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Rita Nnodim

Dados Biográficos

ID164214
NOMERita Nnodim
PRENOMESRita
SOBRENOMENnodim
ASSINATURANNODIM R
ORCID0000-0002-8180-3635
VERIFICADOSim
TOTAL DE OBRAS4
TOTAL DE CITAÇÕES9
OBRAS COMO AUTOR4
OBRAS COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2005
ANO MAIS RECENTE DE PUBLICAÇÃO2011
ÍNDICE H1
  • Odun

    Rita Nnodim, Nnodim Nnodim•ARTICLE•Research in African Literatures•2011

    Reviewed by: Odun: Discourses, Strategies, and Power in the Yoruba Play of Transformation Rita Nnodim Odun: Discourses, Strategies, and Power in the Yoruba Play of Transformation By Cristina Boscolo Cross/Cultures 111. Amsterdam: Rodopi, 2009. xxx + 337 pp. ISBN 978-90-420-2680-3 cloth. Cristina Boscolo’s work is an insightful contribution to the interdisciplinary field of Yoruba performance studies. She situates her work in the context of an in-…

  • City, identity and dystopia

    Rita Nnodim•ARTICLE•Journal of Postcolonial Writing•2008•Citada por: 8•Referências: 2

    This article aims to explore the poetics and politics of urban spaces and identities in an African metropolis by studying how novels such as Chris Abani's Graceland (2004 Abani, Chris. 2004. Graceland, New York: Farrar. [Google Scholar]), Sefi Atta's Everything Good Will Come (2005 Atta, Sefi. 2005. Everything Good Will Come, Northampton: Interlink. [Google Scholar]), Helon Habila's Waiting for an Angel (2002 Habila, Helon. 2002. Waiting for an A…

  • Configuring Audiences in Yor b Novels, Print and Media Poetry

    Rita Nnodim•ARTICLE•Research in African Literatures•2006

    Daniel Olorunfemi Fagunwa's popularly-read novel Ogboju Ode Ninu Igbo Irunmale (The brave hunter in the forest of 400 deities) begins with narrator imagining his audience, f iguring his reading audience proverbially as the dancing audience responding to the drummed words of the narratordrummer, as the wise audience who will interpret the performance. This article is, in nutshell, about imagining, convening, and addressing audiences in Yoruba lite…

  • Yorùbá Neotraditional Media Poetry

    Rita Nnodim•ARTICLE•Matatu•2005•Citada por: 1

  • City, identity and dystopia

    Rita Nnodim•ARTICLE•Journal of Postcolonial Writing•2008•Citada por: 8•Referências: 2

    This article aims to explore the poetics and politics of urban spaces and identities in an African metropolis by studying how novels such as Chris Abani's Graceland (2004 Abani, Chris. 2004. Graceland, New York: Farrar. [Google Scholar]), Sefi Atta's Everything Good Will Come (2005 Atta, Sefi. 2005. Everything Good Will Come, Northampton: Interlink. [Google Scholar]), Helon Habila's Waiting for an Angel (2002 Habila, Helon. 2002. Waiting for an A…

  • Yorùbá Neotraditional Media Poetry

    Rita Nnodim•ARTICLE•Matatu•2005•Citada por: 1

  • Yorùbá Neotraditional Media Poetry

    Rita Nnodim•ARTICLE•Matatu•2005•Citada por: 1

  • Configuring Audiences in Yor b Novels, Print and Media Poetry

    Rita Nnodim•ARTICLE•Research in African Literatures•2006

    Daniel Olorunfemi Fagunwa's popularly-read novel Ogboju Ode Ninu Igbo Irunmale (The brave hunter in the forest of 400 deities) begins with narrator imagining his audience, f iguring his reading audience proverbially as the dancing audience responding to the drummed words of the narratordrummer, as the wise audience who will interpret the performance. This article is, in nutshell, about imagining, convening, and addressing audiences in Yoruba lite…

  • City, identity and dystopia

    Rita Nnodim•ARTICLE•Journal of Postcolonial Writing•2008•Citada por: 8•Referências: 2

    This article aims to explore the poetics and politics of urban spaces and identities in an African metropolis by studying how novels such as Chris Abani's Graceland (2004 Abani, Chris. 2004. Graceland, New York: Farrar. [Google Scholar]), Sefi Atta's Everything Good Will Come (2005 Atta, Sefi. 2005. Everything Good Will Come, Northampton: Interlink. [Google Scholar]), Helon Habila's Waiting for an Angel (2002 Habila, Helon. 2002. Waiting for an A…

  • Odun

    Rita Nnodim, Nnodim Nnodim•ARTICLE•Research in African Literatures•2011

    Reviewed by: Odun: Discourses, Strategies, and Power in the Yoruba Play of Transformation Rita Nnodim Odun: Discourses, Strategies, and Power in the Yoruba Play of Transformation By Cristina Boscolo Cross/Cultures 111. Amsterdam: Rodopi, 2009. xxx + 337 pp. ISBN 978-90-420-2680-3 cloth. Cristina Boscolo’s work is an insightful contribution to the interdisciplinary field of Yoruba performance studies. She situates her work in the context of an in-…

Art (4 obras) · Literature (4 obras) · Sociology (4 obras) · Aesthetics (3 obras) · History (3 obras) · Poetry (3 obras) · Context (archaeology) (2 obras) · Digital Games and Media (2 obras) · Linguistics (2 obras) · Media, Communication, and Education (2 obras)

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