Tore Rye Andersen
Dados Biográficos
| ID | 1638271 |
|---|---|
| NOME | Tore Rye Andersen |
| PRENOMES | Tore Rye |
| SOBRENOME | Andersen |
| ASSINATURA | ANDERSEN T R |
| AFILIAÇÕES | University of Stavanger |
| ORCID | 0009-0005-1040-9509 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 6 |
| TOTAL DE CITAÇÕES | 5 |
| TOTAL COMO AUTOR | 6 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1980 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2026 |
| ÍNDICE H | 1 |
Roaming Pauses in Cormac McCarthy’s The Road
This article discusses a textual feature in Cormac McCarthy’s novel The Road (2006) that has hitherto been misunderstood by the reception, namely the spaced ellipses between several paragraphs which are considered by notable McCarthy scholars to signal particularly distinct pauses in the textual flow of the novel. The article demonstrates that this is a misperception with significant consequences for the interpretation of the story’s rhythm. Draw…
Snow globes and instant coffee
Fredric Jameson’s 1984 essay ‘Postmodernism, or the Cultural Logic of Late Capitalism’ famously calls for new forms of representation that can provide a better notion of the sublime world space of multinational capital. Jameson states that such aesthetic scale models are yet unrealised, but this essay argues that a number of contemporary novels, including Emily St. John Mandel's Station Eleven, Ben Lerner's 10:04 and works by Matias Faldbakken, S…
The poem has stayed with me
Encounters with literary texts can lead to deeply cherished memories, some of which readers may ascribe powerful and enduring functions to in terms of acquired life insights, behavioral changes, consolation, and well-being. The present article charts how texts relate to readers' experiences and how these text-experiences are related to how they are remembered. In the context of a Shared Reading group for people living with cancer, a multiple-case…
The First (and Second) Coming of David Foster Wallace’s Infinite Jest
Before the publication of Infinite Jest in 1996, no less than a dozen excerpts from Wallace’s novel had already been published in various journals and magazines. The essay presents the first complete overview of these previously neglected excerpts and analyzes how they frame Infinite Jest . Drawing on theories by Bryant, McGann and Bhaskar, the analysis shows that the excerpts function as ‘paracontent’ that occupies a gray area between self-conta…
Pay Attention! David Foster Wallace and his Real Enemies
In his 1993 interview with Larry McCaffery, David Foster Wallace famously proclaimed postmodern authors like John Barth, Thomas Pynchon and Vladimir Nabokov to be his real enemies, patriarchs for his patricide. This unambiguous statement of aesthetic intent laid down a clear set of guidelines for literary critics, and much of the subsequent critical reception of Wallace has followed the path set down by Wallace in the early 1990s. While there are…
Omkring Else Kant
Omkring Else Kant
Pay Attention! David Foster Wallace and his Real Enemies
In his 1993 interview with Larry McCaffery, David Foster Wallace famously proclaimed postmodern authors like John Barth, Thomas Pynchon and Vladimir Nabokov to be his real enemies, patriarchs for his patricide. This unambiguous statement of aesthetic intent laid down a clear set of guidelines for literary critics, and much of the subsequent critical reception of Wallace has followed the path set down by Wallace in the early 1990s. While there are…
The poem has stayed with me
Encounters with literary texts can lead to deeply cherished memories, some of which readers may ascribe powerful and enduring functions to in terms of acquired life insights, behavioral changes, consolation, and well-being. The present article charts how texts relate to readers' experiences and how these text-experiences are related to how they are remembered. In the context of a Shared Reading group for people living with cancer, a multiple-case…
Omkring Else Kant
Omkring Else Kant
Pay Attention! David Foster Wallace and his Real Enemies
In his 1993 interview with Larry McCaffery, David Foster Wallace famously proclaimed postmodern authors like John Barth, Thomas Pynchon and Vladimir Nabokov to be his real enemies, patriarchs for his patricide. This unambiguous statement of aesthetic intent laid down a clear set of guidelines for literary critics, and much of the subsequent critical reception of Wallace has followed the path set down by Wallace in the early 1990s. While there are…
The First (and Second) Coming of David Foster Wallace’s Infinite Jest
Before the publication of Infinite Jest in 1996, no less than a dozen excerpts from Wallace’s novel had already been published in various journals and magazines. The essay presents the first complete overview of these previously neglected excerpts and analyzes how they frame Infinite Jest . Drawing on theories by Bryant, McGann and Bhaskar, the analysis shows that the excerpts function as ‘paracontent’ that occupies a gray area between self-conta…
Snow globes and instant coffee
Fredric Jameson’s 1984 essay ‘Postmodernism, or the Cultural Logic of Late Capitalism’ famously calls for new forms of representation that can provide a better notion of the sublime world space of multinational capital. Jameson states that such aesthetic scale models are yet unrealised, but this essay argues that a number of contemporary novels, including Emily St. John Mandel's Station Eleven, Ben Lerner's 10:04 and works by Matias Faldbakken, S…
The poem has stayed with me
Encounters with literary texts can lead to deeply cherished memories, some of which readers may ascribe powerful and enduring functions to in terms of acquired life insights, behavioral changes, consolation, and well-being. The present article charts how texts relate to readers' experiences and how these text-experiences are related to how they are remembered. In the context of a Shared Reading group for people living with cancer, a multiple-case…
Roaming Pauses in Cormac McCarthy’s The Road
This article discusses a textual feature in Cormac McCarthy’s novel The Road (2006) that has hitherto been misunderstood by the reception, namely the spaced ellipses between several paragraphs which are considered by notable McCarthy scholars to signal particularly distinct pauses in the textual flow of the novel. The article demonstrates that this is a misperception with significant consequences for the interpretation of the story’s rhythm. Draw…
Art (4 obras) · Contemporary Literature and Criticism (3 obras) · History (3 obras) · Sociology (3 obras) · Epistemology (2 obras) · History (2 obras) · Literature (2 obras) · Narrative Theory and Analysis (2 obras) · Political science (2 obras) · Psychology (2 obras)