Christopher Segall
Dados Biográficos
| ID | 1645131 |
|---|---|
| NOME | Christopher Segall |
| PRENOMES | Christopher |
| SOBRENOME | Segall |
| ASSINATURA | SEGALL C |
| AFILIAÇÕES | University of Cincinnati |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 3 |
| TOTAL DE CITAÇÕES | 0 |
| OBRAS COMO AUTOR | 3 |
| OBRAS COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2014 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2020 |
| ÍNDICE H | 0 |
Yuri Kholopov and Twelve-Toneness
Twelve-tone composition and theory experienced a belated start in the Soviet Union. Composers and theorists of the 1960s-80s, suddenly able to engage with twelve-tone technique, found themselves constructing a notion of a practice that had been initiated long in the past. Yuri Kholopov, the theorist who first wrote of "twelve-toneness," a particular broad conception of twelve-tone and related techniques of the early twentieth century, was faced w…
Prokofiev’s Symphony no. 2, Yuri Kholopov, and the Theory of Twelve-Tone Chords
A small collection of works, including Prokofiev’s Symphony no. 2 (1924), include chords with all twelve pitch classes. Yuri Kholopov, the foremost late-Soviet theorist, considered twelve-tone chords a branch of twelve-tone technique. Taking Prokofiev and Kholopov as a starting point, and building on prior scholarship by Martina Homma, I assemble a history and theory of twelve-tone chords. The central theoretical problem is that of differentiatio…
Sergei Taneev's Vertical-Shifting Counterpoint
In his 1909 treatisePodvizhnoi kontrapunkt strogogo pis'ma(Movable counterpoint in the strict style), Sergei Taneev reconceived invertible counterpoint as a type of "vertical-shifting" counterpoint, in which the voices move higher or lower in pitch but do not necessarily cross. The conditions on vertical shifting at all intervals operate according to the same mathematical principles; Taneev's system allows these conditions to be efficiently calcu…
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Sergei Taneev's Vertical-Shifting Counterpoint
In his 1909 treatisePodvizhnoi kontrapunkt strogogo pis'ma(Movable counterpoint in the strict style), Sergei Taneev reconceived invertible counterpoint as a type of "vertical-shifting" counterpoint, in which the voices move higher or lower in pitch but do not necessarily cross. The conditions on vertical shifting at all intervals operate according to the same mathematical principles; Taneev's system allows these conditions to be efficiently calcu…
Prokofiev’s Symphony no. 2, Yuri Kholopov, and the Theory of Twelve-Tone Chords
A small collection of works, including Prokofiev’s Symphony no. 2 (1924), include chords with all twelve pitch classes. Yuri Kholopov, the foremost late-Soviet theorist, considered twelve-tone chords a branch of twelve-tone technique. Taking Prokofiev and Kholopov as a starting point, and building on prior scholarship by Martina Homma, I assemble a history and theory of twelve-tone chords. The central theoretical problem is that of differentiatio…
Yuri Kholopov and Twelve-Toneness
Twelve-tone composition and theory experienced a belated start in the Soviet Union. Composers and theorists of the 1960s-80s, suddenly able to engage with twelve-tone technique, found themselves constructing a notion of a practice that had been initiated long in the past. Yuri Kholopov, the theorist who first wrote of "twelve-toneness," a particular broad conception of twelve-tone and related techniques of the early twentieth century, was faced w…
Musicology and Musical Analysis (3 obras) · Art (2 obras) · Literature (2 obras) · Mathematics (2 obras) · Music Technology and Sound Studies (2 obras) · Musical (2 obras) · Computer Science (1 obra) · Counterpoint (1 obra) · Diverse Musicological Studies (1 obra) · Epistemology (1 obra)