the most striking patterns is the frequency of femme fatale characters who seduce women as well as men; indeed, a large proportion of recent films featuring bisexually active women cast such characters as sexy, deadly, femme fatale types. Drawing on recent theoretical work on the bisexual body, this article explores the implications of the femm…

  • Stay Still So We Can See Who You Are’

    Katherine Farrimond•ARTICLE•Journal of Bisexuality•2012•Citada por: 1•Referências: 2

    Within the huge proliferation of femme fatale figures in Western cinema of the past two decades, one of the most striking patterns is the frequency of femme fatale characters who seduce women as well as men; indeed, a large proportion of recent films featuring bisexually active women cast such characters as sexy, deadly, femme fatale types. Drawing on recent theoretical work on the bisexual body, this article explores the implications of the femm…

  • Stay Still So We Can See Who You Are’

    Katherine Farrimond•ARTICLE•Journal of Bisexuality•2012•Citada por: 1•Referências: 2

    Within the huge proliferation of femme fatale figures in Western cinema of the past two decades, one of the most striking patterns is the frequency of femme fatale characters who seduce women as well as men; indeed, a large proportion of recent films featuring bisexually active women cast such characters as sexy, deadly, femme fatale types. Drawing on recent theoretical work on the bisexual body, this article explores the implications of the femm…

  • Transgressive bodies

    Open Access•Katherine Farrimond•ARTICLE•Feminist Theory•2013

  • Third wave feminism and the politics of gender in late modernity

    Farrimond Katherine, Katherine Farrimond•ARTICLE•Journal of Gender Studies•2013

    SHELLEY, BUDGEON, , 2011, Basingstoke: Palgrave, 216 pp, ISBN 9780230580909, £55 (hardback) Feminism in late modernity constitutes a complex negotiation of twentieth-century feminist histories, as

  • The Contemporary Femme Fatale

    Katherine Farrimond•BOOK•Contemporary Femme Fatale•2017

    The femme fatale occupies a precarious yet highly visible space in contemporary cinema. From sci-fi alien women to teenage bad girls, filmmakers continue to draw on the notion of the sexy deadly woman in ways which traverse boundaries of genre and narrative. This book charts the articulations of the femme fatale in American cinema of the past twenty years, and contends that, despite her problematic relationship with feminism, she offers a vital m…

  • Moderating Glamour

    Open Access•Katherine Farrimond•ARTICLE•Open Screens•2025

    ‘Femme fatale’ is an enduring and evocative term connected with femininity, glamour, danger and sexuality. Although it is most often theorised in relation to cinema, literature and art, ‘femme fatale’ is also used in advertising and online shopping, as well as lifestyle media, reality competition shows and beauty tutorials. Here I examine a range of these examples and argue that such appearances not only produce meaning about the femme fatale as …

  • Same-Old, Same-Old”

    Open Access•Katherine Farrimond•ARTICLE•Fashion Theory•2025•Referências: 5

    In this article I explore the idea of ‘signature style’ in celebrity media culture, and outline its relationship to competing demands of recognisability, reinvention, individuality and typicality that inform the celebrity image. I take ‘retro’ as an example, an aesthetic which I understand as broadly and flexibly referencing Western mid-century fashions. My case studies are singer and actress Andra Day and burlesque performer Dita Von Teese, and …

Art (4 obras) · Sociology (3 obras) · Cinema and Media Studies (2 obras) · Gender Studies (2 obras) · Gender, Feminism, and Media (2 obras) · Historical Gender and Feminism Studies (2 obras) · Literature (2 obras) · Philosophy (2 obras) · Popular culture (2 obras) · Psychology (2 obras)

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